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Eichenberger's Domino, Markus: Concept for Orchestra (Emanem)

Markus Eichenberger directs his fellow artists to change what they are doing, but does not dictate what they do next, leaving ample room for an unpredictable performance that was many transformations.

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product information:

UPC: 5030243408429

Label: Emanem
Catalog ID: 4084
Squidco Product Code: 18383

Format: CD
Condition: New
Released: 2003
Country: Great Britain
Packaging: Jewel tray, not sealed.
Recorded by Martin Pearson at DRS Zurich on April 1st-3rd, 2001.


Marianne Schuppe-voice

Dorothea Schurch-voice

Carlos Baumann-trumpet

Paul Hubweber-trombone

Carl Ludwig Hubsch-tuba

Markus Eichenberger-clarinets

Dirk Marwedel-extended saxophones

Helmut Bieler-Wendt-violin

Charlotte Hug-viola

Peter K Frey-doublebass

Daniel Studer-doublebass

Frank Ruhl-electric guitar

Ivano Torre-percussion

Highlight an artist name or instrument above
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track listing:

1. Part I 12:09

2. Part II 9:19

3. Part III 16:10

4. Part IV 8:15

5. Part V 5:52

6. Part VI 7:17
Related Categories of Interest:

Improvised Music
Free Improvisation
European Improv, Free Jazz & Related
EMANEM & psi
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descriptions, reviews, &c.

"Eichenberger directs the musicians to change what they are doing, but not what to. The result is an hour-long performance with many changes, and surprises."-Emanem

Artist Biographies:

"The sounds that avant-garde vocalist Dorothea Schürch produces, using her larynx, tongue, lips and hands, are nothing short of phenomenal. She has been active in the field of improvised music since 1986, and has given numerous concerts throughout Europe and the USA, performing in many important festivals including the Festival Musique Actuelle in Victoriaville/Canada, total Music Meeting in Berlin, London Musicians Collective Festival, Jazzfestival Mulhouse, Experimental Festival Kopenhagen, Canaille Frankfurt, and Taktlos Festival in Zürich. In the field of music theatre and contemporary music, Schürch has been collaborating with renowned composers such as Jacques Demierre and Alvin Lucier. She is currently a member of experimental ensemble "6ix", alongside Demierre, Urs Leimgruber, Thomas Lehn, Okkyung Lee und Roger Turner."

-Irtijal Festival website (

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"Besides his own project like Hübsch's Longrun Development of the Universe, Drift and Hübsch's Primordial Soup he founded the ENSEMBLE X and co-leads the Multiple Joy[ce] Orchestra together with Matthias Schubert and Frank Gratkowski.

Hübsch is part of many collective projects and ensembles and works as side man in various projects. Carl Ludwig Hübsch performed with musicians like Arthur Blythe, Michiel Braam, Thomasz Stanko, Paul Lytton, Lester Bowie, Jasper vant Hof, Paul Lovens, Ernst Reijseger, Angelika Sheridan, Peter Keller, Thomas Lehn, Martin Theurer, Gunda Gottschalk, Axel Dörner, Ute Völker, Gino Robair, Philip Zoubek, Le Quan Ninh, Michel Doneda, Scott Fields, Michael Vorfeld, Uwe Oberg, Ulrich Phillipp, Franz Hautzinger, Sebastian Gramss, Nils Wogram, Frank Köllges, Udo Moll a.m.o. throughout the planet.

He participated in numerous projects like e.g.

• The F-Orkestra
• Oktoberorchestra Amsterdam 1994
• Humannoise Congress
• Hannes Zerbe / Willem Breuker Blech Band 1995
• Matthias Schubert Sextett 1997
• Kammeroper "Idyllen" von Thomas Beimel 1999
• Matthias Schubert Quartett 2002
• European Tuba Quartett from 2000
• Markus Eichenbergers Domino Orchestra 2003
• Toyteens `lil Rosies (Klare, Buhrs, de Jode, Hübsch)
• Post No Bills ab 1995
• Adam Noidlts Missiles
• Carl Ludwig Hübsch/Harald Kimmig Duo
• Adam Noidlts Missiles
• Thomas Heberers LipL from 2007
• Achim Krämer Georg Wissel Carl Ludwig Hübsch
• Franz Hautzingers Trompetenorchester 2008
• Bik Bent Braam / Braam Hybrid Tentett
• Ensemble [H]iatus from 2008

fellowships or study travels lead Hübsch troughout the continents, India in 1997 for studies with Ramamani (Karnataka College of Percussion)or to Namibia in the year 2000, to the USA ( OMI-Arts Stipendium 2002) • but also to closer places like Essen (Jazzpott Award 2003 ) or to Basel (2008 / 2009 Residency of the Stiftung Bartels Fondation) Huebsch's work is documented in numerous radio and CD productions."

