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© 2002-2017, Squidco LLC

Parker, Evan & Joe Mcphee

What / If / They Both Could Fly [VINYL]

Parker, Evan & Joe Mcphee: What / If / They Both Could Fly [VINYL] (Rune Grammofon)

Two legendary free players - saxophonist & pocket trumpeter Joe McPhee & saxophonist Evan Parker - performed these 3 exceptional improvisations live at the Kongsberg Jazz Festival, Norway in 2012.
 

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product information:


UPC: 7033660031490

Label: Rune Grammofon
Catalog ID: RLP 3149LP
Squidco Product Code: 18187

Format: LP
Condition: New
Released: 2013
Country: Norway
Packaging: Vinyl LP in a cardstock sleeve
Recorded live at Konsberg Jazzfestival in July 2012 by Kristian Ludvik-Bohmer.


Personnel:

Evan Parker-tenor saxophone

Joe McPhee-pocket trumpet, soprano saxophone

Highlight an artist name or instrument above
and click here to Search
track listing:


SIDE A

What

SIDE B

If

They Could Both Fly




Related Categories of Interest:


Vinyl Recordings
Improvised Music
Jazz
European Improv, Free Jazz & Related
London & UK Free Improvisation Scene
Free Improvisation
Joe McPhee
Parker, Evan
Duo Recordings
Staff Picks & Recommended Items
Duo Recordings

sample the album:






descriptions, reviews, &c.

"On a sultry July evening on an intimate stage at Kongsberg Jazz Festival, Norway, two elder statesmen of improvised music -- one wearing a grey shirt, the other sporting a Thunder Pussy T-shirt -- stepped up to the platform. What followed resembled an in-depth conversation between two old friends and sparring partners -- one that ranged from the amicable to the argumentative, from hush to harmony. Now, Norway's adventurous Rune Grammofon label is releasing a 40-minute recording of that event. What/If/They Both Could Fly is only the second time this titanic pair has appeared as a duo on record. Their paths have crossed sporadically over the years: Evan Parker has guested in Joe McPhee's Survival Unit III group, and they have frequently made up a trio with saxophonist Daunik Lazro. But their only release together was Chicago Tenor Duets, back in 2000, praised in Jazz Times for its mixture of lyricism and complexity. Evan Parker was 68 when this concert was recorded and by now, music just seems to beat within him, sure as his own heartbeat. McPhee, at 73, is the elder here, but his zaps of energy on the tiny pocket trumpet, and his thoughtful, exploratory lines and throbbing soprano sax overtones are played as vigorously as a man half his age. Listen to the amazing zigzags of interlocking sound about six minutes into opening track "What." Hear the microtonal mayhem swarming at the start of "They Both Could Fly." The duo never seeks to dazzle with virtuosity, but their total mastery of their instruments allows them to dance around each other and match each other's moves point-for-point and blow-for-blow. Joe has played in groups with Peter Brötzmann, Kent Kessler, Mats Gustafsson, Paal Nilssen-Love, Dominic Duval, and Joe Giardullo. He appeared with Evan Parker's trio on the legendary Redwood Session (1995). Since the early 1960s, there are few jazz and improv musicians Evan hasn't worked with; he has also cropped up unexpectedly on records by everyone from Scott Walker and Charlie Watts to Spring Heel Jack and British comedian Vic Reeves. A founder of independent free music label Incus, he now runs his own label Psi, releasing core recordings by himself and others. The duo improvises moment by moment, but there's a tangible, overarching arc that these two veterans instinctively understand -- a depth of vision that lifts them head and shoulders above their younger peers. Play this and you'll believe two men can fly."-Rune Grammofon

Also available on CD.

Artist Biographies:

"Evan Parker was born in Bristol in 1944 and began to play the saxophone at the age of 14. Initially he played alto and was an admirer of Paul Desmond; by 1960 he had switched to tenor and soprano, following the example of John Coltrane, a major influence who, he would later say, determined "my choice of everything". In 1962 he went to Birmingham University to study botany but a trip to New York, where he heard the Cecil Taylor trio (with Jimmy Lyons and Sunny Murray), prompted a change of mind. What he heard was "music of a strength and intensity to mark me for life ... l came back with my academic ambitions in tatters and a desperate dream of a life playing that kind of music - 'free jazz' they called it then."

