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Stockhausen, Karlheinz

Mantra (performed by Mark Knoop, Roderick Chadwick and Newton Armstrong)

Stockhausen, Karlheinz : Mantra (performed by Mark Knoop, Roderick Chadwick and Newton Armstrong) (Hat[now]ART)

Stockhausen's late 60s composition "Mantra" was a return to his intricately systematised approach to musical construction, expanding the possibilities and potentialities of the serial principle to allow for more melodic and embraceable compositions.
 

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product information:


UPC: 752156019022

Label: Hat[now]ART
Catalog ID: Hat[now]ART190
Squidco Product Code: 19765

Format: CD
Condition: New
Released: 2014
Country: Switzerland
Packaging: Cardboard Gatefold 3 Panels
Recorded at Hall Two, Kings Place, London, England on Janurary 5th and 6th, 2013 by David Lefeber.


Personnel:

Karlheinz Stockhausen-composer

Mark Knoop-piano

Roderick Chadwick-piano

Newton Armstrong-electronics

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track listing:


1. Bars 1-10 1:35

2. Bars 11-127 8:58

3. Bars 128-150 2:43

4. Bars 151-204 7:02

5. Bars 205-281 4:28

6. Bars 282-323 4:10

7. Bars 324-444 6:41

8. Bars 445-487 2:34

9. Bars 488-537 7:56

10. Bars 538-639 6:58

11. Bars 640-687 6:42

12. Bars 688-854 4:56

13. Bars 855-887 3:53





Related Categories of Interest:


Compositional Forms
Avant-Garde
Electro-Acoustic
Electroacoustic Composition
Hat Art
Piano & Keyboards
Hat Hut 40th Anniversary Sale

sample the album:








descriptions, reviews, &c.

"The composition of Mantra was a turning point for Stockhausen. After a period in the second half of the 1960s during which his music had taken a decidedly speculative turn, Mantra signalled a return to the intricately systematised approach to musical construction that had characterised his serial works of the 1950s, and at the same time established a set of concerns that would underpin his music for much of the remainder of his life. This return to serial preoccupations was, however, by no means a regression. Mantra expanded the possibilities and potentialities of the serial principle, effecting a decisive shift away from the more austere and abstract music of the 1950s, and effectively re-opening the doors to melody, theatre, extra-musical reference, and allusions to tonal harmony."-Newton Armstrong



"Mantra is a composition by the German composer Karlheinz Stockhausen. It was composed in 1970 and premiered in autumn of the same year in Donaueschingen. The work is scored for two ring-modulated pianos; each player is also equipped with a chromatic set of crotales (antique cymbals) and a wood block, and one player is equipped with a short-wave radio producing morse code or a magnetic tape recording of morse code. In his catalogue of works, the composer designated it as work number 32."-Wikipedia



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Artist Biographies:

"London based pianist and conductor Mark Knoop is known for his fearless performances and individual interpretations. He has commissioned and premièred countless new works and worked with many respected composers including Michael Finnissy, Joanna Bailie, Bryn Harrison, Bernhard Lang, Matthew Shlomowitz, Jennifer Walshe and Steven Kazuo Takasugi. His versatile technique and virtuosity also brings fresh approaches to the standard and 20th-century repertoire.

Mark performs regularly throughout Europe, the United Kingdom and Australia and in New Zealand, South Korea, Mongolia, United States of America, Canada and at festivals including Transit (Leuven), Ultima (Oslo), Huddersfield, London Contemporary Music Festival, Borealis (Bergen), Spor (Århus), Athelas (Copenhagen), and MaerzMusik (Berlin).

He performs with various ensembles including Plus-Minus (London/Brussels) and Apartment House (London), and has conducted EXAUDI (London), Scenatet (Denmark), and London Sinfonietta. His recordings of music by John Cage, Richard Beaudoin, Karlheinz Stockhausen, Peter Ablinger, and David Lumsdaine have been critically acclaimed."

-Mark Knoop Website (http://www.markknoop.com/home)
7/25/2017

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