Reedist Cory Wright's 5-piece Outfit from Oakland, CA, in an album featuring eight tracks of advanced compositions featuring remarkable improvising with Evan Francis (sax), Rob Ewing (trombone), Lisa Mezzacappa (bass), and Jordan Glenn (drums).
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Label: Singlespeed Music
Catalog ID: SSM-012
Squidco Product Code: 19460
Packaging: Cardboard Gatefold
Recorded at Tiny Telephone in San Francisco, California, on May 16th, 2012, by Eli Crews.
Cory Wright-tenor saxophone, clarinet
Evan Francis-alto saxophone
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1. Freddie Awaits The Sleepers 6:15
2. Low Impact Critter 3:34
3. St. Bruno's Preview 1:49
4. Whaticism 7:12
5. The Sea And Space 8:36
6. St. Bruno's Review 2:20
7. Eyedrop 11:00
8. St. Bruno's Purview 4:14
Related Categories of Interest:
Melodic and Lyrical Jazz
West Coast/Pacific US Jazz
sample the album:
"Oakland, California based reedman Cory Wright (Anthony Braxton, Vinny Golia & Yusef Lateef delivers a manifold and juxtaposing ensemble date on Apples + Oranges. It doesn't take too long to determine that the album poses a surfeit of diagonally opposed viewpoints. Other than the highly emphatic and synergistic group-centric output, Wright's compositions hit the mark, and this is one of those very special endeavors that excites, entertains and sustains interest. Wright's involvement with visionary composer and improviser, Anthony Braxton seems to have assimilated into some of these pieces. However, the band's buoyant mode of operation is coupled with a feisty disposition. They execute highly charged free- bop, featuring whirling sax choruses by Wright and Evan Francis while flirting with the chamber-jazz element during "Low Impact Critter," modeled on incongruously arranged metrics and spunky multipart dialogues amid several paradigm shifts and sprightly aerial assaults. Wrightleads the Outfit through bracing swing, bop, and ballad segments via shifting parameters that seamlessly flow and interconnect. Each piece contains massive doses of pop and sizzle. And "Whaticism," is a song-form designed with unorthodox extended note opuses that burst out of nowhere, reinforced by Lisa Mezzacappa's earthen-toned bass notes, leading to a pre-planned breakdown. However, the "The Sea and Space" contains a sleek luster due to Francis' complex flute phrasings in unison with Wright, and trombonist Rob Ewing's burly solo. Here, the ensemble yields a controlled semblance of well-coordinated abstractions. The musicians dish out minimalism and microtonal, free- form dialogues while also reverse-engineering various activities. Other regions of sound are constructed on pumping grooves and, changeable motifs that are heavily outlined upon variable cadences. Consequently, "St. Bruno's Purview" is a mid-tempo burner atop a quasi, New Orleans 2nd line March pattern, hued withanimated horn passages. Without further ado, Apples + Oranges warrants serious consideration for a spot in many year-end top-10 lists."-Glenn Asterita, allaboutjazz.com
• Show Bio for Lisa Mezzacappa
"Lisa Mezzacappa is a San Francisco Bay Area-based bassist, bandleader, composer, curator and producer. An active collaborator in the Bay Area music community for more than a dozen years, she leads her own groups Bait & Switch, the Interlopers, Nightshade, Eartheaters and the Lisa Mezzacappa Trio, and co-leads the ensembles BODABODA, duo B., Cylinder, the Mezzacappa-Phillips Duo, and the Caribbean folk band Les Gwan Jupons. Lisa has released her music on the Clean Feed, NoBusiness, Leo, NotTwo, Evander, Odd Shaped Case and Edgetone record labels, and has recorded as a sideperson for the Tzadik, Kadima and Porto Franco labels. She collaborates frequently on cross-disciplinary projects in sound installation, film/video, sculpture and public music/art.
