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© 2002-2017, Squidco LLC


McGregor, Chris' Brotherhood Of Breath: Procession - Live at Toulouse (Ogun)

With 23 minutes of additional music, this reissues and painstakingly restores the original masters from this 1978 Ogun release featuring Chris McGregor's UK/South African band with Mike Osborne, Dudu Pukwana, Louis Moholo, Evan Parker, &c.
 

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product information:


UPC: 5020675572379

Label: Ogun
Catalog ID: OGCD 040
Squidco Product Code: 17852

Format: CD
Condition: New
Released: 2013
Country: Great Britain
Packaging: Cardstock gatefold foldover
Recorded live at Halle aux Grain par le Centre Culturel de la Ville de Toulouse on May 10th, 1977 by Robert Casteras. Originally released on the Ogun label in 1978 as OG 524.


Personnel:

Chris McGregor-piano

Mike Osborne-alto saxophone

Dudu Pukwana-alto saxophone

Evan Parker-tenor saxophone

Bruce Grant-baritone saxophone, flute

Harry Beckett-trumpet

Mark Charig-trumpet

Radu Malfatti-trombone

Johnny Dyani-bass

Harry Miller-bass

Louis Moholo-Moholo-drums

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and click here to Search
track listing:


1. You Ain't Gonna Know Me 'Cos You Think You Know Me 6:34

2. Sunrise on the Sun 17:11

3. Sonia 8:43

4. KWHALO 18:35

5. TBS 8:20

6. Andromeda 4:06




Related Categories of Interest:


Improvised Music
Jazz
London & UK Free Improvisation Scene
Parker, Evan
Top 40 for 2013
Jazz Reissues

sample the album:








descriptions, reviews, &c.

"Procession captures Chris McGregor's Anglo/South African big band in explosive form. Originally released on LP in 1978, this historic recording has been painstakingly restored from the original two-track analogue masters for this new CD edition, which features an additional 23 minutes of music."-Ogun



Read more about this item
The Squid
At The Squid's Ear!

Artist Biographies:

"Evan Parker was born in Bristol in 1944 and began to play the saxophone at the age of 14. Initially he played alto and was an admirer of Paul Desmond; by 1960 he had switched to tenor and soprano, following the example of John Coltrane, a major influence who, he would later say, determined "my choice of everything". In 1962 he went to Birmingham University to study botany but a trip to New York, where he heard the Cecil Taylor trio (with Jimmy Lyons and Sunny Murray), prompted a change of mind. What he heard was "music of a strength and intensity to mark me for life ... l came back with my academic ambitions in tatters and a desperate dream of a life playing that kind of music - 'free jazz' they called it then."

Parker stayed in Birmingham for a time, often playing with pianist Howard Riley. In 1966 he moved to London, became a frequent visitor to the Little Theatre Club, centre of the city's emerging free jazz scene, and was soon invited by drummer John Stevens to join the innovative Spontaneous Music Ensemble which was experimenting with new kinds of group improvisation. Parker's first issued recording was SME's 1968 Karyobin, with a line-up of Parker, Stevens, Derek Bailey, Dave Holland and Kenny Wheeler. Parker remained in SME through various fluctuating line-ups - at one point it comprised a duo of Stevens and himself - but the late 1960s also saw him involved in a number of other fruitful associations.

He began a long-standing partnership with guitarist Bailey, with whom he formed the Music Improvisation Company and, in 1970, co-founded Incus Records. (Tony Oxley, in whose sextet Parker was then playing, was a third co-founder; Parker left Incus in the mid-1980s.) Another important connection was with the bassist Peter Kowald who introduced Parker to the German free jazz scene. This led to him playing on Peter Brötzmann's 1968 Machine Gun, Manfred Schoof's 1969 European Echoes and, in 1970, joining pianist Alex von Schlippenbach and percussionist Paul Lovens in the former's trio, of which he is still a member: their recordings include Pakistani Pomade, Three Nails Left, Detto Fra Di Noi, Elf Bagatellen and Physics.

Parker pursued other European links, too, playing in the Pierre Favre Quartet (with Kowald and Swiss pianist Irene Schweizer) and in the Dutch Instant Composers Pool of Misha Mengelberg and Han Bennink. The different approaches to free jazz he encountered proved both a challenging and a rewarding experience. He later recalled that the German musicians favoured a "robust, energy-based thing, not to do with delicacy or detailed listening but to do with a kind of spirit-raising, a shamanistic intensity. And l had to find a way of surviving in the heat of that atmosphere ... But after a while those contexts became more interchangeable and more people were involved in the interactions, so all kinds of hybrid musics came out, all kinds of combinations of styles."

