Belgian multi-reedist Joachim Badenhorst organized this trio with saxophonist John Butcher & percussionist Paul Lytton as part of a series of concerts in his home town, where they recorded this album, an impressive suite of extended techniques and intense dialog.
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Catalog ID: 01
Squidco Product Code: 19721
Packaging: Cardboard Gatefold 3 Panels
Recorded at Rataplan and Studio Rodenbach, Antwerp, Belgium on March 23d & 24th, 2013 by Ted Massuers.
Joachim Badenhorst-clarinet, bass clarinet, tenor saxophone
John Butcher-tenor saxophone, soprano saxophone
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1. Nikko Blue 10:21
2. Mariesii 6:55
3. Otaska 5:17
4. Upward Down Smile 5:39
5. Spik Splinter 2:40
6. Lightwaves 2:20
7. Nief Gerief 4:33
8. Nachtigall 9:21
Related Categories of Interest:
London & UK Free Improvisation Scene
European Improv, Free Jazz & Related
sample the album:
"Nikko Blue" starts Nachtigall with a gunshot crack and some seemingly percussive noises that only reveal themselves to be reed instruments after a few moments elapse. Lytton joins in, rifling around in the silverware drawer while Butcher and Badenhorst meld into something reminiscent of Butcher's Contest of Pleasures work. Throughout, Badenhorst steps up to Butcher's level, going reed to reed with the master, at times even becoming indistinguishable from the Brit, as in the great exchanges on "Otaska." With these three, it's not surprising that the music involves a nearly complete deconstruction of each instrument, resulting in a world where the possibilities of sound are placed before the assurances of form, where specifics of technique becomes obscure, secondary even, and the actual act of performing begins slipping from awareness. In short, Nachtigall is just good free improvisation-the sort of vibrant, abstruse interaction we expect when we read who's on the bill."-DanSorrells, freejazzblog.org
• Show Bio for Joachim Badenhorst
"Joachim Badenhorst (°1981 Antwerp) has been active in the experimental and improvised music scene in Europe and abroad for the past 15 years. Following his master degree in jazz studies at the Royal Conservatory of the Hague, he has since divided his time between Belgium and cities in the US and Europe, collaborating and recording with jazz and experimental music ensembles and artists, such as Han Bennink, Tony Malaby and Noël Akchoté while incessantly exploring the visceral elements of sound. His output ranges from solo improvisation to leading large formations, such as his own Carate Urio Orchestra.
Badenhorst is artistically interested in integrating ideas from various different art medias into his musical compositions. He also takes deep interest in revealing the inherent relation between contemporary and traditional musics, having collaborated with traditional musicians from Turkey and Japan, and toured in China with reinterpreted traditional Chinese music.
In recent years, Badenhorst is contemplating the evanescent site specificity of sound as well as the relation between space and sound. In recent years, his work has taken a deeper focus on composition, namely that of computerbased composition and processing. Through continual research and experiment, he delves into a reimagination of the boundaries between improvisation and composition, of abstract sound explorations and harmonic passage, and continues to attempt at a personal aesthetic language that interact with spaces and engage with different audiences.
Badenhorst appears on over 50 cd's on over 10 record labels. In 2012, he launched his own label KLEIN, as a creative platform to initiate collaborations, experiment and play with unconventional design, and as an outlet for fringe musical projects.
Since 2010 Badenhorst has been developing his solo programme consisting of improvisations and compositions for solo acoustic and electroacoustic wind instruments."-Joachim Badenhorst Website (http://joachimbadenhorst.com/bio_photo.html)
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• Show Bio for Paul Lytton
"Paul Lytton (born 8 March 1947, London) is an English free jazz percussionist.
Lytton began on drums at age 16. He played jazz in London in the late 1960s while taking lessons on the tabla from P.R. Desai. In 1969 he began experimenting with free improvisational music, working in a duo with saxophonist Evan Parker. After adding bassist Barry Guy, the ensemble became the Evan Parker Trio. He and Parker continued to work together into the 2000s; more recent releases include trio releases with Marilyn Crispell in 1996 (Natives and Aliens) and 1999 (After Appleby).
A founding member of the London Musicians Collective, Lytton worked extensively on the London free improvisation scene in the 1970s, and aided Paul Lovens in the foundation of the Aachen Musicians' Cooperative in 1976.
Lytton has toured North America and Japan both solo and with improvisational ensembles. In 1999, he toured with Ken Vandermark and Kent Kessler, and recorded with Vandermark on English Suites. Lytton also collaborated with Jeffrey Morgan (alto & tenor saxophone), with whom he recorded the CD "Terra Incognita" Live in Cologne, Germany.
He played also on White Noise's pioneer electronic pop music album An Electric Storm in 1969."-Wikipedia (https://en.wikipedia.org/wiki/Paul_Lytton)
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• Show Bio for John Butcher
"John Butcher's work ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and extreme acoustics.Originally a physicist, he left academia in '82, and has since collaborated with hundreds of musicians - Derek Bailey, John Tilbury, John Stevens, The EX, Akio Suzuki, Gerry Hemingway, Polwechsel, Gino Robair, Rhodri Davies, Okkyung Lee, John Edwards, Toshi Nakamura, Paul Lovens, Eddie Prevost, Mark Sanders, Christian Marclay, Otomo Yoshihide, Phil Minton, and Andy Moor - to name a few.
He is well known as a solo performer who attempts to engage with the uniqueness of place. Resonant Spaces is a collection of site-specific performances collected during a tour of unusual locations in Scotland and the Orkney Islands.His first solo album, Thirteen Friendly Numbers, includes compositions for multitracked saxophones, whilst later solo CDs focus on live performance, composition, amplification and saxophone-controlled feedback.
HCMF has twice commissioned him to compose for his own large ensembles. Other commissions include for Elision (Australia), the Rova (USA) & Quasar (Canada) Saxophone Quartets, reconstructed Futurist Intonarumori (USA), "Tarab Cuts" (based on pre-WWII Arabic recordings, and shortlisted for the 2014 British Composer's Award) and "Good Liquor .." for the London Sinfonietta. In 2011 he received a Paul Hamlyn Foundation Award for Artists.
Recent groupings include The Apophonics with Robair and Edwards, Anemone with Peter Evans, Plume with Tony Buck & Magda Mayas and a trio with Okkyung Lee & Mark Sanders.Butcher values playing in occasional encounters - ranging from large groups such as Butch Morris' London Skyscraper and the EX Orkestra, to duo concerts with David Toop, Kevin Drumm, Claudia Binder, Paal Nilssen-Love, Thomas Lehn, Fred Frith, Keiji Haino, Ute Kangeisser, Matthew Shipp and Yuji Takahashi."-John Butcher Website (http://www.johnbutcher.org.uk/Biog.html)
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