Working at the juncture of improvisation and contemporary composition, Polwechsel performs 4 pieces, each composed by a different member of the group, that allow individual players to express themselves while remaining a part of the group.
Catalog ID: 712
Squidco Product Code: 18101
Packaging: Cardstock foldover
Recorded in March 2010 at SWR, Baden Baden by Alfred Habelitz and in January 2011 at Technische Universitat Wien, Kuppelsaal by Wolfgang Musil.
Burkhard Beins-drums, percussion
Martin Brandlmayr-drums, percussion
Werner Dafeldecker-double bass
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1. Adapt/Oppose 14:19
2. Grain Bending #1 19:08
3. Nia Rain Circuit 14:47
4. S 64 14 W 56 37 12:40
Related Categories of Interest:
European Improv, Free Jazz & Related
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"Central problems of a common aesthetic and history of musical materiality are taken as the starting point for the individual concepts in the four new Polwechsel pieces. The works re-interpret this aesthetic from the perspective of the different approaches of the musicians. However, Traces of Wood is definitely not only about the traces that shared musical material and different personal styles leave in the respective work. It is above all about reflecting the common history that, clearly audible, has been deposited in the materials, personal styles and compositions, and this history is revisited in every nuance of the music... Traces of Wood is a discourse that follows a double movement. It is the sum of a collective effort, and multiplies the results that can be drawn from this sum."- Matthias Haenisch
At The Squid's Ear!
• Show Bio for Burkhard Beins
"Burkhard Beins, born 1964 in Lower Saxony, lives in Berlin since 1995. As a composer/performer working in the fields of experimental music and sound art he is known for his definitive use of percussion in combination with selected sound objects. Furthermore, he works with live-electronics/analog synthesizers and has conceived several sound installations.
Since the late 1980's he is performing at internationally renowned venues and festivals throughout Europe, America, Australia and Asia as diverse as the LMC Festival (London), Int. Ferienkurse (Darmstadt), SKIF (St. Petersburg), Musiktage (Donaueschingen), Musique Action (Nancy), Choppa Festival (Singapore), Cave 12 (Geneva), The Now now (Sydney), ZKM (Karlsruhe), Kaleidophon (Ulrichsberg), Kid Ailack Music Hall (Tokyo), Gaudeamus Festival (Amsterdam), Liquid Architecture (Australia), Meteo (Mulhouse), Taktlos (CH), Berghain (Berlin), Konfrontationen (Nickelsdorf), Serralves (Porto), Wien Modern (Vienna), MoMA (New York), New Music Festival (Hanoi), Irtijal (Beirut), or Maerzmusik (Berlin).
Alongside his solo work he is a member of the ensembles Polwechsel, Activity Center, The Sealed Knot, Perlonex, Sawt Out, Trio Sowari, Tree, Junk Orbit, Fracture Mechanics, and Splitter Orchester and also works with composers/musicans such as Sven-Åke Johansson, Andrea Neumann, Keith Rowe, Axel Dörner, Tarek Atoui, John Tilbury, or Charlemagne Palestine.
Burkhard Beins gives workshops based on his graphic score system Adapt/Oppose, has published several articles on music theory, and is a co-editor of the book "Echtzeitmusik Berlin - Self-Defining a Scene" as well as the curator of a follow-up 3CD compilation featuring the Berlin Echtzeitmusik scene. Meanwhile he has released more than 50 CDs and LPs on labels like Zarek, Erstwhile, 2:13 Music, Hat Hut, Potlatch, Absinth, alt.vinyl, God Records, Mikroton, or Confront."-Burkhard Beins Website (http://www.burkhardbeins.de/cv.html)
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• Show Bio for Werner Dafeldecker
"Werner Dafeldecker was born in Vienna in 1964 and studied the double bass which he plays with passion. As a musician, composer and sound artist he takes advantage of the manifold possibilities offered by electro-acoustics. His musical projects are often inspired and deduced by outside influences such as architecture, science, photography and film - partially resulting in the creation of graphical scores for various ensembles and instrumental performers. Werner also focuses on site specific projects, field recording and opposing natural and environmental sounds with synthetic variants. He has built up an extensive sound archive and created several electroacoustic pieces for radio and film. Around ninety sound-recordings are documenting his artistic framework. He held lectures and workshops presenting his work i.a. at University Bellas Artes-Madrid, Hochschule für Gestaltung-Karlsruhe, RMIT University-Melbourne and Edith Cowan University-Perth.
Commissions / Exhibitions / Performances:
Kammermusiktage Witten; Contemporary Arts Museum, Houston; Berliner Festspiele Maerz Musik Festival; Sound field Festival, Chicago; Festival Wien Modern; Festival Hörgänge, Wien; Centre Pompidou, Paris; Steirischer Herbst, Graz; What is Music Festival, Australia; International Music Festival, Vancouver; LMC Festival, London; Dundee Media Festival; Ultraschall Festival, Berlin; SWR; ORF; Salzburger Festspiele; Liquid Architecture Festival, Australia; Darmstädter Ferienkurse; Serralves Festival, Porto, ZKM, Karlsruhe; Museum of Contemprary Art, Zagreb; Museo Reina Sofia, Madrid; Gronland Kammermusikk Festival, Oslo; Festival Mikromusik, Berlin; Borealis Festival, Oslo; Akademie der Künste, Berlin; Klangspuren Schwaz, Tirol; Transmediale Festival, Berlin"-Werner Dafeldecker Website (http://www.dafeldecker.net/information/biography-english.html)
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