Composer Lucier's score instructs the players to go to an outside environment and record by any means the sound situations of those environments, then in performance re-create, solely by means of your voices, instruments and memory, those outside sound situations.
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Catalog ID: 37U
Squidco Product Code: 18170
Packaging: Cardstock Gatefold Sleeve
Recorded at Studio Eleven, Hilversum, The Netherlands, on the 30th of October, 2012 by Micha De Kanter.
Gareth Davis-bass clarinet
Yannis Kyriakides-computer, electronics
Anne La Berge-flute, electronics
Reinier Van Houdt-piano, electronics
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1. (Amsterdam) Memory Space 1:00:00
Related Categories of Interest:
European Improv, Free Jazz & Related
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"The idea of representing one set of sounds with another is central to Alvin Lucier's Memory Space. Written in 1970, the score instructs: "Go to an outside environment (urban, rural, hostile, benign) and record by any means (memory, written notations, tape recordings) the sound situations of those environments. Returning to an inside performance space at any time later, re-create, solely by means of your voices and instruments and with the aid of your memory devices (without additions, deletions, improvisation, interpretation) those outside sound situations."
MAZE, 'ensemble for exploratory music', delivers a new version of this piece. MAZE is an electroacoustic ensemble dedicated to performing music that challenges the idea of fixed form and a fixed listening perspective. The aim of the ensemble is to offer the listener different forms of navigating their own path in the music.
The openness of Lucier's instructions belie the difficulty in dealing with the idea of how one can translate a sound from one medium into another and what kind of transformation of information takes place in that exchange. While interpreting this work, a musician becomes intensely aware of the processes by which one listens, both consciously and subconsciously; how one is constantly decoding sounds in one's environment, filtering out essential and non-essential information, discerning patterns and imposing an emotional reading on them. The work also brings up performative issues; since the musicians are interpreting their individual 'memory spaces' collectively in the same concert space, how do these overlapping spaces relate to one another? What is being communicated?
Clearly the musicians and the audience have a different perspective on the outcome of the performance; the musicians have half an ear to the source material being played on the headphones and half an ear on the shared sonic result. This was one of the reasons we chose to present the piece in this version on CD, where as a listener you are guided through both the collective musical space and into individual memory spaces of the musicians' recordings in a constantly shifting perspective. The material in this form encourages awareness of one's own listening space, whether it is performed live in a concert hall or another public space or whether one is listening to a recording of it at home, where the unique set of environmental sounds outside the window find their way into the collective musical space."-"-Unsounds
At The Squid's Ear!
• Show Bio for Gareth Davis
"Gareth Davis studied with Antony Pay and Roger Heaton in London and then with Dutch Bass Clarinet virtuoso, Harry Sparnaay in Amsterdam. He was invited by the French cellist Alain Meunier, to attend the prestigious Accademia Chigiana di Siena on a Scholarship and study chamber music with Yuri Bashmit, Katia Labeque, Tchaikovsky Prize winner Mario Brunello and the Italian composer, Luciano Berio.
Since his debut, at the age of 18, at London's Wigmore Hall, Gareth has gone on to play throughout Europe, North America and Asia. He has played under conductors including Riccardo Chailly, Sir Simon Rattle, Diego Masson, Gregory Rose and Roger Norington with orchestras and ensembles including the Philarmonia, Sinfonietta, ECO, Asko, Netherlands Radio Orchestra and Sinfonia 21. He also performed with the Neue Vocalsolisten, Sinfonietta and JACK Quartet, cellist Frances-Marie Uitti, guitarist Elliot Sharp, experimental noise band Nadja and electronic artists Scanner and Machinefabriek.
Gareth has been strongly involved in New Music having had pieces written for him by many composers such as, Salvatore Sciarrino, Jonathan Harvey, Toshio Hosokawa, Gavin Bryars, Peter Eotvos and Misato Mochizuki. He has worked extensively with the Hilliard Ensemble's countertenor David James, soprano Sarah Leonard, harpsichord virtuoso Jane Chapman, Heinz Holliger, Sine Nomine, Kreutzer Quartet the Rossetti Quartet and Xenakis Prize winning contra bassist, Corrado Canonnici.
Gareth has performed at many prestigious festivals including the Bienalle di Venezia, Prague Spring, Amsterdam, Ars, Vienna, Stockholm, Santa Fe, World Music Days and Salzburg. He has performed both contemporary and traditional repertoire on modern and period instruments and on folk instruments including the Romanian Taragota and Turkish Sol. In 2001 Gareth formed the duo 'muta' with accordian. In only a year nearly 40 works have been commissioned by composers including Magnus Lindburg, Rebecca Saunderds and Jo Kondo.
Gareth is currently exploring the potential of interactive visual media to expand the interpretation of existing twentieth century repertoire and open new theatrical possibilities for the performance of twenty-first century music."-Maze Festival 2016 Website (http://www.maze.nu/the-ensemble/gareth-davis/)
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• Show Bio for Dario Calderone
"Dario Calderone studied Doublebass with Massimo Giorgi, Franco Petracchi and Stefano Scodanibbio. Between 2001 and 2007 collaborated as solo Doublebass in various orchestras. Since 2007 dedicates mainly to the diffusion of music composed during the last 40 years. He has collaborated with a number of composers , among others Salvatore Sciarrino, Bernhard Lang, Louis Andriessen, Robert Ashley, Christian Marclay and Yannis Kyriakides, inspiring them in the composition of their works. His activity spaces from solo performances to chamber music, having been regularly invited by the major contemporary musical festivals. He plays with Nieuw Ensemble, NAP, Atlas Ensemble and Ensemble Algoritmo; in 2013 he funded together with Yannis Kyriakides, Ann La Berge, Wiek Hijmans, Gareth Davis and Reinier Van Hout the ensemble MAZE, a group deeply involved in radical experimentations in the field of conceptual composition.
He regularly gives masterclasses at the Tashkent conservatory and at the Amsterdam Conservatory. In 2002 wins the first price at W. Benzi solo doblebass competition, and in 2006 wins the stipendium price of the IMD of Darmstadt. He recorded a number of CDs for Stradivarius, Attaca records, Wergo and Unsounds. In 2015 will be tutor in the "impuls Academy" in Graz."-Dario Calderone Website (https://dariocalderone.com/info/)
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• Show Bio for Reinier van Houdt
"Reinier van Houdt is a composer and pianist from Rotterdam, Netherlands, member of both the Ensemble MAE and the Ives Ensemble. Reinier van Houdt studied piano at the Liszt-Akademie in Budapest & the Royal Conservatory in The Hague. He premiered music by ao Robert Ashley, Alvin Curran, Kaikhosru Shapurji Sorabji, Francisco López, Charlemagne Palestine, Yannis Kyriakides, Maria de Alvear, Jerry Hunt; he has collaborated with John Cage, Alvin Lucier, Luc Ferrari, Olivier Messiaen and with theatrecompanies like Hotel Modern, Andcompany&Co, Veenfabriek, Leine&Roebana and ZOOGDIER, a musictheatregroup of which he is co-founder. He also one of the driving forces behind ensemble MAE."-TeamRock.com (http://teamrock.com/artist-directory/r/reinier-van-houdt?id=7zA1l5xc3Y669LbDdaD6dv)
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