The West Coast trio of Michael Vatcher on drums & percussion, Steuart Liebig on electric bass, and Vinny Golia on reeds and winds recording live in Los Angeles, 2001, astonishing free improvisation from three seasoned players.
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Label: Red Toucan
Catalog ID: RT 9324
Squidco Product Code: 18040
Packaging: Jewel Tray
Recorded live in Los Angeles, CA on July 31st, 2001 by Wayne Peet.
Steuart Liebig-Eb contrabass guitars, applied tools, technology
Michael Vatcher-drumset, percussion, air horn, popguns
Vinny Golia-soprano saxophone, stritch, alto flute, clarinet
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1. Flurries 8:27
2. Prelude 18:15
3. Aftermath 10:36
4. Transit 7:47
5. Undertow 20:27
Related Categories of Interest:
West Coast/Pacific US Jazz
sample the album:
"Can fate be tempted? If one has the patience, perhaps. Steuart Liebig and Michael Vatcher have known each other since the seventies but while the former was living in Los Angeles, the latter called Amsterdam his home. Over a spell of time it seemed that never the twain would meet, but then, all of a sudden, Vatcher was off on a surprise visit to Los Angeles. From then on the pieces fell into place, including getting Vinny Golia to play and recording the music, even if the drums had to be borrowed.
What transpires here is music of a high level from three very intuitive musicians. They pick the threads and spin them into convincing extensions, imagination working at prime level. Their sonic landscape keeps evolving; pastoral articulation and free-wheeling harmonic structure, odd angles and some electronica sit compactly in the spectrum. The push and the pressure are witnessed in "Transit," with Golia describing manifold arcs on the soprano saxophone and Vatcher heating it up on the drums and the air horn; Liebig adds to the momentum, his bass creating whirlwind figures. Matter of fact, Liebig's use of the contra bass guitar makes for a distinct approach that adds to the temperament.
There is a different cast to "Flurries," opening quietly on the brushwork of Vatcher before Golia gives it a new dimension, etching the groove deeper on the clarinet and stamping the tenor with his agile moves from long lines that billow to ones that descend in a shower. The sound of pop guns, a growling bass and the stritch are the "Aftermath." The way they build the layers of sound is interesting as they come together as though of one mind and take the music through different characterisations, including references to Middle Eastern music and swing."-Jerry D'Souza , All About Jazz
• Show Bio for Michael Vatcher
"California native Michael Vatcher, now residing in Amsterdam, quickly progressed from hitting household furniture to taking vibraphone and snare drum lessons as a child. In California, he played with reedist Michael Moore, with whom Vatcher has had a long musical relationship, John Handy, and Terry Gibbs. After spending a year in New York City, Vatcher moved to Holland in 1981.
Since arriving in Holland, Vatcher has played with such groups as the Tristan Honsinger Sextet, the Martin Altena Ensemble, John Zorn, The Ex, Roof (with Phil Minton, Tom Cora, and Luc Ex), and Van Dyke Parks. Vatcher is also a regular accompanist with the School for New Dance Development in Amsterdam, and has an ongoing musical relationship with dancers Katie Duck and Eileen Standley."-All About Jazz (https://musicians.allaboutjazz.com/michaelvatcher)
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