Keiji Haino collaborates with Reinhold Friedl's Zeitkratzer for their 2nd release, with Haino concentrating solely on his voice without electronic manipulation, in a live recording at Jahrehunderthalle in Bochum, Germany for a frightful mix of ferocious chamber music.
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Catalog ID: ZKR 018CD
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Recorded live at Jahrehunderthalle in Bochum, Germany by Martin Wurmnest.
Reinhold Friedl-director, piano
Ulrich Philipp-double bass
Maurice De Martin-drums, percussion
Hild Sofie Tafjord-french horn
Marc Weiser-noises, voice
Maurice De Martin-percussion
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1. Ghosts 6:10
2. Smashine 6:11
3. Roses 11:00
4. Birdy 5:06
5. Wet Edge 10:46
6. Cryogen 3:37
Related Categories of Interest:
Rock and Related
Unusual Vocal Forms
Japanese & Asian Improv/Rock
sample the album:
"On his second release with Zeitkratzer, Keiji Haino concentrates solely on his voice. No electronics are used except for amplification. Nevertheless, this live recording is even more radical than the first one. Radical is the concentration on the very limited but frenetic musical material, worked out in detail, which is rarely heard in the noise context -- enabling Keiji Haino to sit on it, fly over, to merge or just to oppose.
Zeitkratzer's amplified instruments, played with extended techniques as developed by the group and its outstanding musicians over more than a decade and Haino's incredible richness in voice timbres and noises complement each other perfectly. It's one of the closest and most natural cooperations Zeitkratzer ever had. Wild and beautiful. Shouting, scratching, screaming, piping, chattering, crying, rumbling, oscillating, roaring, clashing, juttering, tinkling, singing, ... and at the end, it's hilarious, powerful music, pure noise and pure melody."-Zietkratzer ProducationsAlso available on vinyl LP.
• Show Bio for Keiji Haino
"Keiji Haino (灰野 敬二 Haino Keiji) born May 3, 1952 in Chiba, Japan, and currently residing in Tokyo, is a Japanese musician and singer-songwriter whose work has included rock, free improvisation, noise music, percussion, psychedelic music, minimalism and drone music. He has been active since the 1970s and continues to record regularly and in new styles.
Haino's initial artistic outlet was theatre, inspired by the radical writings of Antonin Artaud. An epiphanic moment came when he heard The Doors' "When The Music's Over" and changed course towards music. After brief stints in a number of blues and experimental outfits, he formed improvised rock band Lost Aaraaf in 1970. In the mid 1970s, having left Lost Aaraaf, he collaborated with psychedelic multi-instrumentalist Magical Power Mako.
His musical output throughout the late 1970s is scarcely documented, until the formation of his rock duo Fushitsusha in 1978 (although their first LP did not surface until 1989). This outfit initially consisted of Haino on guitar and vocals, and Tamio Shiraishi on synthesizer. With the departure of Shiraishi and the addition of Jun Hamano (bass) and Shuhei Takashima (drums), Fushitsusha operated as a trio. The lineup soon changed, with Yasushi Ozawa (bass) and Jun Kosugi (drums) performing throughout the 1990s, but returned to a duo with Haino supplementing percussion with tape-loops.
Haino formed Aihiyo in 1998, principally playing a diverse range of covers (including The Rolling Stones, The Ronettes, and the Jimi Hendrix Experience), transforming the original material into Haino's unique form of garage psychedelia.
NHK, Japan's national broadcaster, banned him from broadcast from 1973 to 2013.
Other groups Haino has formed include Vajra (with underground folk singer Kan Mikami and drummer Toshiaki Ishizuka), Knead (with the avant-prog outfit Ruins), Sanhedolin (with Yoshida Tatsuya of Ruins and Mitsuru Nasuno of Korekyojinn, Altered States and Ground Zero) and a solo project called Nijiumu. He has also collaborated with many artists, including Faust, Boris, Derek Bailey, Joey Baron, Peter Brötzmann, Lee Konitz, Loren Mazzacane Connors, Charles Gayle, Earl Kuck, Bill Laswell, Musica Transonic, Stephen O'Malley, Makigami Koichi, Ayuo, Merzbow, Oren Ambarchi, Jim O'Rourke, John Zorn, Yamantaka Eye, John Duncan, Fred Frith and Charles Hayward.