Parker stayed in Birmingham for a time, often playing with pianist Howard Riley. In 1966 he moved to London, became a frequent visitor to the Little Theatre Club, centre of the city's emerging free jazz scene, and was soon invited by drummer John Stevens to join the innovative Spontaneous Music Ensemble which was experimenting with new kinds of group improvisation. Parker's first issued recording was SME's 1968 Karyobin, with a line-up of Parker, Stevens, Derek Bailey, Dave Holland and Kenny Wheeler. Parker remained in SME through various fluctuating line-ups - at one point it comprised a duo of Stevens and himself - but the late 1960s also saw him involved in a number of other fruitful associations.

He began a long-standing partnership with guitarist Bailey, with whom he formed the Music Improvisation Company and, in 1970, co-founded Incus Records. (Tony Oxley, in whose sextet Parker was then playing, was a third co-founder; Parker left Incus in the mid-1980s.) Another important connection was with the bassist Peter Kowald who introduced Parker to the German free jazz scene. This led to him playing on Peter Brötzmann's 1968 Machine Gun, Manfred Schoof's 1969 European Echoes and, in 1970, joining pianist Alex von Schlippenbach and percussionist Paul Lovens in the former's trio, of which he is still a member: their recordings include Pakistani Pomade, Three Nails Left, Detto Fra Di Noi, Elf Bagatellen and Physics.

Parker pursued other European links, too, playing in the Pierre Favre Quartet (with Kowald and Swiss pianist Irene Schweizer) and in the Dutch Instant Composers Pool of Misha Mengelberg and Han Bennink. The different approaches to free jazz he encountered proved both a challenging and a rewarding experience. He later recalled that the German musicians favoured a "robust, energy-based thing, not to do with delicacy or detailed listening but to do with a kind of spirit-raising, a shamanistic intensity. And l had to find a way of surviving in the heat of that atmosphere ... But after a while those contexts became more interchangeable and more people were involved in the interactions, so all kinds of hybrid musics came out, all kinds of combinations of styles."

A vital catalyst for these interactions were the large ensembles in which Parker participated in the 1970s: Schlippenbach's Globe Unity Orchestra, Chris McGregor's Brotherhood of Breath, Barry Guy's London Jazz Composers Orchestra (LJCO) and occasional big bands led by Kenny Wheeler. In the late 70s Parker also worked for a time in Wheeler's small group, recording Around Six and, in 1980, he formed his own trio with Guy and LJCO percussionist Paul Lytton (with whom he had already been working in a duo for nearly a decade). This group, together with the Schlippenbach trio, remains one of Parker's top musical priorities: their recordings include Tracks, Atlanta, Imaginary Values, Breaths and Heartbeats, The Redwood Sessions and At the Vortex. In 1980, Parker directed an Improvisers Symposium in Pisa and, in 1981, he organised a special project at London's Actual Festival. By the end of the 1980s he had played in most European countries and had made various tours to the USA, Canada, Australia, New Zealand and Japan. ln 1990, following the death of Chris McGregor, he was instrumental in organising various tributes to the pianist and his fellow Blue Notes; these included two discs by the Dedication Orchestra, Spirits Rejoice and lxesa.

Though he has worked extensively in both large and small ensembles, Parker is perhaps best known for his solo soprano saxophone music, a singular body of work that in recent years has centred around his continuing exploration of techniques such as circular breathing, split tonguing, overblowing, multiphonics and cross-pattern fingering. These are technical devices, yet Parker's use of them is, he says, less analytical than intuitive; he has likened performing his solo work to entering a kind of trance-state. The resulting music is certainly hypnotic, an uninterrupted flow of snaky, densely-textured sound that Parker has described as "the illusion of polyphony". Many listeners have indeed found it hard to credit that one man can create such intricate, complex music in real time. Parker's first solo recordings, made in 1974, were reissued on the Saxophone Solos CD in 1995; more recent examples are Conic Sections and Process and Reality, on the latter of which he does, for the first time, experiment with multi-tracking. Heard alone on stage, few would disagree with writer Steve Lake that "There is, still, nothing else in music - jazz or otherwise - that remotely resembles an Evan Parker solo concert."

