The Squid's Ear Magazine

Davis, George

Scapula: Bop Acetates, Chicago, 1949

Davis, George: Scapula: Bop Acetates, Chicago, 1949 (Corbett vs. Dempsey)

Restoring post-war Chicago jazz saxophonist George Davis' late 40s 78-rpm releases of bop and R&B numbers announced by Davis himself, swinging music rescued from obscurity to expand our knowledge of Chicago bop history.
 

Price: $13.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



George Davis-alto saxophone, tenor saxophone


Click an artist name above to see in-stock items for that artist.




UPC: B07426Q9BW

Label: Corbett vs. Dempsey
Catalog ID: CvsDCD014
Squidco Product Code: 18911

Format: CD
Condition: New
Released: 2014
Country: USA
Packaging: Cardstock Sleeve
Recorded in 1949, in Chicago.

Descriptions, Reviews, &c.

"Saxophonist George Davis is an enigmatic figure in postwar jazz. He's best known for leading the band in which Jackie & Roy met - young singer Jackie Cain encountered pianist Roy Krall in the mid-1940s, playing together under Davis in a club on the south side of Chicago called Jump Town. They cut two 78-rpm records for Aristocrat as the George Davis Quartet; these sides followed Davis into obscurity. In 1948/49, Jackie & Roy went on to work with Charlie Ventura.

At the same time, Davis cut a very unusual set of acetates with an unidentified band (bass, drums, piano, trumpet, guitar, Davis on alto and tenor sax), playing some standards and a selection of compositions identified as original but which turn out to have been pilfered from the Fats Navarro songbook. The unique 78-rpm records, which were rediscovered in a record shop in Chicago a few years ago, had not been previously issued. Awkwardly announced by Davis, who pretends that there is an audience though it is clear that they're being waxed in solitude, these privately recorded bop and r&b tracks are pure Chicago jazz, hot, swinging, and bristling with attitude. Another lovely missive from the dustbin of music history."-Corbett vs Dempsey.


Artist Biographies

Related Categories of Interest:


Improvised Music
Jazz
Jazz Reissues


Track Listing:



1. He's A Real Gone guy 3:39

2. Lover 2:39

3. Comin' On 3:12

4. Plenty Of Kicks 2:43

5. Piano Man's Idea 3:02

6. Bop Me 2:44

7. Due Date 2:55

8. Scapula 2:42

9. Body And Soul 4:10

Related Categories of Interest:


Improvised Music
Jazz
Jazz Reissues

Search for other titles on the label:
Corbett vs. Dempsey.