As curator, she programs the annual JazzPOP concert seres at the UCLA Hammer Museum in Los Angeles, now in its 10th year; and a live cinema series, Mission Eye and Ear, at Artists' Television Access. She founded the Monday Makeout creative music series in the Mission District of San Francisco, and programs the Best Coast Jazz Composers series as a member of the artistic committee San Francisco's Center for New Music. In 2012 she started the "Festival-of-Us," a semi-annual festival celebrating Bay Area creative jazz and improvised music. Recent projects include an avant-folk string band, the Interlopers; Eartheaters, a trio with Brooklyn vocalist Fay Victor; and BODABODA, a cross-planetary collaboration with Venice reed player/composer Piero Bittolo Bon. In fall 2015 she premieres Glorious Ravage, a multi-media song cycle for large ensemble with commissioned films, inspired by the writings of Victorian lady adventurers.
Lisa has been artist-in-residence at Djerassi Resident Artists Program (2008, 2013), Headlands Center for the Arts (2006, 2015), the Banff International Jazz Workshop (2000), and the Painted Bride Arts Center (2000). She holds an MA in ethnomusicology from UC Berkeley (2003), and a BA in music from the University of Virginia (1997). She has performed at countless Bay Area venues including Intersection for the Arts, Yerba Buena Center for the Arts, SFMOMA, Yoshi's, the Jazzschool, and the de Young Museum, San Francisco; as well as the Earshot Jazz Festival, Seattle; the Montreal Jazz Festival and Victoriaville Festival de Musique Actuelle, Canada; the Monterey Jazz Festival, CA; Moers Festival, Germany; and Novara Jazz Festival, Italy.
Lisa has been awarded grants by the MAP Fund, the Foundation for Contemporary Arts, San Francisco Friends of Chamber Music, the Zellerbach Family Foundation, American Composers Forum, the City of Oakland, Meet the Composer and Southern Exposure/the Andy Warhol Foundation. She performs as a sideperson in original jazz, improv and chamber ensembles led by estemmed bandleaders and West Coast musical visionaries, like Phillip Greenlief, Aaron Novik, Beth Custer, Randy McKean, Marco Eneidi, Vijay Anderson, Aaron Bennett, Myles Boisen, Steve Adams, Graham Connah, Jon Raskin, Cory Wright and Ross Hammond, and collaborates often with Darren Johnston, Vinny Golia, Katy Stephan, Aram Shelton, Kjell Nordeson, Murray Campbell, Jason Levis, Dina Maccabee, Noah Phillips, Rob Ewing, Kasey Knudsen, Myles Boisen, Sam Ospovat, John Hanes, and many many others."-Lisa Mezzacappa Website (http://www.lisamezzacappa.com/bio.html)
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• Show Bio for Jordan Glenn
"Jordan Glenn is a drummer, percussionist, composer, band leader, conductor, video maker, and general craftsman who lives in Oakland, California.
Jordan Glenn spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older he began making movies with his friends and studying jazz, classical, and rock music. In 2003 Glenn received a bachelor's degree in Jazz Studies from the University of Oregon.
In 2006 he relocated to the Bay Area, received a masters degree from Mills College and since has worked closely with Fred Frith (FF Trio and Gravity Band), William Winant, Zeena Parkins (The Adorables), Roscoe Mitchell, ROVA Sax Quartet, Ben Goldberg, Todd Sickafoose, John Schott, Dominique Leone, Aaron Novik, Darren Johnston, Aram Shelton, Cory Wright, Lisa Mezzacappa, Karl Evangelista, Michael Coleman, Matthew Welch, Rhys Chatham and the bands Jack O' The Clock, Arts & Sciences, Young Nudist, 20 Minute Loop, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. He also leads and conducts the project Mindless Thing, a collaboration with poet/free-jazzer/sage Jim Ryan, as well as the long standing trio Wiener Kids and the ten piece expansion, The Wiener Kids Family Band."-Jordan Glenn Website (http://jordanglennmusic.com/)
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