A vital catalyst for these interactions were the large ensembles in which Parker participated in the 1970s: Schlippenbach's Globe Unity Orchestra, Chris McGregor's Brotherhood of Breath, Barry Guy's London Jazz Composers Orchestra (LJCO) and occasional big bands led by Kenny Wheeler. In the late 70s Parker also worked for a time in Wheeler's small group, recording Around Six and, in 1980, he formed his own trio with Guy and LJCO percussionist Paul Lytton (with whom he had already been working in a duo for nearly a decade). This group, together with the Schlippenbach trio, remains one of Parker's top musical priorities: their recordings include Tracks, Atlanta, Imaginary Values, Breaths and Heartbeats, The Redwood Sessions and At the Vortex. In 1980, Parker directed an Improvisers Symposium in Pisa and, in 1981, he organised a special project at London's Actual Festival. By the end of the 1980s he had played in most European countries and had made various tours to the USA, Canada, Australia, New Zealand and Japan. ln 1990, following the death of Chris McGregor, he was instrumental in organising various tributes to the pianist and his fellow Blue Notes; these included two discs by the Dedication Orchestra, Spirits Rejoice and lxesa.

Though he has worked extensively in both large and small ensembles, Parker is perhaps best known for his solo soprano saxophone music, a singular body of work that in recent years has centred around his continuing exploration of techniques such as circular breathing, split tonguing, overblowing, multiphonics and cross-pattern fingering. These are technical devices, yet Parker's use of them is, he says, less analytical than intuitive; he has likened performing his solo work to entering a kind of trance-state. The resulting music is certainly hypnotic, an uninterrupted flow of snaky, densely-textured sound that Parker has described as "the illusion of polyphony". Many listeners have indeed found it hard to credit that one man can create such intricate, complex music in real time. Parker's first solo recordings, made in 1974, were reissued on the Saxophone Solos CD in 1995; more recent examples are Conic Sections and Process and Reality, on the latter of which he does, for the first time, experiment with multi-tracking. Heard alone on stage, few would disagree with writer Steve Lake that "There is, still, nothing else in music - jazz or otherwise - that remotely resembles an Evan Parker solo concert."

While free improvisation has been Parker's main area of activity over the last three decades, he has also found time for other musical pursuits: he has played in 'popular' contexts with Annette Peacock, Scott Walker and the Charlie Watts big band; he has performed notated pieces by Gavin Bryars, Michael Nyman and Frederic Rzewski; he has written knowledgeably about various ethnic musics in Resonance magazine. A relatively new field of interest for Parker is improvising with live electronics, a dialogue he first documented on the 1990 Hall of Mirrors CD with Walter Prati. Later experiments with electronics in the context of larger ensembles have included the Synergetics - Phonomanie III project at Ullrichsberg in 1993 and concerts by the new EP2 (Evan Parker Electronic Project) in Berlin, Nancy and at the 1995 Stockholm Electronic Music Festival where Parker's regular trio improvised with real-time electronics processed by Prati, Marco Vecchi and Phillip Wachsmann. "Each of the acoustic instrumentalists has an electronic 'shadow' who tracks him and feeds a modified version of his output back to the real-time flow of the music."

The late 80s and 90s brought Parker the chance to play with some of his early heroes. He worked with Cecil Taylor in small and large groups, played with Coltrane percussionist Rashied Ali, recorded with Paul Bley: he also played a solo set as support to Ornette Coleman when Skies of America received its UK premiere in 1988. The same period found Parker renewing his acquaintance with American colleagues such as Anthony Braxton, Steve Lacy and George Lewis, with all of whom he had played in the 1970s (often in the context of London's Company festivals). His 1993 duo concert with Braxton moved John Fordham in The Guardian to raptures over "saxophone improvisation of an intensity, virtuosity, drama and balance to tax the memory for comparison".

Parker's 50th birthday in 1994 brought celebratory concerts in several cities, including London, New York and Chicago. The London performance, featuring the Parker and Schlippenbach trios, was issued on a highly-acclaimed two-CD set, while participants at the American concerts included various old friends as well as more recent collaborators in Borah Bergman and Joe Lovano. The NYC radio station WKCR marked the occasion by playing five days of Parker recordings. 1994 also saw the publication of the Evan Parker Discography, compiled by ltalian writer Francesco Martinelli, plus chapters on Parker in books on contemporary musics by John Corbett and Graham Lock.

