The excellent trio of Maggie Nicols (voice), Caroline Kraabel (saxophone, voice) and Charlotte Hug (viola) record a set of improvisation just a month after performing at the Freedom of the City Festival.
Shipping Weight: 4.00 units
Quantity in Basket: None
Log In to use our Wish List
Catalog ID: 4068
Squidco Product Code: 18379
Country: Great Britain
Packaging: Jewel tray, not sealed.
Recorded by Martin Davidson on June 4th, 2001 at Conway Hall.
Caroline Kraabel-alto saxophone, voice
Highlight an artist name or instrument above
and click here to Search
1. Undercurrents (For Paddy Ben Pan) 7:52
2. Lullaby For Clement 13:21
3. Broken Bridges 2:12
4. No Now 5:04
5. Hymn Indoors 13:46
6. Coming Out 10:23
7. Up To Earth 3:48
Related Categories of Interest:
Unusual Vocal Forms
EMANEM & psi
sample the album:
"A month after their amazing performance at the Freedom of the City Festival, this improvising trio returned to the Conway Hall to record some further distinctive music. Three strong individuals - Nicols (voice), Kraabel (alto saxophone & voice) and Hug (viola) - combine to make an exceptional trio."-Emanem
• Show Bio for Maggie Nicols
"Maggie Nicols (or Nichols, as she originally spelled her name as a performer) (born 24 February 1948), is a Scottish free-jazz and improvising vocalist, dancer, and performer.
Nicols was born in Edinburgh as Margaret Nicholson. Her father was from the Isle of Lewis, and her mother is half-French, half-Berber from North Africa. At the age of fifteen she left school and started to work as a dancer at the Windmill Theatre. Her first singing engagement was in a strip club in Manchester at the age of sixteen. At about that time she became obsessed with jazz, and sang with bebop pianist Dennis Rose. From then on she sang in pubs, clubs, hotels, and in dance bands with some of the finest jazz musicians around. In the midst of all this she worked abroad for a year as a dancer (including a six-month stint at the Moulin Rouge in Paris).
In 1968, she went to London and joined (as Maggie Nichols) an early improvisational group, the Spontaneous Music Ensemble, with John Stevens, Trevor Watts, and Johnny Dyani, and the group performed that year at Berlin's then new avant-garde festival, Total Music Meeting. In the early 1970s she began running voice workshops at the Oval House Theatre (one of the most important centres for pioneer fringe theatre groups). She both acted in some of the productions and rehearsed regularly with a local rock band. Shortly afterwards she became part of Keith Tippett's fifty-piece British jazz/progressive rock big band Centipede, which included Julie Tippetts, Phil Minton, Robert Wyatt, Dudu Pukwana, and Alan Skidmore. Tippetts, Minton, and Nicols also joined Brian Eley to form the vocal group Voice. Around the same time Nicols began collaborating with the Scottish percussionist Ken Hyder (who had recently moved to London) and his band Talisker.
Maggie Nicols recorded an album with the vocalist Julie Tippetts called Sweet and S'Ours which was an FMP]] import.
By the late 1970s, Nicols had become an active feminist, and co-founded the Feminist Improvising Group, which performed across Europe, with Lindsay Cooper. She also organised Contradictions, a women's workshop performance group that began in 1980 and dealt with improvisation and other modes of performance in a variety of media including music and dance. Over the years, Nicols has collaborated with other women's groups, such as the Changing Women Theatre Group, and even wrote music for a prime-time television series, Women in Sport.
Nicols has also collaborated regularly over the years with Swiss pianist Irene Schweizer and French bassist Joelle Leandre, including tours and three recordings as the trio "Les Diaboliques". Her collaboration with Ken Hyder also continues; the duo incorporate elements of the traditional tunes of their shared Scottish background into jazz improvisations in their most recent project, Hoots and Roots Duo. She has worked with pianists Pete Nu and Steve Lodder, with her own daughter, Aura Marina, with avant-gardists Caroline Kraabel and Charlotte Hug, and with lighting designer Sue Neal in Light and Shade. She performed internationally for several decades, including the Zürich and the Frankfurt "Canaille" festivals, the Victoriaville Festival. She gave solo performances at the Moers Music Festival, the Cologne Triennale, and a number of other creative and improvised music festivals."-Wikipedia (https://en.wikipedia.org/wiki/Maggie_Nicols)
^ Hide Bio for Maggie Nicols
• Show Bio for Caroline Kraabel
"Caroline Kraabel (born 1961 in Torrance, California) is a London-based American composer, improviser and saxophonist. She is known for her research into the implications of electricity related to recording, synthesis and amplification.
After living in Seattle, Kraabel moved to London while in her teenage years, at the end of the punk era. There she took up the saxophone and became active in London's improvised music scene, eventually developing a style based on the physicality of the instrument, extended techniques and acoustics. She has performed solo and collaborated with John Edwards, Veryan Weston, Charlotte Hug, Maggie Nicols, Phil Hargreaves, and the London Improvisors Orchestra among others. She has also organized and conducted pieces for Mass Producers-a 20-piece, all-female saxophone/voice orchestra and for Saxophone Experimentals in Space-a 55-piece group of young saxophonists, as well as with her two children during walks through the streets of London.
Recordings include Transitions with Maggie Nichols and Charlotte Hug, Five Shadows with Veryan Weston, Performances for Large Saxophone Ensemble 1 and 2 and Performances for Large Saxophone Ensemble 3 and 4 with Mass Producers and a solo work Now We Are One Two.
Caroline Kraabel has been hosting a weekly radio show on London's Resonance FM and is the editor for the London Musicians Collective's magazine Resonance."-Wikipedia (https://en.wikipedia.org/wiki/Caroline_Kraabel)
^ Hide Bio for Caroline Kraabel
Search for other titles on the Emanem label.