-Carl Ludwig Hubsch Website (

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"Dirk Marwedel Born 1959. Since 1985 Dirk Marwedel has been working in the area of ​​improvised music and related musical concepts as well as in interdisciplinary projects with performance, sound installation, film, dance, theater, sculpture and painting. In continuous interplay with different groups as well as soloist he has developed sounding techniques and preparations with which he easily exceeds the limits of familiar concepts of the sound spectrum of the saxophone and irritates listening habits. The permanent process of material and sound enhancement can also lead to play on hoses, balloons, with water or other sound bodies, even beyond the original instrument. With his work on slate slabs ("TonSchiefer") and the sculptures by the sculptor couple Livia Kubach and Michael Kropp, Dirk Marwedel, who also trained as a sculptor, explores and develops the sound qualities of stone.

Solistically, Dirk Marwedel draws particular attention to dynamic and structural movement. Dense monolithic sound currents can contrast with fine tissues, which are reduced to only a few senses, sequences of classical toning complement each other with grotesque or fragile, silent, brittle or bursting overflowing forms beyond the chromatically tempered tonal space. The limits and meanings of sound, sound and sound are moving, touching, mixing and differentiating. Silence is perceived as a fundamental element of musical experience.

Central themes in the area of ​​performance (for example in the case of sound video performance> no change changing <) are the inevitability and irreversibility of movement and development. With concentrated acoustic and visual material, processes that are fragmented in the phenomena of repetition and change, memory and present are perceived in the light of their incessant passing over one another. Even more direct than in purely concertante performances is the irritation and questioning of fixed, automated boundaries and interpretations and the opening of unexpected perceptions. Recent works such as the "fields of intercourse", the "court paintings" and the project "Living Sculpture" also deal with the center of perception, the perceiving and perceptive human beings themselves, with their modes, the Familiar, the stranger, to meet oneself.

Dirk Marwedel has appeared in Europe and Canada. He lives in Wiesbaden and is co-founder and organizer of the HumaNoise congress - day improvised music."

-Nurnichtnur.Com (Translated by Google) (

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"Daniel Studer was born in Zürich in 1961, lived and worked in Rome from 1981 to 1995, is now living with his family in Zurich.Master of arts in Music Pedagogy, guest composer at the Elektronisches Studio in Basel, studied composition with Johannes Schöllhorn.2010 award from the city of Zurich.

His focus lies on improvisation and mixed forms of improvisation and composition. He participated in various projects involving space - and projects with live electronics; further fields of interest are music and language, music and dance, music and video poetry. The constant exploration of his instrument has led to performances as a soloist, too.For years he has been working with Peter K Frey, Mischa Käser, Katharina Klement, Giancarlo Schiaffini, Dieter Ulrich and Alfred Zimmerlin.Presently he is part of the Kontrabassduo Studer-Frey, Kimmig-Studer-Zimmerlin, III-VII-XII (with Mischa Käser and Urs Haenggli) and the trio Gabriela Friedli Trio.

Concerts and radio recordings in Europe, Japan and USA. Among others he played with Lester Bowie, Jacques Demierre, Michel Doneda, Paolo Fresu, Gerry Hemingway, Steve Grossmann, Barney Kessel, Hans Koch, Riccardo Lay, Joëlle Léandre, Magda Mayas, Mike Melillo, Evan Parker, Antonello Salis, Irene Schweizer, Tony Scott, Co Streiff, Sebi Tramontana, Massimo Urbani, Urs Voerkel, Bobby Watson and many others.

Records with the Kontrabassduo Studer-Frey, Kimmig-Studer-Zimmerlin, Giancarlo Schiaffini Quintet, Gabriela Friedli Trio, Solo, In Transit, Eichenbergers Domino, Day & Taxi, Käppeli-Lüscher-Studer, Streichtrio Coen-Penazzi-Studer on labels as Intakt,Unit Records, EMANEM, Konnex, Percaso, Creative Sources, Edition RZ.

Festivals: Controindicazioni Roma, Le Mans Jazz Festival, Südtirol Jazz Festival Bozen, Clusone Jazz, Ulrichsberger Kaleidophon, Unerhört! Zürcher Jazzfestival, Willisau Jazz Festival, Zoom in Bern, Schaffhauser Jazzfestival, Limmitantiones, Romaeuropa, Zürcher Theaterspektakel, World New Music Days, Honmoku Jazz Festival Yokohama, Jazz and more München, Siena Jazz, Progetto Musica Roma

He has been teaching improvisation at different music schools so at the Bern University of the Arts since 2006."

-Daniel Studer Website (

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