The trio of Jim O'Rourke on guitar, Paal Nilssen-Love on drums and Lasse Marhaug on electronics in an album of beautiful psychedelic noise recorded at Gok Sound Studio in Tokyo.
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Catalog ID: PNL 017/PICA 031
Squidco Product Code: 18604
Packaging: Vinyl LP in a cardstock sleeve
Recorded at Gok Sound Tokyo by Yoshiaki Kondo in February 2011.
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"The most interesting of their latest collaborations is the one with guitarist Jim O'Rourke, who contributes classic Sonic Youth guitar noise to the duo's [Paal Nilssen-Love & Lass Marhaug] excesses. At the start, Nilssen-Love is a very economical: his usual velocity is reluctant, almost coy. The three musicians blend excellently with each other, Marhaug's electronics and O'Rourke's guitar effects are a perfect match - a combination of early Pink-Floyd-psychedelia and new music in the tradition of Stockhausen and Mario Bertoncini. Side A end with a magical moment that could go on forever. The flipside is rawer and more disruptive, Marhaug's evil static is a constant presence: the disagreeable and disturbing side of noise [...]"-Martin Schray, The Free Jazz Collective
• Show Bio for Jim O'Rourke
"O'Rourke was born on January 18, 1969 in Chicago, Illinois. He is an alumnus of DePaul University. He has released albums of jazz, noise, glitchy electronica and rock music. O'Rourke has collaborated with Thurston Moore, Lee Ranaldo, Derek Bailey, Mats Gustafsson, Mayo Thompson, Brigitte Fontaine, Loren Mazzacane Connors, Merzbow, Nurse with Wound, Phill Niblock, Fennesz, Organum, Phew, Henry Kaiser, Flying Saucer Attack, and in 2006 mixed Joanna Newsom's album Ys. In 2009, he also mixed several tracks on Newsom's follow up Have One On Me.
He has produced albums by artists such as Sonic Youth, Wilco, Stereolab, Superchunk, Kahimi Karie, Quruli, John Fahey, Smog, Faust, Tony Conrad, The Red Krayola, Bobby Conn, Beth Orton, Joanna Newsom and U.S. Maple. He mixed Wilco's Yankee Hotel Foxtrot album and produced their 2004 album, A Ghost Is Born, for which he won a Grammy Award for "Best Alternative Album". During the recording of Yankee Hotel Foxtrot, O'Rourke collaborated with Wilco member Jeff Tweedy and pre-Wilco Glenn Kotche under the name Loose Fur. Their self-titled debut was released in 2003 with a follow-up in 2006 entitled Born Again in the USA. He also mixed the unfinished recordings that made up a planned third album by the late American singer-songwriter Judee Sill, recorded in 1974 and mixed by O'Rourke for a 2005 release.
O'Rourke was once a member of Illusion of Safety, Gastr Del Sol (with David Grubbs) and Sonic Youth. Beginning in 1999 he played bass guitar, guitar and synthesizer with Sonic Youth, in addition to recording and mixing duties with the group. He withdrew as a full member in late 2005, but continued to play with them in some of their side projects. In the early 1993, O'Rourke formed an avant-rock group with Darin Gray and Dylan Posa called Brise-Glace. The band released one studio album, When in Vanitas..., in 1994. They also released a 7" in the same year titled In Sisters All and Felony/Angels on Installment Plan.
O'Rourke has also released many albums under his own name on a variety of labels exploring a range of electronic and avant-garde styles. His most well-known works may be his series of releases on Drag City, which focus on more traditional songcraft: Bad Timing (1997), Eureka (1999), Insignificance (2001), The Visitor (2009) and Simple Songs (2015). The titles of the first four albums all refer to films by the British director Nicolas Roeg; the first three by direct reference to film titles, the fourth being titled after a fictional album within Roeg's film The Man Who Fell To Earth. With music director Takehisa Kosugi, he played for the Merce Cunningham dance company for four years. O'Rourke received a 2001 Foundation for Contemporary Arts Grants to Artists Award."-Wikipedia (https://en.wikipedia.org/wiki/Jim_O'Rourke_(musician))
^ Hide Bio for Jim O'Rourke
• Show Bio for Paal Nilssen-Love
"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.
The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.
Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.
Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.
All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
^ Hide Bio for Paal Nilssen-Love
• Show Bio for Lasse Marhaug
"Lasse Marhaug (b. 1974) has since the early 1990s been one of the most active artists in the Norwegian noise/experimental music scene. As a performer and composer he has contributed to well over 300 CD, vinyl and cassette releases over the years, as well as extensive touring and performing live on all continents of the world. In addition to his solo work, Marhaug has collaborated with several artists in the fields of noise, experimental, improv, jazz, rock and extreme metal, as well as working with music and sound for theatre, dance, installations, film and video. In the mid-90s Marhaug started TWR Tapes (still going) and Jazzassin Records (ended 2001). In the 2000s he started the record labels Pica Disk and Prisma Records. In 2011 he started his own print publishing called Marhaug Forlag. He has also been active as an organizer, promoter and producer. Marhaug was born in the northern regions above the arctic circle of Norway, but currently lives in Oslo."-Lasse Marhaug Website (http://lassemarhaug.no/biography/)
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