Parker's future plans involve exploring further possibilities in electronics and the development of his solo music. They also depend to a large degree on continuity of the trios, of the large ensembles, of his more occasional yet still long-standing associations with that pool of musicians to whose work he remains attracted. This attraction, he explained to Coda's Laurence Svirchev, is attributable to "the personal quality of an individual voice". The players to whom he is drawn "have a language which is coherent, that is, you know who the participants are. At the same time, their language is flexible enough that they can make sense of playing with each other ... l like people who can do that, who have an intensity of purpose." "

-Evan Parker Website (http://evanparker.com/biography.php)
7/25/2017

"Harold Winston "Harry" Beckett (30 May 1935 - 22 July 2010) was a British trumpeter and flugelhorn player of Barbadian origin.

Born in Bridgetown, Saint Michael, Barbados, Harry Beckett learned to play music in a Salvation Army band. A resident in the UK since 1954, he had an international reputation. In 1961, he played with Charles Mingus in the film All Night Long. In the 1960s he worked and recorded within the band of bass player and composer Graham Collier. Beginning in 1970, he led groups of his own, recording for Philips, RCA and Ogun Records among other labels.

He was a key figure of important groups in the British free jazz/improvised music scene, including Ian Carr's Nucleus, the Brotherhood of Breath and The Dedication Orchestra, London Jazz Composers Orchestra, London Improvisers Orchestra, John Surman's Octet, Django Bates, Ronnie Scott's Quintet, Kathy Stobart, Charlie Watts, Stan Tracey's Big Band and Octet; Elton Dean's Ninesense. He has also recorded with Keef Hartley, Jah Wobble, David Sylvian and worked with David Murray. He toured abroad with Johnny Dyani, Chris McGregor, Keith Tippett, John Tchicai, Joachim Kühn, Dudu Pukwana's Zila, George Gruntz's Bands, Belgian quintet The Wrong Object, Pierre Dørge's New Jungle Band and Annie Whitehead's Robert Wyatt project, Soupsongs, which also featured Phil Manzanera and Julie Tippetts, among other jazz and rock luminaries.

His dub-oriented album, The Modern Sound of Harry Beckett, was produced by famed British producer Adrian Sherwood and released on On-U Sound in late 2008.

In 1972, Beckett won the Melody Maker jazz Poll as "Top Trumpeter in Britain". He was a member of the Orchestre National de Jazz between 1997 and 2000.

Beckett died on 22 July 2010 after suffering a stroke."

-Wikipedia (https://en.wikipedia.org/wiki/Harry_Beckett)
7/25/2017

"Mark Charig (born 22 February 1944 in London) is a British trumpeter and cornetist.

He was particularly active in the late 1960s and early 1970s, when he played in settings as diverse as Long John Baldry's group, Bluesology, Soft Machine, and Keith Tippett's group and his Centipede big band. Charig also featured on several King Crimson albums, being particularly prominent in a long solo on the title track of Islands, on the title track of Lizard and on the track 'Fallen Angel' on the 'Red' album.

In the mid-1970s he also toured with the group Red Brass, which featured singer Annie Lennox. He also appeared with the Brotherhood of Breath and recorded with Mike Osborne, as well as releasing his own Pipedream LP on Ogun Records.

He is also a member of the London Jazz Composers Orchestra. He now lives in Germany and is a member of the Wuppertal-based Conduction Orchestra.

More recently, he has recorded KJU: a CD of quartet improvisations with the group "Quatuohr""

-Wikipedia (https://en.wikipedia.org/wiki/Mark_Charig)
7/25/2017

"Radu Malfatti is an Austrian trombone player and composer. He was born in Innsbruck, in the province of Tyrol, on December 16, 1943. He has been described as "among the leaders in redefining the avant-garde as truly on-the-edge art." His work "since the early nineties... has been investigating the edges of ultraminimalism in both his composed and improvised work." He also operates B-Boim, a CD-R only record label focusing on improvised and composed music, much of it his own."