While free improvisation has been Parker's main area of activity over the last three decades, he has also found time for other musical pursuits: he has played in 'popular' contexts with Annette Peacock, Scott Walker and the Charlie Watts big band; he has performed notated pieces by Gavin Bryars, Michael Nyman and Frederic Rzewski; he has written knowledgeably about various ethnic musics in Resonance magazine. A relatively new field of interest for Parker is improvising with live electronics, a dialogue he first documented on the 1990 Hall of Mirrors CD with Walter Prati. Later experiments with electronics in the context of larger ensembles have included the Synergetics - Phonomanie III project at Ullrichsberg in 1993 and concerts by the new EP2 (Evan Parker Electronic Project) in Berlin, Nancy and at the 1995 Stockholm Electronic Music Festival where Parker's regular trio improvised with real-time electronics processed by Prati, Marco Vecchi and Phillip Wachsmann. "Each of the acoustic instrumentalists has an electronic 'shadow' who tracks him and feeds a modified version of his output back to the real-time flow of the music."

The late 80s and 90s brought Parker the chance to play with some of his early heroes. He worked with Cecil Taylor in small and large groups, played with Coltrane percussionist Rashied Ali, recorded with Paul Bley: he also played a solo set as support to Ornette Coleman when Skies of America received its UK premiere in 1988. The same period found Parker renewing his acquaintance with American colleagues such as Anthony Braxton, Steve Lacy and George Lewis, with all of whom he had played in the 1970s (often in the context of London's Company festivals). His 1993 duo concert with Braxton moved John Fordham in The Guardian to raptures over "saxophone improvisation of an intensity, virtuosity, drama and balance to tax the memory for comparison".

Parker's 50th birthday in 1994 brought celebratory concerts in several cities, including London, New York and Chicago. The London performance, featuring the Parker and Schlippenbach trios, was issued on a highly-acclaimed two-CD set, while participants at the American concerts included various old friends as well as more recent collaborators in Borah Bergman and Joe Lovano. The NYC radio station WKCR marked the occasion by playing five days of Parker recordings. 1994 also saw the publication of the Evan Parker Discography, compiled by ltalian writer Francesco Martinelli, plus chapters on Parker in books on contemporary musics by John Corbett and Graham Lock.

Parker's future plans involve exploring further possibilities in electronics and the development of his solo music. They also depend to a large degree on continuity of the trios, of the large ensembles, of his more occasional yet still long-standing associations with that pool of musicians to whose work he remains attracted. This attraction, he explained to Coda's Laurence Svirchev, is attributable to "the personal quality of an individual voice". The players to whom he is drawn "have a language which is coherent, that is, you know who the participants are. At the same time, their language is flexible enough that they can make sense of playing with each other ... l like people who can do that, who have an intensity of purpose." "

-Evan Parker Website (http://evanparker.com/biography.php)
5/19/2017

"Joe McPhee, born November 3,1939 in Miami, Florida, USA, is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He began playing the trumpet at age eight, taught by his father, himself a trumpet player. He continued on that instrument through his formative school years and later in a U.S. Army band stationed in Germany, at which time he was introduced to performing traditional jazz. Clifford Thornton's Freedom and Unity, released in 1969 on the Third World label, is the first recording on which he appears as a side man. In 1968, inspired by the music of Albert Ayler, he took up the saxophone and began an active involvement in both acoustic and electronic music.

His first recordings as leader appeared on the CJ Records label, founded in 1969 by painter Craig Johnson. These include Underground Railroad by the Joe McPhee Quartet (1969), Nation Time (1970), Trinity (1971) and Pieces of Light (1974). In 1975, Swiss entrepreneur Werner X. Uehlinger release Black Magic Man by McPhee, on what was to become Hat Hut Records.

In 1981, he met composer, accordionist, performer, and educator Pauline Oliveros, whose theories of "deep listening" strengthened his interests in extended instrumental and electronic techniques. he also discovered Edward de Bono's book Lateral Thinking: A Textbook of Creativity, which presents concepts for solving problems by "disrupting an apparent sequence and arriving at the solution from another angle." de Bono's theories inspired McPhee to apply this "sideways thinking" to his own work in creative improvisation, resulting in the concept of "Po Music." McPhee describes "Po Music" as a "process of provocation" (Po is a language indicator to show that provocation is being used) to "move from one fixed set of ideas in an attempt to discover new ones." He concludes, "It is a Positive, Possible, Poetic Hypothesis." The results of this application of Po principles to creative improvisation can be heard on several Hat Art recordings, including Topology, Linear B, and Oleo & a Future Retrospective.