His main instruments of choice have been guitar and vocals, with many other instruments and approaches incorporated into his career's work. Haino is known for intensely cathartic sound explorations, and despite the fact that much of his work contains varied instrumentation and accompaniment, he retains a distinctive style.
Haino cites a broad range of influences, including troubadour music, Marlene Dietrich, Iannis Xenakis, Blue Cheer, Syd Barrett, and Charlie Parker. At a young age, he had an epiphany through his introduction to The Doors. His recent foray into DJing at Tokyo nightclubs has reportedly reflected his eclectic taste. He has had a long love affair with early blues music, particularly the works of Blind Lemon Jefferson, and is heavily inspired by the Japanese musical concept of "Ma", the silent spaces in music (see Taiko for more information). In a 2012 interview with Time Out Tokyo, he described his approach as "defying the notion that you can't create something from nothing." He also has a keen interest in Butoh dancing and collecting ethnic instruments.
Haino's distinctive style extends to his lifestyle: he has sported the same long hair, black clothes and sunglasses throughout his career, and is a strict vegetarian who has refrained from alcohol, tobacco and illegal drugs for his entire life."-Wikipedia (https://en.wikipedia.org/wiki/Keiji_Haino)
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• Show Bio for Frank Gratkowski
"Frank Gratkowski, saxophone. Born in Hamburg, 1963.
Started playing the saxophone at 16 and, following a period at the Hamburg Conservatory (Hamburger Musikhochschule), moved in 1985 to study at the Cologne Conservatory of Music with Heiner Wiberny, graduating in 1990.
Further studies with Charlie Mariano, Sal Nistico and Steve Lacy.
Frank Gratkowski has been working as a soloist in various international formations (Grubenklang Orchester, Klaus Koenig Orchester, Musikfabrik NRW, Tony Oxley Celebration Orchestra, Bentje Braam, BikBentBraam, All Ears, Zeitkratzer, WDR Big band, etc.). Since 1990 he has been giving solo performances throughout Europe, Canada and USA. With his first solo program, he was a 1991 prizewinner in the Musik Kreativ contest. The release of the solo CD "Artikulationen" followed the same year and a new one "Artikulationen II" in 2002.
Since 1992 he has been working in a duo with the pianist Georg Graewe (CD "VicissEtudes"). The duo is often extended through the participation of different additional musicians, such as drummer Paul Lovens (CD "Quicksand") and bassist John Lindberg (CD "Arrears").
In 1995 he founded the "Frank Gratkowski Trio" with Dieter Manderscheid (Germany), bass, and Gerry Hemingway (USA), drums, (CDs "Gestalten" and "The Flume Factor" ). In 2000 the trio has been extended to a quartet by Dutch trombonist Wolter Wierbos (CDs "Kollaps", "Spectral Reflections", "Facio" and "Le Vent et la Gorge"). Since 2003 also appearing as a Double Quartet plus Tobias Delius, Herb Robertson, Wilbert DeJoode and Michael Vatcher. In 2005 he got the SWR Jazzprize.
In 1999 the duo with the Italian trombonist Sebastiano Tramontana has been formed and since 2001 Frank Gratkowski has been performing with a trio including Wilbert De Jode (NL) on bass and Achim Kaufmann (D) on piano (CDs "Kwast" and "Unearth"). Since 2006 he's working with the Trio Gratkowski / Brown / Winant (CDs "Wake" and "Vermilion Traces/Donaueschingen 2009"). He is also a co-leader / composer of the Multiple Joy[ce] Orchestra and got a commission to compose for the ensemble Apartment House by "November Music " (Den Bosch NL) and the "Huddersfield Comtemporary Music Fesitival" (England) in 2009. Further actual projects are Fo[u]r Alto, a saxophone ensemble dedicated to microtonal music and "Artikulationen E" a solo program for saxophone with 8 channel live electronic.
Frank Gratkowski played on nearly every German and on numerous international Jazz and contemporary music Festivals including Vancouver, Toronto, Chicago, New York, Seattle, Quebec, Les Mans, Muelhuus, Groeningen, Nickelsdorf, Barcelona, Lithuania, Warsaw, Zagreb, Prague, Bratislava, Sofia, Bucharest, Odessa and Roma, Huddersfield, London.
He has been teaching saxophone and ensembles at the Cologne, Berlin and Arnhem Conservatory of Music and is giving workshops all around the world.
