Lisbon saxophonist Rodrigo Amado's trio with Miquel Mira on cello and Gabriel Ferrandini on drums is joined by New York trumpeter Peter Evans for 3 dynamic and exciting studio recording of superb TransAtlantic free improvisation.
Catalog ID: NBCD 67
Squidco Product Code: 18847
Packaging: Jewel Case
Recorded at Namouche Studios, in Lisbon, Portugal, on March 18th, 2013, by Joaquim Monte.
Rodrigo Amado-tenor saxophone
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1. The Freedom Principle 26:47
2. Shadows 18:40
3. Pepper Packed 11:54
Related Categories of Interest:
European Improv, Free Jazz & Related
NY Downtown & Jazz/Improv
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The Freedom Principle is an album crackling with energy. Consisting of three long tracks, none shorter than 11 minutes, the album is full of bristling creativity and expression, never feeling tired or lost.
Rodrigo Amado is a musician and photographer from Lisbon, Portugal (check out his artist home page; in addition to his discography, he had a link to his pictures and a photo book, all very nice), who was involved in the burgeoning free jazz scene there in the mid to late 90's. The start of Clean Feed enabled many of the artists, including Amado, to record their music and get international exposure. He had the first release from that label, The Implicate Order at Seixal. Amado sees himself as carrying the tradition of saxophone players like Coleman Hawkins, Sonny Rollins, Archie Shepp, and Sam Rivers, taking his knowledge of jazz and his own creativity, and channeling it with energy and focus.
On The Freedom Principle album from NoBusiness, his working trio with cellist Miguel Mira and drummer Gabriel Ferrandini is joined by trumpeter Peter Evans (from New York and member of the International Contemporary Ensemble - ICE). The title track is a 25+ minute opus that grabs the listener right from the start; Amado playing like Sonny Rollins in free form, with Ferrandi complementing, and then the others join in. Evans pushes Amado with an insistent tone that punctuates, sometimes lurking in the background, other times adjacent to the sax playing. About halfway through both horn players engage in an active dialogue that recalls that late 60's New Wave in Jazz scene, playing on top of each other, then along side, folding and turning their music in rhythms and tones that maintain the listener's interest.
There's a lot to digest, and on repeated listens it gets more rewarding. Shadows is an 18+ minute experience in volume, going from the terrific playing of Mira and Evans, playing at an almost whisper, the cello squeaking and trumpet mouthpiece blowing, to a more aggressive and louder interaction when Amado and Ferrandini join in, cello and sax vibrating, becoming very intense, then back down low, then loud again, Evans in full voice, stretching and pushing his instrument to the limit. Pepper Packed (a tribute to Art Pepper?) has Evans leading off with a solo, then Ferrandini, then a duet with Ferrandini and Mira, with Amado finally joining in with a more relaxed sound, almost ballad like, but the rhythm section plays against that notion. On this final track one can hear Amado's influences, and the very clever way he integrates them into his own sound.
The Freedom Principle is a high point for everyone involved, and a reaffirmation that the traditions of jazz are not dead, but cleverly integrated into new sounds and stories, by artists like Rodrigo Amado and his group and Peter Evans. This gets my highest recommendation!"-Stefan Wood, Free Jazz Blog
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• Show Bio for Peter Evans
"Peter Evans is a trumpet player, and improvisor/composer based in New York City since 2003. Evans is part of a broad, hybridized scene of musical experimentation and his work cuts across a wide range of modern musical practices and traditions. Peter is committed to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool, and works with an ever-expanding group of musicians and composers in the creation of new music. His primary groups as a leader are the Peter Evans Quintet and the Zebulon trio. In addition, Evans has been performing and recording solo trumpet music since 2002 and is widely recognized as a leading voice in the field, having released several recordings over the past decade. He is a member of the cooperative groups Pulverize the Sound (with Mike Pride and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is constantly experimenting and forming new configurations with like minded players. As a composer, he has been commissioned by the International Contemporary Ensemble (ICE), Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program, and the Doris Duke Foundation for the 2015 Newport Jazz Festival. Evans has presented and/or performed his works at major festivals worldwide and tours his own groups extensively. He has worked with some of the leading figures in new music: John Zorn, Kassa Overall, Jim Black, Weasel Walter, Levy Lorenzo, Nate Wooley, Steve Schick, Mary Halvorson, Joe McPhee, George Lewis, and performs with both ICE and the Wet Ink Ensemble. He has been releasing recordings on his own label, More is More, since 2011."-Peter Evans Website (http://pevans.squarespace.com/about/)
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• Show Bio for Gabriel Ferrandini
"He started playing drums at fourteen, when he took up his musical studies at the Crescendo School in São João do Estoril, near Lisbon. At nineteen, he made studies at the Hot Clube Portugal, where he stayed for a year and a half. In 2006 he entered the Academia de Amadores de Música where he studies to this day with Alexandre Frazão as his master. In 2007 he did a workshop with the drummer Paal Nilssen-Love.
Towards the end of 2007 and to date he has taken part in various concerts with multiple projects alongside artists and ensembles like: Nobuyasu Furuya Trio, Rodrigo Amado Motion Trio, Alípio C. Neto, Carlos Zíngaro, DJ Ride, Variable Geometry Orchestra, Riot Trio, Luís Lopes Duo, John Butcher, Jason Stein, Jon Irabagon, Ernesto Rodrigues Septet and the Nikolaus Gerszewski Ensemble."-Gulbenkian Music (https://gulbenkian.pt/musica/en/biography/gabriel-ferrandini-2/)
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