-Wikipedia (https://en.wikipedia.org/wiki/Radu_Malfatti)
7/25/2017

"Harold Simon "Harry" Miller (25 April 1941 - 16 December 1983) was a South African jazz bass player, who settled in Europe, becoming one of the UK jazz scene's "most vibrant and dynamic talents".

Miller was born in Cape Town, Western Cape, South Africa. He began his career as a bassist with Manfred Mann, and went to settle in London, England. He was a central figure in the mixture of South-African township music and free-jazz that dynamised the scene in London at the end of the 1960s and into the '70s. Miller recorded frequently with musicians such as Mike Westbrook, Chris McGregor, John Surman, Mike Cooper, Louis Moholo, Keith Tippett and Elton Dean.

At the end of the 1970s he moved to the Netherlands for economic reasons, where he worked with musicians of Willem Breuker's circle. Miller also appeared on the album Islands by the progressive rock band King Crimson, in 1971 as session musician.

Miller died in a car crash in the Netherlands in 1983.

The record label Ogun Records, which he founded with his wife Hazel Miller, was vital for documenting that period, and is still active today."

-Wikipedia (https://en.wikipedia.org/wiki/Harry_Miller_(jazz_bassist))
7/25/2017

"Louis Tebogo Moholo (born 10 March 1940), is a South African jazz drummer.

Born in Cape Town, Moholo formed The Blue Notes with Chris McGregor, Johnny Dyani, Nikele Moyake, Mongezi Feza and Dudu Pukwana, and emigrated to Europe with them in 1964, eventually settling in London, where he formed part of a South African exile community that made an important contribution to British jazz. He was a member of the Brotherhood of Breath, a big band comprising several South African exiles and leading musicians of the British free jazz scene in the 1970s and is the founder of Viva la Black and The Dedication Orchestra. His first album under his own name, Spirits Rejoice on Ogun Records, is considered a classic example of the combination of British and South African players. In the early 1970s, Moholo was also a member of the afro-rock band Assagai.

He has played with many musicians, including Derek Bailey, Steve Lacy, Evan Parker, Enrico Rava, Roswell Rudd, Irène Schweizer, Cecil Taylor, John Tchicai, Archie Shepp, Peter Brötzmann, Mike Osborne, Keith Tippett, Elton Dean and Harry Miller.

Moholo returned to South Africa in September 2005, performing with George Lewis at the UNYAZI Festival of Electronic Music in Johannesburg. He now goes under the name Louis Moholo-Moholo because the name is more ethnically authentic. South African promoter Slow Life in March 2017 at the Olympia Bakery in Kalk Bay, Cape Town produced a show where Louis performed along with Mark Fransman, Reza Khota, Keenan Ahrends and Brydon Bolton."