Furthermore he has performed with Robert Dick, Phil Wachsmann, Radu Malfatti, Herb Robertson, Marcio Mattos, Eugenio Colombo, Peter Kowald, Ray Anderson, Michael Moore, Ken Vandermark, Greg Osby, Kenny Wheeler, Louis Sclavis, John Betsch, Jane Ira Bloom, Connie and Hannes Bauer, Xu Fengxia, James Newton, Muhal Richard Abrams, John Lindberg, Michael Formaneck, Ernst Reijseger, Fred van Hove, Theo Jörgensmann, Phil Minton, Peter Brötzmann, Mark Dresser, Mark Feldman, Hamid Drake, Michiel Braam, Han Bennink, Mal Waldron, Misha Mengelberg a.m.o."-Frank Gratkowski Website (http://gratkowski.com/biography/)
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• Show Bio for Reinhold Friedl
"Reinhold Friedl, born 1964, lives in Berlin since 1987. He studied piano with Renate Werner, Alan Marks and Alexander von Schlippenbach, mathematics and musicology in Stuttgart and Berlin. As a performer, interpreter and composer, he has received various fellowships - Eurocréation Paris, the Rome Fellowship (Villa Serpentara) of the Berlin Academy of Arts, STEIM Amsterdam-, as well as various composition commissions. Reinhold Friedl has published articles in newpapers and professional journals and conducted a seminar on "Music and Mathematics" in the department of Mathematics at the Berlin Free University together with Prof. Behrends. He founded and directs the ensembles Piano-Inside-Out and ZEITKRATZER. Friedl has worked as a curator for the Podewil center for contemporary arts Berlin and directed the Off-ICMC (International Computer Music Conference) Berlin 2000. He has been invited to take part in the Jury of the Ars Electronica and Gulbenkian Foundation, Lisboa. As pianist and composer, he has worked with musicians and composers such as Lee Ranaldo (Sonic Youth), Phill Niblock, Helmut Oehring, Nicolas Collins, Lou Reed, MERZBOW a.k.a., Masami Akita, Radu Malfatti, Bernhard Guenter, Mario Bertoncini (nuova consonanza), Keiji Haino, and has made countless radio and CD recordings. Lately he realized the "spazialisation piano-project" at ZKM Karlsruhe and Asphodel Studios in San Francisco. The main focus of Reinhold Friedl's work is the inside-piano. He played all respective literature using inside-piano techniques and released several articles in this field."-Reinhold Friedl Website (http://www.reinhold-friedl.de/)
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• Show Bio for Hilary Jeffery
"Hilary Jeffery is a self-proclaimed 'desert trombonist' and composer, born in Surbiton, England in 1971. A central and sustaining influence on his music is a sense of 'silent space', which he first experienced in the Sahara Desert in the 1990s. Hilary aims to share this experience, creating inner-spaces for listeners and fellow musicians to explore via the medium of his ensemble Lysn. He studied at Dartington College of Arts, University of York, European Dance Development Centre Arnhem, Netherlands Royal Conservatory, and has worked for more than twenty years as a musician playing in many different styles and areas of music including rock, techno, electronica, jazz, pop, afrobeat, contemporary classical and free improvisation. Groups he has played with between 1994 and 2016 include: zeitkratzer, CC Hennix and The Chora(s)san Time-Court Mirage, Zinc & Copper, Tonaliens, The Barton Workshop, Mir8, Jimi Tenor Big Band, Paul Dunmall Octet, Sand and Germ. Hilary's principal teacher and mentor for trombone playing is James Fulkerson, with whom he studied between 1998 and 2000. In 2013 he started a study of Dhrupad with Amelia Cuni, aiming to apply techniques of this Indian classical music tradition to the trombone. He has received composition commissions for Slagwerk Den Haag, GRM Acousmonium, David Kweksilber Big Band, Apa Ini and Lysn. He has been invited for artistic residences such as at Recollets in Paris (2012), won composition prizes such as the Henriette Bosmans Prize (Netherlands, 2009) and appears in many different recordings on various labels including Aquarellist, Col Legno, FMR, Dilemma, Important Records, Mikroton, New World Records, Soul Jazz, Sloow Tapes, Sub Rosa, Zeitkratzer Records and Karl Records."-Hilary Jeffery Website (http://www.hiljef.com/news/info/)
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