An excellent dialog using strong dynamics and space from electroacoustic improvisers Ernesto Rodrigues (viola), Anotonio Chaparreiro (electric guitar) and Jose Oliveira (percussion).
Shipping Weight: 4.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Creative Sources
Catalog ID: cs250
Squidco Product Code: 18782
Packaging: Jewel Tray
Recorded, in Paris at Instants Chavires, 2002.
Antonio Chaparreiro-electric guitar
Highlight an artist name or instrument above
and click here to Search
1. Paris 40:47
European Improv, Free Jazz & Related
lowercase, micro-improv, sound improv
sample the album:
An excellent dialog using strong dynamic and space from electroacoustic improvisers Ernesto Rodrigues (viola), Anotonio Chaparreiro (electric guitar) and Jose Oliveira (percussion). The trio can also be heard on the 2001 Creative Sources release "Sudden Music".
Ernesto Rodrigues has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio. His main interest shifted towards contemporary improvised and composed music. The relationship with his instruments is focused in sonic and textural elements. Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning. Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups. Music for Dance, Cinema, Video and Performance. Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music.
Polivalent artist with conections to the Fluxus movement, José Oliveira is well known, besides music by his "mail art" creations, performance and poetry.As an improvisor, his aproach to percussion is similar to Paul Lovens, Roger Turner, Lê Quan Ninh and Paul Lytton. He prefers a non conventional "set", where he uses instruments and objects as raw materials to create an improvised language rich in terms of timbre and textures. To this he adds sometimes inside piano manipulations and prepared guitar, in the same way as John Cage: the objects are placed on the strings or in between them in real-time performance, and not according to a previous plan. He belonged to Sei Miguel collective between 1989 and 1996, played with Carlos Bechegas and Pedro Roxo and has a regular activity with Ernesto Rodrigues.
At The Squid's Ear!