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Davis, Kris: Massive Threads (Thirsty Ear)

NY pianist Kris Davis' second solo CD after her 2011 Clean Feed release expands on her repetoire by integrating modern compositional styles fused with improvisation, including one work overdubbing herself, plus a unique reading of Monk's "Evidence".
 

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product information:


UPC: 700435720824

Label: Thirsty Ear
Catalog ID: THI 57208.2
Squidco Product Code: 18352

Format: CD
Condition: Sale (New)
Released: 2013
Country: USA
Packaging: Jewel Tray
Recorded at Tedesco Studios on October 21st, 2012.


Personnel:

Kris Davis-piano

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track listing:


1. Ten Exorcists 7:32

2. Desolation And Despair 7:30

3. Intermission Music 2:13

4. Massive Threads 10:58

5. Dancing Marlins 4:41

6. Evidence 4:17

7. Leaf-Like 1:57

8. Slow Growing 2:28
Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Jazz/Improv
Piano & Keyboards
Solo Artist Recordings
Thirsty Ear

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descriptions, reviews, &c.

"Kris Davis: Massive Threads The first five minutes of "Ten Exorcists," the opening track of Massive Threads by pianist Kris Davis, consists of minimalist repetitive percussive playing of her prepared piano. The Steve Reich-like repetition mimics percussive tape-loops that cease, but the momentum endures and lays the foundation for her solo.

This solo outing benefits from Davis' classically trained ear, the follow-up to her first solo attempt Aeriol Piano (Clean Feed, 2011). Her background has earned her praise, writing for jazz ensembles led by Ingrid Laubrock and Tony Malaby, and for her piano trio and a collaborative unit Paradoxical Frog.

The title track, originally written for six pianists, opens with Davis overdubbing just one additional track over her playing. The eleven-minute piece begins as a dance, then thickens with gargantuan chords that rumble with a (not-distant) thunder. The heaviness of the storm gives way to a music box sound of simplicity played under clearing skies.

Davis' ability to link modern composers with jazz makes her music challenging and ultimately interesting. She melds Iannis Xenakis' abstractions with Keith Jarrett's expression.

Her use of rhythmic timing-as on "Dancing Marlins" and "Leaf Like"- levitate the spirit, while the introspective "Slow Growing" exhibits a meditative maturity to her playing.

Her take on Thelonious Monk's "Evidence," the only cover on the recording, eschews the surprise of Monk for a sort of hallucinogenic effect. The dream-like state summoned suggests the near catatonic state the great man was imprisoned in, at his life's end. It is easy to imagine Monk recalling this tune from the foggy state of his final days."-Mark Corroto


Get additional information at All About Jazz

Artist Biographies:

"Pianist-composer Kris Davis has blossomed as one of the singular talents on the New York jazz scene, a deeply thoughtful, resolutely individual artist who offers "uncommon creative adventure," according to JazzTimes. The Vancouver-born, Brooklyn-residing Davis was dubbed one of the music's top up-and-comers in a 2012 New York Times article titled "New Pilots at the Keyboard," with the newspaper saying: "Over the past couple years in New York, one method for deciding where to hear jazz on a given night has been to track down the pianist Kris Davis." Reviewing one of the series of striking albums Davis has released over the past half-decade, the Chicago Sun-Times lauded the "sense of kaleidoscopic possibilities" in her playing and compositions.

Long favored by her peers and jazz fans in the know, Davis has earned high praise from no less than star pianist and MacArthur "Genius" Grant honoree Jason Moran, who included her in his Best of 2012 piece in Art Forum, writing: "A freethinking, gifted pianist on the scene, Davis lives in each note that she plays. Her range is impeccable; she tackles prepared piano, minimalism and jazz standards, all under one umbrella. I consider her an honorary descendant of Cecil Taylor and a welcome addition to the fold."

The newest album from Davis as a leader is Capricorn Climber (Clean Feed, 2013), with the pianist joined by kindred spirits Ingrid Laubrock (tenor saxophone), Mat Maneri (viola), Trevor Dunn (double-bass) and Tom Rainey (drums). Davis made her debut on record as a leader with Lifespan (Fresh Sound New Talent, 2003), followed by three progressively inventive and acclaimed albums for the Fresh Sound label: the quartet discs The Slightest Shift (2006) and Rye Eclipse (2008), then the trio set Good Citizen (2010). Davis's 2011 solo piano album on Clean Feed, Aeriol Piano, appeared on Best of the Year lists in The New York Times, JazzTimes and Art Forum. Davis wrote the extraordinary arrangements for saxophonist-composer Tony Malaby's nonet project Novela, with the album Novela released by Clean Feed in 2011 and appearing on Best of the Year lists in DownBeat and JazzTimes. The pianist is also part of the collaborative Paradoxical Frog with Laubrock and drummer Tyshawn Sorey; their eponymous 2011 album on Clean Feed was included on Best of the Year lists by National Public Radio, The New York Times and All About Jazz.

In addition to her work as a leader, Davis has performed with such top figures as Paul Motian, Bill Frisell, Tim Berne, John Hollenbeck, Michael Formanek and Mary Halvorson. Davis started playing piano at age 6, studying classical music through the Royal Conservatory in Canada and formulating her desire for a life in music by playing in the school jazz band at age 12. She earned a bachelor's degree in Jazz Piano from the University of Toronto and attended the Banff Centre for the Arts jazz program in 1997 and 2000. The pianist received a Canada Council grant to relocate to New York and study composition with Jim McNeely, then another to study extended piano techniques with Benoit Delbecq in Paris. She holds a master's in Classical Composition from the City College of New York, and she teaches at the School for Improvised Music.

The Jazz Gallery has given Davis a commissioning residency to write for her trio with Rainey and John Hébert to take place in May 2013, and the Shifting Foundation awarded her a grant to compose and record a large-ensemble project. About her art, JazzTimes has declared: "Davis draws you in so effortlessly that the brilliance of what she's doing doesn't hit you until the piece has slipped past." "

-Kris Davis Website (http://krisdavis.net/bio/)
8/16/2017

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