Three free improvisations for voice & double bass + improvisations on Hugo Ball's Six Sound Poems from the duo of free improvising vocalist Jaap Blonk and double bassist Damon Smith.
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Balance Point Acoustics
Catalog ID: BPA-4
Squidco Product Code: 20002
Packaging: Cardboard sleeve
Recorded at KUHF on May 26th, 2014 by Ryan Edwards.
Highlight an artist name or instrument above
and click here to Search
1. Prelude 7:35
2. Wolken (Clouds) 6:09
3. Katzen Und Pfauen (Cats and Peacocks) 4:38
4. Karawane (Caravan) 5:58
5. Interlude 7:35
6. Gadji Beri Bimba 5:57
7. Totenklage (Dirge) 7:04
8. Seepferdchen Und Flugfische (Seahorses and Flying Fish) 5:20
9. Postlude 7:59
Unusual Vocal Forms
West Coast/Pacific US Jazz
sample the album:
"This recording is a modern interpretation of sound poems written and performed by German Dadaist Hugo Ball almost a century ago. Those familiar with Ball know him as the author of these innovative works and founder of the Cabaret Voltaire, Dada's Zurich birthplace. Despite the sound poems' artistic legacy, they constitute only a small part of Ball's creative output. The purpose of these liner notes, then, is to consider the complex life and work of the man behind the sound poems.
Ball was born in western Germany at the end of the nineteenth century to a large Catholic family with ties to the region's leather industry. His parents pushed him to learn a useful trade, but young Ball identified as an artist. He studied literature and philosophy at university before leaving to learn acting. Germany's thriving experimental theater community would be his creative home from 1911 until 1915.
Ball excelled as a dramaturge, championing new repertoire, promoting local actors, and writing influential essays on modern theater. World War I interrupted his collaboration with the painter Wassily Kandinsky on what they called the New Theater, one "bursting at once in dance, color, mime, music, and word." (Ball, "Das Münchner Künstlertheater,"1914) It would be a Gesamtkunstwerk for the twentieth century, a vision Ball later realized at the Cabaret Voltaire.[...]"-Melissa Venator, from the liner notes
• Show Bio for Damon Smith
"Damon Smith studied double bass with Lisle Ellis and has had lessons with Bertram Turezky, Joëlle Leandré, John Lindberg, Mark Dresser and others. Damon's explorations into the sonic palette of the double bass have resulted in a personal, flexible improvisational language based in the American jazz avant-garde movement and European non-idiomatic free improvisation. Visual art, film and dance heavily influence his music, as evidenced by his CAMH performance of Ben Patterson's Variations for Double Bass, collaborations with director Werner Herzog on soundtracks for Grizzly Man and Encounters at the End of the World, and an early performance with the Merce Cunningham Dance Company.
Damon has collaborated with a wide range of musicians, including: Cecil Taylor, Marshall Allen (of Sun Ra's Arkestra), Henry Kaiser, Roscoe Mitchell, Michael Pisaro, Wadada Leo Smith, Marco Eneidi, Wolfgang Fuchs, Peter Brötzmann and Peter Kowald. After many years in the San Francisco Bay Area, and five great years in Houston, Texas working regularly with Alvin Fielder, Sandy Ewen, David Dove & Chris Cogburn, Damon will move to the Boston area in the fall of 2016. Damon has run Balance Point Acoustics record label since 2001, releasing music focusing on transatlantic collaborations between US and European musicians."-Balance Point Acoustic Website (https://www.balancepointacoustics.com/damon-smith/)
Have a better biography or biography source? Please Contact Us so that we can update this biography.
^ Hide Bio for Damon Smith
Blonk, Jaap / Damon Smith
Hugo Ball: Sechs Laut- Und Klanggedichte 1916 (Six Sound Poems, 1916)