Belgian multi-reedist Joachim Badenhorst organized this trio with saxophonist John Butcher & percussionist Paul Lytton as part of a series of concerts in his home town, where they recorded this album, an impressive suite of extended techniques and intense dialog.
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Catalog ID: 01
Squidco Product Code: 19721
Packaging: Cardboard Gatefold 3 Panels
Recorded at Rataplan and Studio Rodenbach, Antwerp, Belgium on March 23d & 24th, 2013 by Ted Massuers.
Joachim Badenhorst-clarinet, bass clarinet, tenor saxophone
John Butcher-tenor saxophone, soprano saxophone
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1. Nikko Blue 10:21
2. Mariesii 6:55
3. Otaska 5:17
4. Upward Down Smile 5:39
5. Spik Splinter 2:40
6. Lightwaves 2:20
7. Nief Gerief 4:33
8. Nachtigall 9:21
Related Categories of Interest:
London & UK Free Improvisation Scene
European Improv, Free Jazz & Related
sample the album:
"Nikko Blue" starts Nachtigall with a gunshot crack and some seemingly percussive noises that only reveal themselves to be reed instruments after a few moments elapse. Lytton joins in, rifling around in the silverware drawer while Butcher and Badenhorst meld into something reminiscent of Butcher's Contest of Pleasures work. Throughout, Badenhorst steps up to Butcher's level, going reed to reed with the master, at times even becoming indistinguishable from the Brit, as in the great exchanges on "Otaska." With these three, it's not surprising that the music involves a nearly complete deconstruction of each instrument, resulting in a world where the possibilities of sound are placed before the assurances of form, where specifics of technique becomes obscure, secondary even, and the actual act of performing begins slipping from awareness. In short, Nachtigall is just good free improvisation-the sort of vibrant, abstruse interaction we expect when we read who's on the bill."-DanSorrells, freejazzblog.org
• Show Bio for John Butcher
"John Butcher's work ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and extreme acoustics.Originally a physicist, he left academia in '82, and has since collaborated with hundreds of musicians - Derek Bailey, John Tilbury, John Stevens, The EX, Akio Suzuki, Gerry Hemingway, Polwechsel, Gino Robair, Rhodri Davies, Okkyung Lee, John Edwards, Toshi Nakamura, Paul Lovens, Eddie Prevost, Mark Sanders, Christian Marclay, Otomo Yoshihide, Phil Minton, and Andy Moor - to name a few.
He is well known as a solo performer who attempts to engage with the uniqueness of place. Resonant Spaces is a collection of site-specific performances collected during a tour of unusual locations in Scotland and the Orkney Islands.His first solo album, Thirteen Friendly Numbers, includes compositions for multitracked saxophones, whilst later solo CDs focus on live performance, composition, amplification and saxophone-controlled feedback.
HCMF has twice commissioned him to compose for his own large ensembles. Other commissions include for Elision (Australia), the Rova (USA) & Quasar (Canada) Saxophone Quartets, reconstructed Futurist Intonarumori (USA), "Tarab Cuts" (based on pre-WWII Arabic recordings, and shortlisted for the 2014 British Composer's Award) and "Good Liquor .." for the London Sinfonietta. In 2011 he received a Paul Hamlyn Foundation Award for Artists.
Recent groupings include The Apophonics with Robair and Edwards, Anemone with Peter Evans, Plume with Tony Buck & Magda Mayas and a trio with Okkyung Lee & Mark Sanders.Butcher values playing in occasional encounters - ranging from large groups such as Butch Morris' London Skyscraper and the EX Orkestra, to duo concerts with David Toop, Kevin Drumm, Claudia Binder, Paal Nilssen-Love, Thomas Lehn, Fred Frith, Keiji Haino, Ute Kangeisser, Matthew Shipp and Yuji Takahashi."-John Butcher Website (http://www.johnbutcher.org.uk/Biog.html)
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