Recommended & Related Releases:
Other Recommended Releases:
Graves, Milford / Don Pullen
The Complete Yale Concert, 1966
(Corbett vs. Dempsey)
Originally issued in two volumes on their own SRP Records in 1966 & 67 as In Concert At Yale University and Nommo, the duo of drummer/percussionist Milford Graves and pianist Don Pullen are heard live in in this excitingly energetic and revelatory concert at Yale University, redefining the roles of their instruments during the most exploratory period of free jazz.
Parker, Charlie
Selections From The DIAL Recordings
(ezz-thetics by Hat Hut Records Ltd)
The first of two volumes in celebration of legendary saxophonist Charlie Parker's 100th birthday, here remastering his landmark recordings for the Dial label on the US West Coast between 1946-47, performing with jazz greats including Miles Davis, Lucky Thompson, Erroll Garner, Barney Kessel, Red Calender, JJ Johson, Max Roach, &c. for some of Parker's best known and essential compositions.
Graves, Milford
Babi [2 CDs]
(Corbett vs. Dempsey)
Recorded in 1976 at WBAI-FM/Free Music Store in New York, drummer percussionist Milford Graves goes head to head with two reedists, Arthur Doyle and Hugh Glover, an absolute stunner of percussive momentum and force, drawing the reeds into a frenzy of unbridled free playing; issued with a 2nd CD of a private recording of Graves plus unpublished photos.
Harris, Beaver / Don Pullen 360-degree Experience
A Well-Kept Secret
(Corbett vs. Dempsey)
Released in 1984 on Hal Wilner's Shemp records, this is the 1st reissue for late drummer Beaver Harris' 360-degree Experience with pianist Don Pullen on piano, in a stellar band with saxophonists Ricky Ford, Hamiet Bluiett, bassist Buster Williams, percussion from Candido & steel drummer Francis Haynes, and four french horn players, a truly forward-thinking jazz album.
Kapsalis, Terri / John Corbett
Dead Level
(Corbett vs. Dempsey)
A half-hour work of non-narrative radio theater featuring music and text collage, as well as Terri Kapsalis on violin and John Corbett on analog synthesizer, commissioned and recorded in the Experimental Sound Studio, Chicago in 2000 for the Outer Ear Festival.
Prehn, Tom Quartet
Axiom
(Corbett vs. Dempsey)
Pianist Tom Prehn's quartet with Frits Krogh on tenor sax, Poul Ehlers on bass, and Finn Slumstrup on bass, superb European free jazz recorded in 1963 in Copenhagen but never formally released, here remastered and issued with an unreleased track from 1966.
Reid, Tomeka
Hairy Who & The Chicago Imagists
(Corbett vs. Dempsey)
Chicago cellist and composer Tomeka Reid was commissioned to create original music for the first documentary of the Imagists, mid 60's Chicago post-surrealists artists who exhibited together; Reid reworked the music into a fully realized suite for this CD release.
Mazurek, Rob
Mother Ode
(Corbett vs. Dempsey)
An emotional solo concert performed at Chicago's Corbett vs. Dempsey gallery, an ode to Mazurek's mother a few months after her passing, on cornet, flutes, bells, books, maracas, apples, and little electronics, in a touching and beautiful celebration of her life.
Vandermark / Gregorio / Bishop / Morris / &c
Pipeline
(Corbett vs. Dempsey)
In 2000, saxophonist Mats Gustafsson and curator John Corbett organized a 16-piece free music big-band featuring key members of the Chicago and Swedish scenes, recording these two impressive, ecstatic, and explosive works.
Vandermark, Ken and Mats Gustafsson
Verses
(Corbett vs. Dempsey)
Surprisingly after long partnerships with Peter Brotzmann's Tentet and the saxophone trio Sonore, this is the first time that Ken Vandermark & Mats Gustafsson have recorded as a duo, here in 6 incredible improvisations balancing technique, power, and beauty.
Sun Ra
Continuation [2 CDs]
(Corbett vs. Dempsey)
A rare release of vintage Sun Ra remastered from the original tapes, featuring 14 tracks not issued anywhere else on a bonus CD, altogether totaling over 80 minutes of great music.
McPhee, Joe
The Loneliest Woman [CD EP]
(Corbett vs. Dempsey)
A rich and unusual interpretation of Ornette Coleman's "Lonely Woman" recorded in Boswil, Switzerland in 1981 with McPhee, Pierre Favre, Irene Schweizer, Radu Malfatti, Daniel Bourquin, &c., in its first-ever release.
McPhee, Joe
Variations on a Blue Line / 'Round Midnight
(Corbett vs. Dempsey)
A much-needed reissue of McPhee's 1979 Hat Hut LP documenting his 1977 concert at Salle Ste Croix des Pelletiers, performing 3 original compositions and Monk's "Round Midnight" with incredible skill and inventiveness.



