Known for his more abstract Memorize the Sky project, tenor saxophonist and clarinetist Matt Bauder's band Day in Pictures adheres to jazz traditions with the superb quintet of Nate Wooley (trumpet), Kris Davis (piano), Jason Ajemian (bass) and Tomas Fujiwara (drums).
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Label: Clean Feed
Catalog ID: CF 289
Squidco Product Code: 18598
Packaging: Cardstock gatefold foldover
Recorded and mixed by John Davis. Mastered by Luis Delgado.
Matt Bauder-tenor saxophone
Jason Ajemian-double bass
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1. Octavia Minor 9:00
2. Weekly Resolution 9:45
3. Starr Wykoff 9:52
4. Rule of Thirds 9:31
5. August and Counting 7:26
6. Nightshades 10:33
NY Downtown & Jazz/Improv
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sample the album:
"Tenor saxophonist and clarinetist Matt Bauder is one of those young musicains who has an equal capacity to play in and out of the formal idiomatic conventions. When with Memorize the Sky he goes out, profiting from his studies with the innovative composers Anthony Braxton, Alvin Lucier and Ron Kuivila. Conversely, his band Day in Pictures (now reformed by replacing Angelica Sanchez for Kris Davis) operates completely in jazz domains, and does it very much according to the tradition. The truth is that the jazz tradition has defined a space for freedom right from the start, and Bauder is a master of combining that freedom with form.
There's a retro feeling all over, going back to Fifties jazz, however the perspectives and devices that underly the music presented in "Nightshades" are uniquely modern. You get all the swing you can imagine, but never in obvious ways, the harmonic constructions are unusually sophisticated, reflecting Bauder's appreciation of American new music, and the thematic melodies have an elegancy only paralleled by the best pop and folk tunes. Not to mention the improvised interventions, full of drive and spontaneous creativity, precisely what you want from an authentic and committed jazz opus. Yes, you got it: this is a luxury of a record."-Clean Feed
• Show Bio for Matt Bauder
"Reedist and composer Matt Bauder draws upon jazz, free jazz, avant-garde, rock, and pop in his own music, as well as turning to literary and visual arts for inspiration. He studied at the University of North Texas and the University of Michigan where he earned a bachelor of fine arts in Jazz and Contemporary Improvisation. He then spent two active years on the vibrant Chicago music scene before attending Wesleyan University and receiving a masters' degree in composition under the guidance of the legendary Anthony Braxton and Alvin Lucier.
Now based in Brooklyn, Bauder is the leader of Day in Pictures, a creative jazz quintet; Paper Gardens, a chamber quartet; White Blue Yellow and Clouds, which is experimental Doo-Wop and R&B, and he is part of the collaborative trio Memorize the Sky. He has performed with Anthony Braxton, Bill Dixon, Fred Anderson, Roscoe Mitchell, Jeff Parker, The SEM Ensemble, Ken Vandermark, and Phil Minton, among others. As a sideperson he plays and records with Rob Mazurek, Harris Eisenstadt, Taylor Ho Bynum, Jason Ajemian, Neil Michael Hagerty, His Name is Alive, and Bill Brovald. His recordings as a leader and co-leader on 482 Music, Clean Feed and Eye & Ear Records have received wide critical acclaim."-Jazz Right Now (https://jazzrightnow.com/artists/artists-alphabetical/bauder-matt/)
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• Show Bio for Nate Wooley
"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.
Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.
Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".
In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.
Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."-Nate Wooley Website (http://natewooley.com/about)
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• Show Bio for Tomas Fujiwara
"Born in Boston in 1977, Brooklyn-based drummer Tomas Fujiwara emerged during the early to mid-2000s as a valued sideman before forming his own quintet, Tomas Fujiwara & the Hook Up, which gathered accolades for blending influences such as Wayne Shorter, Taleb Kweli, and Me'Shell Ndegéocello with the experimental and unpredictable spirit of the 21st century Brooklyn creative jazz scene. After studying for eight years with drummer and educator Alan Dawson in the Boston area, Fujiwara moved to New York at the age of 17. His first performing experiences included a five-year stint beginning around the turn of the millennium with the off-Broadway show Stomp, but he also began appearing as a sideman on jazz recordings (e.g., Three Souls by the Adam Rafferty Trio in 2003) and moving in exploratory, adventurous directions.
Fujiwara developed a particularly strong collaborative relationship with New Haven, Connecticut-based cornetist Taylor Ho Bynum, whose own avant-leaning ensembles have featured a number of top Brooklyn improvising musicians. Fujiwara first appeared with Bynum on two 2007 recordings, The Middle Picture by the Taylor Ho Bynum Sextet (Firehouse 12) and True Events by the Taylor Ho Bynum/Tomas Fujiwara Duo (482 Music). During the following years, the drummer appeared on the Bynum Sextet albums Asphalt Flowers Forking Paths (hatOLOGY, 2009), Apparent Distance (Firehouse 12, 2011), and Navigation (Possibility Abstracts X & XI) (Firehouse 12, 2013), and the Bynum/Fujiwara Duo album Stepwise (Nottwo, 2010). Fujiwara is also a member of Positive Catastrophe, a ten-piece outfit co-led by Bynum and percussionist Abraham Gomez-Delgado and inspired by Sun Ra and Latin jazz; the group has released two albums on Cuneiform, Garabatos Volume One (2009) and Dibrujo, Dibrujo, Dibrujo... (2012).
Another musician with whom Fujiwara has often worked, guitarist Mary Halvorson, also often travels in the same creative orbit as Taylor Ho Bynum; like Fujiwara, Halvorson is a member of the Bynum Sextet, and along with Bynum and violist Jessica Pavone, the drummer and guitarist formed the collective quartet the Thirteenth Assembly, which has recorded two albums for the Important Records label, 2009's (un)sentimental and 2011's Station Direct. Fujiwara, Halvorson, and Bynum also appeared as members of the Chicago-New York nonet Living by Lanterns, whose New Myth/Old Science album -- based on fragments of music recorded by Sun Ra in 1961 -- appeared on Cuneiform in 2012. In 2014 Cuneiform released another album featuring Fujiwara and Halvorson, the eponymous debut of Thumbscrew, a collaborative trio also including veteran bassist Michael Formanek.
Fujiwara first assembled his Hook Up quintet in 2008, later describing the bandmembers as "some of the most important musicians in my life" -- and given all of Fujiwara and Halvorson's recorded appearances together in various settings, it was no surprise that the guitarist was in the lineup. Also featuring tenor saxophonist Brian Settles, trumpeter Jonathan Finlayson, and bassist Danton Boller, Tomas Fujiwara & the Hook Up released their debut album, Actionspeak, on 482 Music in 2010. Featuring Trevor Dunn on bass in place of Boller, the group's sophomore album, The Air Is Different, arrived (also on 482 Music) in 2012.
The many other projects in which Fujiwara has played as a collaborator or sideman include the Steve Lacy tribute band Ideal Bread, the eight-piece "bhangra funk dhol 'n' brass" outfit Red Baraat, and saxophonist/clarinetist Matt Bauder's acoustic jazz quintet. "-All Music (http://www.allmusic.com/artist/tomas-fujiwara-mn0000909926/biography)
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