In 1997, McPhee discovered two like-minded improvisers in bassist Dominic Duval and drummer Jay Rosen. The trio premiered at the Vision Jazz Festival in 1998 but the concert went unnoticed by the press. McPhee, Duval, and Rosen therefore decided that an apt title for the group would be Trio X. In 2004 he created Survival Unit III with Fred Lonberg-Holm and Michael Zerang to expand his musical horizons and with a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections while reaching for music's outer limits."

-Joe McPhee Website (http://joemcphee.com/bio.html)
5/19/2017

Other Releases With These Artists:
Maneri, Mat / Evan Parker / Lucian Ban
Sounding Tears
(Clean Feed)
Schiano, Mario
Social Security
(Les Disques Victo)
Parker, Evan / John Edwards / Steve Noble
PEN
(Dropa Disc)
Bailey, Derek / Joelle Leandre / George Lewis / Evan Parker
28 Rue Dunois Juillet 1982
(Fou Records)
Foussat, Jean-Marc / Sylvain Guerineau / Joe McPhee
Quod
(Fou Records)
Parker, Evan / John Russel / Ian Brighton / Phillip Wachsmann / Marcio Mattos / Trevor Taylor
Live From Cafe Oto
(FMR)
Parker, Evan / Andrea Centazzo
Duets 71977
(Ictus)
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
Escreet, John (w/ Evan Parker / John Hebert / Tyshawn Sorey)
The Unknown (Live in Concert)
(Sunnyside Records)
McPhee, Joe / Ingebrigt Haker Flaten
Bricktop
(Trost Records)
McPhee, Joe / Raymond Boni
Live From The Magic City (Birmingham, Alabama)
(Trost Records)
McPhee, Joe / Andre Jaume
Nuclear Family
(Corbett vs. Dempsey)
Parker, Evan / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant
Mopomoso Tour 2013 | Making Rooms [4 CD BOX SET]
(Weekertoft)
Spontaneous Music Orchestra
Search & Reflect (1973-81) [2 CDs]
(Emanem)
Parker, Evan / Mark Nauseef / Toma Gouband
As The Wind
(psi)
Universal Indians w/ Joe McPhee
Skullduggery [VINYL 2 LPs]
(Clean Feed)
Spontaneous Music Ensemble
Withdrawal (1966/7)[REISSUE]
(Emanem)
Hawkins, Alexander / Evan Parker
Leaps in Leicester
(Clean Feed)
Parker, Evan / Seymour Wright
Tie the Stone to the Wheel
(Fataka)
Foussat, Jean-Marc / Les Autres
Alternative Oblique [4 CD Box Set]
(Improvising Beings)
Brotzmann, Peter Sextet/ Quartet
Nipples [VINYL]
(Cien Fuegos)
Guy, Barry / Eddie Prevost / Evan Parker / Keith Rowe
Supersession [REMASTERED, REPACKAGED, ADDITIONAL TEXT]
(Matchless)
McPhee / Saft / Morris / Downs
Ticonderoga
(Clean Feed)
Parker, Evan / Joe Morris / Nate Wooley
Ninth Square
(Clean Feed)
Russell, John (with Phil Minton, Thurston Moore, Evan Parker, &c.)
With...
(Emanem)
Frith, Fred / Evan Parker
Hello, I Must Be Going
(Les Disques Victo)
Universal Indians + Joe McPhee (Dikeman / Strom / Ostvang)
Skullduggery
(Clean Feed)
Brotzmann / McPhee / Kessler / Zerang
Tales Out Of Time
(Hatology)
Parker, Evan
Monoceros
(psi)
Schlippenbach Trio
First Recordings [VINYL]
(Trost Records)
Schlippenbach Trio
First Recordings
(Trost Records)
McPhee, Joe
As Serious As Your Life [reissue]
(Hatology)
Spontaneous Music Ensemble
Oliv & Familie (1968-9)
(Emanem)
Decoy with Joe Mcphee
Spontaneous Combustion [2 CDs]
(Otoroku)
Parker, Evan & Sylvie Courvoisier
Either Or And
(Relative Pitch)
Yoshihide, Otomo / Sachiko M / Evan Parker / John Edwards / Tony Marsh / John Butcher
Quintet/Sextet/Duos
(Otoroku)
Parker, Evan / John Edwards / Mark Sanders
The Two Seasons
(Emanem)
Parker, Evan
The Ayes Have It
(Emanem)
Parker, Evan / Paul Rutherford / Hans Schneider / Paul Lytton
Waterloo 1985
(Emanem)
Parker, Evan / Barry Guy / Paul Lytton
At The Vortex
(Emanem)
McPhee, Joe / Paal Nilssen-Love
Red Sky
(PNL)
Various Artists
Freedom of the City 2002 - small groups [2 CDs]
(Emanem)
Parker, Evan & Joe Mcphee
What / If / They Both Could Fly
(Rune Grammofon)
Rocket Science
Evan Parker / Peter Evans / Craig Taborn / Sam Pluta
(More Is More)
Margots, The (Vandermark / Daisy / McPhee / Reid / &c)
Pescado
(Okka)
Vandermark's, Ken Topology Nonet w/ Joe McPhee
Impressions of Po Music
(Okka)
McPhee, Joe
Sonic Elements
(Clean Feed)
McGregor, Chris' Brotherhood Of Breath
Procession - Live at Toulouse
(Ogun)
Spontaneous Music Ensemble
Challenge (1966-7)
(Emanem)
Parker, Evan / Barry Guy / Paul Lytton
Live at Maya Recordings Festival [VINYL 2 LPs]
(NoBusiness)
Trespass Trio + Joe McPhee
Human Encore
(Clean Feed)
Lacy, Steve & Joe McPhee
The Rest [VINYL]
(Roaratorio)
Spontaneous Music Ensemble
Summer 1967
(Emanem)
Parker, Evan
Lines Burnt In Light
(psi)
Parker, Evan / Paul Lytton
Collective Calls (Urban)
(psi)
Bennink / Evan Parker, Han
The Grass Is Greener
(psi)
Stevens / Rutherford / Parker / Guy
One Four and Two Twos (1978/79/92)
(Emanem)
McPhee, Joe
The Loneliest Woman [CD EP]
(Corbett vs. Dempsey)
Haker-Flaten New York Quartet, Ingebrigt (McPhee / Wooley / Morris)
Now Is
(Clean Feed)
Parker / Schlippenbach / Guy / Lovens / Lytton
2X3=5
(Leo)
Morris, Joe
Perpetual Frontier The Properties of Free Music [BOOK]
(Riti Publishing)
Various Artists
13 Miniatures For Albert Ayler
(RogueArt)
Parker, Evan & GGRIL (Grand Groupe Regional d'Improvisation Liberee)
Vivaces
(Tour de Bras)
Mcphee, Joe / Ingebrigt Haker Flaten
Brooklyn DNA
(Clean Feed)
Parker, Evan / Lee / Evans
The Bleeding Edge
(psi)
Grutronic & Evan Parker
Together in Zero Space
(psi)
McPhee, Joe and Michael Zerang
Creole Gardens (A New Orleans Suite)
(NoBusiness)
Mengelberg, Misha & Evan Parker
It won't be called Broken Chair
(psi)
Parker / Neal / Sorbara
At Somewhere There
(Barnyard)
McPhee, Joe & Chris Corsano
Under A Double Moon [VINYL]
(Roaratorio)
Koller, Hans with Bill Frisell
Cry, Want
(psi)
Fasteau, Kali
Vivid
(Flying Note)
Parker / Guy / Lytton + Peter Evans
Scenes in the House of Music
(Clean Feed)
Parker, Evan & Sten Sandell
Psalms
(psi)
Parker, Evan / Leimgruber, Urs
Twine
(Clean Feed)
Decoy & Joe McPhee
Oto
(Bo Weavil Recordings)
Parker, Evan
Whitstable Solo
(psi)
Parker, Evan
Set
(psi)
Moholo, Loius / Evan Parker Quintet
Bush Fire
(Ogun)
Parker, Evan
Saxophone Solos
(psi)
Townhouse Orchestra (E.Parker/ Sandell / Flaten / Nilssen-Love)
Belle Ville
(Clean Feed)
Stevens, John / Evan Parker
Corner to Corner + The Longest Night
(Ogun)
McGregor, Chris' Brotherhood Of Breath
Live At Willisau
(Ogun)
McPhee, Joe / Lisle, Ellis / Plimley, Paul
Sweet Freedom - Now What?
