Guitarist Oren Ambarchi and percussionist Eli Keszler meet for two side-long pieces releaesed on 300 gram vinyl, mixing improv, noise, rock, and drone, journeys in assertive sound that keep the listener on the edge of their seat.
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300 gram vinyl
Label: Dancing Wayang
Catalog ID: DWR009
Squidco Product Code: 19562
Condition: Sale (New)
Country: Great Britain
Packaging: Vinyl LP in a cardboard foldover with insert.
Recorded at Eastcote Studios, in London, England on June 26th, 2013 by Philip Bagenal and Anna Tjan.
Oren Ambarchi-guitar, bowed cymbals
Eli Keszler-drums, percussion, bowed cymbals, crotales, spring harp
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1. Alps I
1. Alps II
Organized Sound and Sample Based Music
Sound, Noise, &c.
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sample the album:
"ALPS by Oren Ambarchi & Eli Keszler is a seemingly inevitable collaboration of two musicians kicking against limits and genre definitions, recorded and presented with a similar disregard for anything but quality.
Two side-long pieces that mix improv, noise, rock, and drone, ALPS is never an easy listen but always a compelling one. Both musicians are compulsive collaborators, with individual oeuvres that span all those genres and others yet to be labeled, and this album reflects and distills their hard-working heritage. They have a similar approach to questioning the fundamentals and exploring the sonic properties of their chosen instruments in a way that is informed by musical theory and learning but manifests itself in a defiantly non-academic, visceral and physical sound, both in intent and experience. Listening to ALPS is a discomforting, uneasy and massively rewarding exercise, which denies the listener any steady ground on which to stand.
This is evident from the moment that "Alps I" kicks off with piercing bowed cymbals. Percussive elements emerge from deep in the mix, drums without rhythm nor metre. Background and foreground shift tectonically and queasily. A chopping helicopter pulse hovers omnipresently over the battlefield of attacking drums and splintery bass beneath. It is a liquescent, rolling, never still 20 minutes of multiple musical narratives.
From the outset Side B upholds the intensity. The conflagration of "Alps II" comes off like a tribute to classic Japanese psych; guitar proudly and consistently in the red, tsunamis of drum rolls. It has a defiant crudeness and rawness to its attack, which belies the intelligence needed to create such a rough-edged sound, the deftness needed to keep the truck-driving momentum on the road."-Dancing Wayang
300 gram vinyl
• Show Bio for Oren Ambarchi
"Oren Ambarchi is a composer and multi-instrumentalist with longstanding interests in transcending conventional instrumental approaches. His work focuses mainly on the exploration of the guitar, "re-routing the instrument into a zone of alien abstraction where it's no longer easily identifiable as itself. Instead, it's a laboratory for extended sonic investigation". (The Wire, UK).
Oren Ambarchi's works are hesitant and tense extended songforms located in the cracks between several schools: modern electronics and processing; laminal improvisation and minimalism; hushed, pensive songwriting; the deceptive simplicity and temporal suspensions of composers such as Morton Feldman and Alvin Lucier; and the physicality of rock music, slowed down and stripped back to its bare bones, abstracted and replaced with pure signal.
From the late 90's his experiments in guitar abstraction and extended technique have led to a more personal and unique sound-world incorporating a broader palette of instruments and sensibilities. On recent releases such as Grapes From The Estate and In The Pendulum's Embrace Ambarchi has employed glass harmonica, strings, bells, piano, drums and percussion, creating fragile textures as light as air which tenuously coexist with the deep, wall-shaking bass tones derived from his guitar.
Ambarchi works with simple constructs and parameters; exploring one idea over an extended duration and patiently teasing every nuance and implication from each texture; the phenomena of sum and difference tones; carefully tended arrangements that unravel gently; unprepossessing melodies that slowly work their way through various permutations; resulting in an otherworldly, cumulative impact of patiently unfolding compositions.
Ambarchi has performed and recorded with a diverse array of artists such as Fennesz, Otomo Yoshihide, Pimmon, Keiji Haino, John Zorn, Rizili, Voice Crack, Jim O'Rourke, Keith Rowe, Phill Niblock, Dave Grohl, Gunter Muller, Evan Parker, z'ev, Toshimaru Nakamura, Peter Rehberg, Merzbow and many more. Since 2004 Ambarchi has worked with American avant metal outfit Sunn 0))) contributing to many of their releases and side-projects including their Black One album from 2005 and the recent Monoliths & Dimensions release.
For 10 years together with Robbie Avenaim, Ambarchi was the co-organiser of the What Is Music? festival, Australia's premier annual showcase of local and international experimental music. The festival hosted over 200 local and international performers. Ambarchi now curates the Maximum Arousal series at The Toff In Town in Melbourne and has recently co-produced an Australian television series on experimental music called Subsonics. Ambarchi recently co-curated the sound program for the 2008 Yokohama Triennale."-Oren Ambarchi Website (http://orenambarchi.com/category/biography/)
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