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© 2002-2017, Squidco LLC

A joyful and sophisticated performance from bassist and leader Adam Lane's Full Throttle Orchestra, an 8-piece band including Nate Wooley, Susana Silva, Reut Regev, David Bindman, Avram Fefer, Adam Lane & Igal Foni performing live at the 53rd Ljubljana Jazz Festival.
 

Lane, Adam Full Throttle Orchestra
Live In Ljubljana

Lane, Adam Full Throttle Orchestra: Live In Ljubljana (Clean Feed)

Label: Clean Feed    
Released in: Portugal    


"Adam Lane is back to the big band format he loves so much, with an ensemble (Portuguese trumpeter Susana Santos Silva is one of the contributors) large enough "to allow for a dense, multi-dimensional sound palette", but small enough "for successful group improvisation".

The scores and the arrangements are at times complex and dense, while at others, soaked in a steamrolling groove. Lane incorporates organizational strategies that he learned from the new music composer Earle Brown, but never strays too far from the flowing logic of the jazz tradition. As usual he integrates a myriad of influences into his sound including nods to Duke Ellington, Charles Mingus and Muhal Richard Abrams, but also Luigi Nono, and Parliament/Funkadelic. And, surprise, surprise, there are even some key rhythmic elements taken from the Balinese and Javanese gamelan tradition, and not for exotic effect.

As Adam Lane himself puts it: "It's all about the groove." Yes, this is highly intelligent music to tap your foot to: soulful mind candy with a groove!"-Clean Feed



"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

-Nate Wooley Website (http://natewooley.com/about)
2/22/2017





See all items in the Clean Feed category



Related Categories of Interest:

Improvised Music
Jazz
Free Improvisation
NY Downtown & Jazz/Improv
Clean Feed
Melodic and Lyrical Jazz
Nate Wooley
Staff Picks & Recommended Items
Octet Recordings




Search for other titles on the Clean Feed label.


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Shipping Weight: 2.00 units

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Product Information:

UPC: 5609063003079

Label: Clean Feed
Catalog ID: CF 307
Squidco Product Code: 19307

Format: CD
Condition: New
Released: 2014
Country: Portugal
Packaging: Cardstock Gatefold Sleeve
Recorded live at the 53rd Ljubljana Jazz Festival, in Ljubljana, Slovenia, on june 28th, 2012, by Luis Delgado.

Personnel:

Nate Wooley-trumpet

Susana Santos Silva-trumpet

Reut Regev-trombone

David Bindman-tenor saxophone, soprano saxophone

Avram Fefer-alto saxophone

Matt Bauder-baritone saxophone

Adam Lane-bass

Igal Foni-drums

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Track Listing:

1. Power Lines/Feeling Blue-ish 14:51

2. Empire Of Music (The One) 12:58

3. Sanctum 13:26

4. Multiply Then Divide 7:06

5. Ashcan Rantings 12:08

6. Power Lines/Blues For Eddie 14:59