-Wikipedia (https://en.wikipedia.org/wiki/Louis_Moholo)
7/25/2017

Other Releases With These Artists:
Tippett's, Keith Ark
Frames (Music For An Imaginary Film) [2 CDs]
(Ogun)
Dean, Elton Quintet
Welcomet - Live in Brazil, 1986
(Ogun)
Maneri, Mat / Evan Parker / Lucian Ban
Sounding Tears
(Clean Feed)
Schiano, Mario
Social Security
(Les Disques Victo)
Braxton, Anthony
Ensemble (Victoriaville) 1988
(Les Disques Victo)
Parker, Evan / John Edwards / Steve Noble
PEN
(Dropa Disc)
Bailey, Derek / Joelle Leandre / George Lewis / Evan Parker
28 Rue Dunois Juillet 1982
(Fou Records)
Parker, Evan / John Russel / Ian Brighton / Phillip Wachsmann / Marcio Mattos / Trevor Taylor
Live From Cafe Oto
(FMR)
Parker, Evan / Andrea Centazzo
Duets 71977
(Ictus)
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
Escreet, John (w/ Evan Parker / John Hebert / Tyshawn Sorey)
The Unknown (Live in Concert)
(Sunnyside Records)
Parker, Evan / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant
Mopomoso Tour 2013 | Making Rooms [4 CD BOX SET]
(Weekertoft)
Spontaneous Music Orchestra
Search & Reflect (1973-81) [2 CDs]
(Emanem)
Parker, Evan / Mark Nauseef / Toma Gouband
As The Wind
(psi)
Spontaneous Music Ensemble
Withdrawal (1966/7)[REISSUE]
(Emanem)
Miller, Harry
Different Times, Different Places Volume Two
(Ogun)
Malfatti / Drumm / Capece
The Volume Surrounding The Task
(Potlatch)
10tet (Akiyama / Kamura / Malfatti / Kinoshita / Okura / Veliotis / Unami / Koike / Filip / Sugimoto)
10tet
(Confront)
Hawkins, Alexander / Evan Parker
Leaps in Leicester
(Clean Feed)
Parker, Evan / Seymour Wright
Tie the Stone to the Wheel
(Fataka)
Brotzmann, Peter Sextet/ Quartet
Nipples [VINYL]
(Cien Fuegos)
Hankil, Ryu / Noid / Matija Schellander and others
Foreign Correspondents [2 CDs]
(Mikroton Recordings)
Brotzmann, Peter Group
Alarm [VINYL]
(Cien Fuegos)
Guy, Barry / Eddie Prevost / Evan Parker / Keith Rowe
Supersession [REMASTERED, REPACKAGED, ADDITIONAL TEXT]
(Matchless)
Parker, Evan / Joe Morris / Nate Wooley
Ninth Square
(Clean Feed)
Canto General featuring Louis Moholo-Moholo
Rebel Flames
(Ogun)
Russell, John (with Phil Minton, Thurston Moore, Evan Parker, &c.)
With...
(Emanem)
Frith, Fred / Evan Parker
Hello, I Must Be Going
(Les Disques Victo)
Moholo-Moholo / Gjerstad / Stephens / Lonberg-Holm
Distant Groove
(FMR)
Parker, Evan
Monoceros
(psi)
Schlippenbach Trio
First Recordings [VINYL]
(Trost Records)
Schlippenbach Trio
First Recordings
(Trost Records)
Parker, Evan ElectroAcoustic Septet
Seven
(Les Disques Victo)
Moholo-Moholo, Louis Quartet (Hawkins / Edwards / Yarde)
4 Blokes
(Ogun)
Spontaneous Music Ensemble
Oliv & Familie (1968-9)
(Emanem)
Frey, Jurg / Radu Malfatti
II
(erstwhile)
Moholo-Moholo, Louis Unit
For the Blue Notes
(Ogun)
Parker, Evan & Sylvie Courvoisier
Either Or And
(Relative Pitch)
Moholo, Louis / Frode Gjerstad
Sult
(FMR)
Yoshihide, Otomo / Sachiko M / Evan Parker / John Edwards / Tony Marsh / John Butcher
Quintet/Sextet/Duos
(Otoroku)
Brotzmann, Peter / Harry Miller / Louis Moholo
Opened, But Hardly Touched [VINYL 2 LPs]
(Cien Fuegos)
Miller's, Harry Isipingo
Different Times, Different Places
(Ogun)
Parker, Evan / John Edwards / Mark Sanders
The Two Seasons
(Emanem)
Parker, Evan
The Ayes Have It
(Emanem)
Parker, Evan / Barry Guy / Paul Lytton
At The Vortex
(Emanem)
Various Artists
Freedom of the City 2002 - small groups [2 CDs]
(Emanem)
Parker, Evan & Joe Mcphee
What / If / They Both Could Fly [VINYL]
(Rune Grammofon)
Parker, Evan & Joe Mcphee
What / If / They Both Could Fly
(Rune Grammofon)
Rocket Science
Evan Parker / Peter Evans / Craig Taborn / Sam Pluta
(More Is More)
Spontaneous Music Ensemble
Challenge (1966-7)
(Emanem)
Parker, Evan / Barry Guy / Paul Lytton
Live at Maya Recordings Festival [VINYL 2 LPs]
(NoBusiness)
Spontaneous Music Ensemble
Summer 1967
(Emanem)
Parker, Evan
Lines Burnt In Light
(psi)
Parker, Evan / Paul Lytton
Collective Calls (Urban)
(psi)
Bennink / Evan Parker, Han
The Grass Is Greener
(psi)
Stevens / Rutherford / Parker / Guy
One Four and Two Twos (1978/79/92)
(Emanem)
McPhee, Joe
The Loneliest Woman [CD EP]
(Corbett vs. Dempsey)
Hawkins, Alexander & Louis Moholo-Moholo
Keep Your Heart Straight
(Ogun)
Various Artists
Wandelweiser und so weiter [6 CD Box]
(Another Timbre)
Malfatti, Radu / Taku Unami