Customers Who Bought This Item Also Bought:
Hatcher, Gerrit
Good Weight [CASSETTE + DOWNLOAD]
(Amalgam)
Chicago tenor saxophonist Gerrit Hatcher, known for his duos with Anton Hatwich and with Julian Kirshner, the improvising trio Devouring the Guilt with Eli Namay & Bill Harris and a trio with Mars Williams & Lia Kohl, is heard here in three extended solo improvisations, with strong tone riffing on grooves, exuding warm melodies, and running demanding technical passages on his horn.
Ballister
Znachki Stilyag
(Aerophonic)
The tenth year of the working and touring international Ballister trio of Dave Rempis on alto & tenor saxophones, Fred Lonberg-Holm on cello & electronics, and Paal Nilssen-Love on drums & percussion, here in an outrageously powerful yet explorative concert at Dom Cultural Center, in Moscow, Russia in 2019, a fierce example of what this band is capable of.
McPhee, Joe
Black Is The Color: Live in Poughkeepsie and New Windsor, 1969-70 [2CDS]
(Corbett vs. Dempsey)
Unreleased material from Joe McPhee's archives, three live settings of the saxophonist and pocket trumpeter in upstate NY: a quartet with vibraphonist Ernie Bostic and the rhythm section of Tyrone Crabb and Bruce Thompson live at Vassar College; live in New Windsor with saxophonist Reggie Marks; and an outdoor concert at Poughkeepsie's Lincoln Centre.
Grubbs, David / Mats Gustafsson / Rob Mazurek
The Underflow
(Corbett vs. Dempsey)
Recorded during two nights at Underflow Records and Art Gallery in Athens, Greece in 2019, The Underflow trio of Mats Gustafsson (reeds, fluteophone, electronics) from Sweden, with Chicago-based Rob Mazurek (trumpet, electronics), and David Grubbs (electric guitar) present an album of wide-ranging, powerful, often explosively eccentric, and always informed improvisation.
Lonberg-Holm, Fred / Joe McPhee
No Time Left for Sadness
(Corbett vs. Dempsey)
"This Time", "That Time" and "Next Time", the three titles from the first duo meeting of Joe McPhee on tenor saxophone and cellist Fred Lonberg-Holm, also bringing electronics, the distillation of their playing outside of Survival Unit III a revelation in intensity and unconventional creativity, fueled by magnificent playing and an empathetic rapport.
Lindsay, Arto / Joe McPhee / Ken Vandermark / Phil Sudderberg
Largest Afternoon
(Corbett vs. Dempsey)
Bringing together Chicago's long partnership of saxophonists Joe McPhee and Ken Vandermark with frequent Vandermark collaborator, drummer Phil Sudderberg, and New York guitarist Arto Lindsay, meeting on a winter afternoon in a Chicago studio to record these fifteen collective, freely improvised conversations of intense energy, unexpected twists and turns, and brilliant playing.
Hatcher, Gerrit
Burnt Pan Rolling Boil
(Kettle Hole Records)
Chicago saxophonist Gerrit Hatcher sees his solo saxophone performances as a format that can be both charismatic and alienating in to the listener, as he uses extreme technique and powerful streams of emotional playing in a set of improvisations: "Salt Dome" parts 1-3, and "Cooking Fuel", each wrought with frailty and bluster; impressive work.
McPhee, Joe / Hamid Drake
Keep Going
(Corbett vs. Dempsey)
The second duo album between saxophonist & pocket trumpeter Joe McPhee and drummer/frame drummer Hamid Drake begins with McPhee reciting words by Harriett Tubman (Keep Going), as the two inform and astound through masterful playing, together and solo, shaking the listener through intense and unambiguously clear playing, with pieces reflecting our world situation.
Chadbourne, Eugene
The Lost Eddie Chatterbox Session [2017 REISSUE]
(Corbett vs. Dempsey)
Reissuing free improvising guitarist Eugene Chadbourne's 1977, San Francisco recording of compositions by the likes of Thelonious Monk, Charlie Parker, John Coltrane, and Ornette Coleman, plus a few standards and originals, captured on an ailing quarter-track tape deck, but saved for the force of his playing, here restored, corrected, and remastered.
Eye Contact (Heyner / Sawyer / Lavelle)
War Rug
(KMB Jazz)
The New York free improvising trio of Matthew Heyner (Test, Malkuth) on bass, Matt Lavelle on trumpet and clarinet and Ryan Sawyer (Tall Firs, Stars Like Fleas) on drums in the follow-up to their 2005 Utech double CD "Embracing The Tide / Making Eye Contact With God", an impressive release of expressive technique and ritualistic drive.
Chadbourne, Eugene
There'll Be No Tears Tonight
(Corbett vs. Dempsey)
A much-needed reissue of Eugene Chadbourne's ground-breaking free country improv album recorded in NYC with a great Downtown NY lineup including Tom Cora, John Zorn, Scott Manring, and David Licht, performing twisted takes on classics by Paycheck, Haggard, Miller, &c.
Rammel, Hal
The Amplified Palette: A History in Pictures [BOOK + 2 CDS]
(Penumbra)
A book and 2 CDs celebrating the 25th anniversary of this unusual and fascinating musical instrument designed and built by Hal Rammel, an artist's palette outfitted with a contact mic and vertically-mounted rods, played with a variety of uniquely designed bows and mallets.
Lopes, Luis Lisbon Berlin Trio
The Line
(Clean Feed)
Portugese electric guitarist Luis Lopes with his Berlin Trio of Robert Landfermann on double bass and Christin Lillinger that balances dark tonal work with kicking free improvisation, somewhere between ea-improv and free jazz, a mysterious and absorbing release.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC