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Badland (Rose / Fell / Noble): Six High Windows (Bug Incision Records)

The long-running British free improvising trio Badland (Simon H. Fell-bass; Simon Rose-sax; Steve Noble-drums) in a live recording at St. Brides Church, Liverpool in 2005, intense and dynamic interaction in a space with natural reverb enhancing the interplay.
 

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Label: Bug Incision Records
Catalog ID: bim-65
Squidco Product Code: 18174

Format: CDR
Condition: New
Released: 2013
Country: Canada
Packaging: Cardstock foldover in plastic sleeve
Recorded in St. Brides Church, Liverpool on September 30th, 2005.


Personnel:

Simon Rose-alto saxophone

Simon H. Fell-doublebass

Steve Noble-drums

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track listing:


1. Six High Windows 44:49




Related Categories of Interest:


Improvised Music
Free Improvisation
London & UK Free Improvisation Scene
Staff Picks & Recommended Items
Trio Recordings

sample the album:


descriptions, reviews, &c.

"Six High Windows is the new album from this stalwart British free improvising trio. All three players are familiar figures on the scene; previous recordings by this group have appeared on Emanem and Bruce's Fingers.

Simon H. Fell is an acclaimed double bassist and composer, known for his work in the fiery Hession/Wilkinson/Fell trio, more exploratory outings with the trios VHF and IST, and he's also logged hours with Derek Bailey, Joe Morris, and Peter Brotzmann, among others.

Steve Noble seems to be one of the busiest drummers in the London, largely thanks to his sympathetic and diverse playing. Recent highlights include duos with Peter Brotzmann and Ikue Mori, to pick but two from a very long list.

Simon Rose is a saxophonist who, aside from leading this trio, maintains an earthy, boisterous duo with drummer Pascal Nichols (with a previous disc on Bug Incision) and an ongoing mass of solo work, which has culminated in two memorable solo discs.

Six High Windows is a live recording, captured in a cavernous-sounding room, presented as one unbroken 45 minute set. The sound of the room inevitably factors into the trio's interactions with each other, allowing single gestures to carry more weight than usual, lending an at-times ominous tone the musc. Fell in particular takes advantage of the space, slicing bright arco lines across the pieces and evidently relishing the enhanced impact of his notes."-Bug Incision


Artist Biographies:

Simon H. Fell (b. Dewsbury, Yorkshire, 13 January 1959) is a bassist and composer; he is primarily known for his work as a free improviser and the composer of ambitiously complex post-serialist works.

Fell began playing double bass in 1973. From 1978 to 1981 he read English Literature at Fitzwilliam College of Cambridge University,[1] an interest that led to ties to many of the poets associated with the Cambridge scene (a later work, Music for 10(0), involves settings of texts by the poet/music journalist/provocateur Ben Watson).

Fell's most notable early group was a group with drummer Paul Hession and saxophonist Alan Wilkinson, a free-jazz trio that was exceedingly fast and furious even by the standards of that genre. Their work was primarily released as cassettes and CDs on Fell's label Bruce's Fingers, including Bogey's and the group's only studio album, foom! foom! Their most sonically extreme statement, however, was the grainily recorded The Horrors of Darmstadt (Shock). (Its title is a sarcastic quotation from a BBC announcer concerning the avant-garde Darmstadt School of composers.)

Other groups in which Fell is or was a member include the free jazz trio Badland (led by saxophonist Simon Rose; initially the drummer was Mark Sanders, with Steve Noble subsequently taking over the role), the improvising string+percussion ensemble ZFP (with Carlos Zingaro, Marcio Mattos and Mark Sanders), and SFQ, a quartet/quintet with changing membership, though clarinettist Alex Ward has been a constant. (Fell's 2001 version of his 70-minute SFQ composition Thirteen Rectangles was broadcast twice by the BBC and subsequently nominated for the 'new work' award in the 2002 BBC Jazz Awards.) In sharp contrast to the uproar of Hession/Wilkinson/Fell, the trio IST (with Rhodri Davies and Mark Wastell) was one of the seminal groups in the development of the ultra-quiet aesthetic now generally called "EAI" or "electroacoustic improvisation". Fell has also performed in many other ensembles, including the London Improvisers Orchestra and Derek Bailey's Company Week.

Fell's major sequence of compositions is titled Compilation (to date, four such projects have been issued). Despite the governing title, these are not collections of previous material but new, large-scale works. The musical language makes overt use of serialist procedures (such as tone rows, retrograde structures, &c), as well as many other techniques: extensive studio layering, overdubbing and reordering of material (so that seemingly "live" performances may be the result of carefully edited-together improvisations and/or notated material), and use of aleatoric techniques to "degrade" or distort precomposed structures into new shapes. Free improvisation, rock and jazz all form key parts of the musical language; one section of Compilation IV even includes a simultaneous hommage to Karlheinz Stockhausen and Henry Mancini. The cast of musicians drawn on for these pieces usually includes a mix of classically trained players, jazzers and free improvising musicians, as well as wild cards like the noise guitarist Stefan Jaworzyn. While virtuoso players such as Evan Parker and John Butcher are essential to the projects, Fell often deliberately makes use of amateur or student musicians, too, not as a makeshift but as an intentionally democratizing and less predictable element.

Other large-scale composition projects include:

• his compositions for The London Improvisers' Orchestra (Papers, Happy Families, Kšln Klang, Ellington 100 (Strayhorn 85), Morton's Mobile, Too Busy and Three Mondrians) (1998-2004)
• Kaleidozyklen, a 60-minute piece for improvising double bassist and orchestra (2000)
• Thirteen New Inventions, a major solo piano piece commissioned by Philip Thomas (2005)
• the concert-length BBC Radio 3 commission, Positions & Descriptions (for 18 musicians & prerecorded materials), premiered at the Huddersfield Contemporary Music Festival (2007)
• a 1-hour suite for sextet, The Ragging Of Time, commissioned by the Marsden Jazz Festival (2014)
-Wikipedia (https://en.wikipedia.org/wiki/Simon_Fell)
7/21/2017

"Steve Noble is London's leading drummer, a fearless and constantly inventive improviser whose super-precise, ultra-propulsive and hyper-detailed playing has galvanized encounters with Derek Bailey, Matthew Shipp, Ishmael Wadada Leo Smith, Stephen O'Malley, Joe McPhee, Alex Ward, Rhodri Davies and many, many more.

In the early eighties, Noble played with the Nigerian master drummer Elkan Ogunde, Rip Rig and Panic, Brion Gysin and the Bow Gamelan Ensemble, before going on to work with the pianist Alex Maguire and with Derek Bailey (including Company Weeks 1987, 89 and 90). He was featured in the Bailey's excellent TV series on Improvisation for Channel 4 based on his book 'Improvisation; its nature and practise'. He has toured and performed throughout Europe, Africa and America and currently leads the groups N.E.W (with John Edwards and Alex Ward) and DECOY (with John Edwards and Alexander Hawkins)."

-https://www.cafeoto.co.uk/artists/steve-noble/ (Cafe Oto Website)
7/21/2017

Other Releases With These Artists:
Seeded Plain (Day / Kreimer)
Provincial Stammer
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Reed
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Four Compositions [2 CDs]
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(Clean Feed)
Rose, Simon
Schmetterling
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Decoy & Joe McPhee
Oto
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Decoy (Hawkins / Edwards / Noble)
Vol. 1: Spiri
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Morris / Fell / Ward
The Necessary And The Possible
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Wilson, Tony 6tet
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Recommended & Related Releases:
Other Recommended Releases:
Seeded Plain (Day / Kreimer)
Provincial Stammer
(Bug Incision Records)
Williams, Darren
Reed
(Bug Incision Records)
SFQ (Simon Fell Quartet)
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Agnel, Sophie / John Edwards / Steve Noble
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Sombrero Galaxy
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Decoy (Hawkins / Edwards / Noble)
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Morris / Fell / Ward
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