(erstwhile)
Parker / Schlippenbach / Guy / Lovens / Lytton
2X3=5
(Leo)
Various Artists
13 Miniatures For Albert Ayler
(RogueArt)
Parker, Evan & GGRIL (Grand Groupe Regional d'Improvisation Liberee)
Vivaces
(Tour de Bras)
Blue Notes
Before The Wind Changes
(Ogun)
Parker, Evan / Lee / Evans
The Bleeding Edge
(psi)
Grutronic & Evan Parker
Together in Zero Space
(psi)
Mengelberg, Misha & Evan Parker
It won't be called Broken Chair
(psi)
London Improvisers Orchestra
Lio Leo Leon
(psi)
Parker / Neal / Sorbara
At Somewhere There
(Barnyard)
Malfatti, Radu / Keith Rowe
"Phi" [3 CDs]
(erstwhile)
Koller, Hans with Bill Frisell
Cry, Want
(psi)
Moholo-Moholo / Pukwana / Dyani / Wright
Spiritual Knowledge and Grace (Live 1979)
(Ogun)
Parker / Guy / Lytton + Peter Evans
Scenes in the House of Music
(Clean Feed)
Parker, Evan & Sten Sandell
Psalms
(psi)
Parker, Evan / Leimgruber, Urs
Twine
(Clean Feed)
Gonzalez, Dennis Yells at Eels
Cape of Storms
(Ayler)
Parker, Evan
Whitstable Solo
(psi)
Parker, Evan
Set
(psi)
Circulasione Totale Orchestra
Bandwidth 3CD
(Rune Grammofon)
Malfatti, Radu / Klaus Filip
imaoto
(erstwhile)
Dean, Elton's Ninesense
Happy Daze + Oh! For The Edge
(Ogun)
Moholo-Moholo, Louis Unit
An Open Letter to My Wife Mpumi
(Ogun)
Moholo, Loius / Evan Parker Quintet
Bush Fire
(Ogun)
Parker, Evan
Saxophone Solos
(psi)
Tippett, Tippetts, Moholo & Canto General
Viva La Black Live At Ruvo
(Ogun)
Townhouse Orchestra (E.Parker/ Sandell / Flaten / Nilssen-Love)
Belle Ville
(Clean Feed)
Osborne, Mike Trio
All Night Long
(Ogun)
Stevens, John / Evan Parker
Corner to Corner + The Longest Night
(Ogun)
Ovary Lodge (Tippett / Miller / Tippett / Perry)
Ovary Lodge
(Ogun)
McGregor, Chris' Brotherhood Of Breath
Live At Willisau
(Ogun)
Circulasione Totale Orchestra
Open Port
(Circulasione)
London Improvisers Orchestra
Improvisations for George Riste
(psi)
Angeli / Parker / Rothenberg
Free Zone Appleby 2007
(psi)
London & Glasgow Improvisers Orchestras
Separately & Together (Freedom of the City 2007)
(Emanem)
Parker, Evan
Conic Sections
(psi)
Eastley / Halliwell / Parker / Wastell
a life saved by a spider and two doves
(Another Timbre)
Parker, Evan / Ghost in the Machine
New Excursions
(Ninth World)
Parker, Evan / John Edwards / Chris Corsano
A Glancing Blow
(Clean Feed)
Parker, Evan / Rothenberg, Ned
Live at Roulette
(Animul)
Parker, Evan
Hook, Drift & Shuffle
(psi)
Lissack, Selwyn
Friendship Next of Kin
(DMG ARC)
Recommended & Related Releases:
Other Recommended Releases:
Dean, Elton Quintet
Welcomet - Live in Brazil, 1986
(Ogun)
Miller, Harry
Different Times, Different Places Volume Two
(Ogun)
Canto General featuring Louis Moholo-Moholo
Rebel Flames
(Ogun)
Moholo-Moholo, Louis Quartet (Hawkins / Edwards / Yarde)
4 Blokes
(Ogun)
Moholo-Moholo, Louis Unit
For the Blue Notes
(Ogun)
Moholo, Louis / Frode Gjerstad
Sult
(FMR)
Hawkins, Alexander & Louis Moholo-Moholo
Keep Your Heart Straight
(Ogun)
McGregor, Chris
In His Good Time
(Ogun)
Blue Notes
Before The Wind Changes
(Ogun)
McGregor, Chris' Brotherhood Of Breath
Live At Willisau
(Ogun)
Brotherhood of Breath
Bremen to Bridgwater
(Cuneiform)



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