(Hatology)
London Improvisers Orchestra
Improvisations for George Riste
(psi)
Angeli / Parker / Rothenberg
Free Zone Appleby 2007
(psi)
London & Glasgow Improvisers Orchestras
Separately & Together (Freedom of the City 2007)
(Emanem)
Parker, Evan
Conic Sections
(psi)
Eastley / Halliwell / Parker / Wastell
a life saved by a spider and two doves
(Another Timbre)
Giardullo Open Ensemble, Joe
Red Morocco
(RogueArt)
Parker, Evan / Ghost in the Machine
New Excursions
(Ninth World)
Parker, Evan / John Edwards / Chris Corsano
A Glancing Blow
(Clean Feed)
Parker, Evan / Rothenberg, Ned
Live at Roulette
(Animul)
Parker, Evan
Hook, Drift & Shuffle
(psi)
Schlippenbach Trio
Winterreise
(psi)
McPhee, Joe / Survival Unit II / Thorton, Clifford
N.Y., N.Y., 1971
(Hatology)
Parker Octet, Evan
Crossing the River
(psi)
Nilssen-Love, Paal
townorchestrahouse
(Clean Feed)
Various Artists
Free Zone Appleby 2004
(psi)
Tracey, Stan & Evan Parker
Crevulations
(psi)
Sandell, Sten / David Stackenas with Parker / Guy / Lytton
Gubbrora
(psi)
Recommended & Related Releases:
Maneri, Mat / Evan Parker / Lucian Ban
Sounding Tears
(Clean Feed)
Schiano, Mario
Social Security
(Les Disques Victo)
Parker, Evan / John Edwards / Steve Noble
PEN
(Dropa Disc)
Bailey, Derek / Joelle Leandre / George Lewis / Evan Parker
28 Rue Dunois Juillet 1982
(Fou Records)
Foussat, Jean-Marc / Sylvain Guerineau / Joe McPhee
Quod
(Fou Records)
Parker, Evan / John Russel / Ian Brighton / Phillip Wachsmann / Marcio Mattos / Trevor Taylor
Live From Cafe Oto
(FMR)
Parker, Evan / Andrea Centazzo
Duets 71977
(Ictus)
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
Escreet, John (w/ Evan Parker / John Hebert / Tyshawn Sorey)
The Unknown (Live in Concert)
(Sunnyside Records)
McPhee, Joe / Ingebrigt Haker Flaten
Bricktop
(Trost Records)
McPhee, Joe / Raymond Boni
Live From The Magic City (Birmingham, Alabama)
(Trost Records)
McPhee, Joe / Andre Jaume
Nuclear Family
(Corbett vs. Dempsey)
Parker, Evan / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant
Mopomoso Tour 2013 | Making Rooms [4 CD BOX SET]
(Weekertoft)
Spontaneous Music Orchestra
Search & Reflect (1973-81) [2 CDs]
(Emanem)
Parker, Evan / Mark Nauseef / Toma Gouband
As The Wind
(psi)
Universal Indians w/ Joe McPhee
Skullduggery [VINYL 2 LPs]
(Clean Feed)
Spontaneous Music Ensemble
Withdrawal (1966/7)[REISSUE]
(Emanem)
Hawkins, Alexander / Evan Parker
Leaps in Leicester
(Clean Feed)
Parker, Evan / Seymour Wright
Tie the Stone to the Wheel
(Fataka)
Foussat, Jean-Marc / Les Autres
Alternative Oblique [4 CD Box Set]
(Improvising Beings)
Brotzmann, Peter Sextet/ Quartet
Nipples [VINYL]
(Cien Fuegos)
Guy, Barry / Eddie Prevost / Evan Parker / Keith Rowe
Supersession [REMASTERED, REPACKAGED, ADDITIONAL TEXT]
(Matchless)
McPhee / Saft / Morris / Downs
Ticonderoga
(Clean Feed)
Parker, Evan / Joe Morris / Nate Wooley
Ninth Square
(Clean Feed)
Russell, John (with Phil Minton, Thurston Moore, Evan Parker, &c.)
With...
(Emanem)
Frith, Fred / Evan Parker
Hello, I Must Be Going
(Les Disques Victo)

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