Two clarinetists - Michael Thieke from Germany and Guillermo Gregorio from Chicago - with two other Chicago players, Jim Baker on synth and Michael Zerang on percussion - met at Chicago's Hungry Brain for these two extended and inspired performances.
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Catalog ID: PM20
Squidco Product Code: 17826
Condition: Sale (New)
Packaging: Jewel Tray
Recorded on September 23rd, 2012 at Hungry Brain, Chicago by Dave Zuchowski.
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1. Part 1 25:25
2. Part 2 14:58
Chicago Jazz & Improvisation
sample the album:
"In the world of free improvised music we are accustomed to seeing new or uncommon combinations of musicians play together. Among these occurrences however, it's a special case to have a great performance that is actually recorded. This quartet of seasoned improvisers is one such of these rare opportunities as captured at the Hungry Brain in Chicago. Arguably the most appropriate means to present this type of music - live in front of an audience."-Peira
• Show Bio for Michael Thieke
"The Berlin-based clarinetist/composer/performer Michael Thieke is equally at home across a broad range of musical environments, such as experimental song forms, collectively composing projects, improvising collectives, and music on the fringes of jazz. He is exploring the minutiae of sound, timbre and noise, with a particular interest in microtonality and related sound phenomena, and with a preference for long-term collaborations and collective work.
Some of his current Projects are: The International Nothing (with Kai Fagaschinski cl, CD on ftarri), The Magic I.D. (with Christof Kurzmann, Kai Fagaschinski, Margareth Kammerer, CD/LP on ErstPop and staubgold), The Pitch (with Boris Baltschun organ, Koen Nutters b, Morten Olsen dr, LP on gaffer), Der lange Schatten (with Håvard Wiik p, Antonio Borghini b), Voutchkova/Thieke (with Biliana Voutchkova vl), Splitter Orchester, Toulemonde/Thieke (with Olivier Toulemonde acoustic objects), Hotelgäste (with Derek Shirley b, Dave Bennett g, CD on schraum, LP on self), Michael Thieke Unununium (with Luca Venitucci acc/p, Martin Siewert g, Christian Weber b, Derek Shirley b, Steve Heather dr, Eric Schaefer dr, CD on charhizma), motif (with Atle Nymo sax, Håkon Mjåset Johansen dr, Eivind Lønning tp, Ole Morten Vågan b, Håvard Wiik p), Porta Chiusa (with paed Conca cl, Hans Koch cl), Spirit Songs (with Mike Cooper voc/g, Elio Martusciello el, Fabrizio Spera dr, Luca Venitucci acc/el.), Roman Tics (with Burkhard Beins, Luca Venitucci, CD on Cathnor), Cowards Bend The Knee (Live Music in different setups with the film Cowards Bend The Knee by Guy Maddin), Gebhard Ullmann's The Clarinet Trio (with Gebhard Ullmann bass clarinet, Jürgen Kupke clarinet) and Uli Gumpert Workshop Band."-Michael Thieke Website (http://www.michael-thieke.de/e/biographie.htm)
^ Hide Bio for Michael Thieke
• Show Bio for Guillermo Gregorio
"Born in Buenos Aires, Argentina, in 1941, American composer and clarinet player Guillermo Gregorio has lived variously in Europe and the United States since 1986. Leading his Chicago-based trio and other ensembles, Gregorio has performed extensively, and his compositions have been recorded on numerous CDs by the Swiss label hatART and the American labels New World Records, Atavistic, and Nuscope, among others. His works have been played by noted New Music ensembles in the USA and Europe, among them Makrokosmos Ensemble (Switzerland) , Ensemble N_ER (EU), International Contemporary Ensemble (USA), Fonema Consort (USA), and the Maverick Ensemble (USA). In addition, as an instrumentalist, Gregorio has worked with many experimental and improvisational groups, including those that recorded the music of Cornelius Cardew, Anthony Braxton, and Philip Corner, among other contemporary composers (see discography for details).
As a composer and improviser, Gregorio has collaborated with Fred Lonberg-Holm, Ran Blake, Steffen Schleiermacher, Steve Swell, Jim O'Rourke, Ken Vandermark, Mats Gustaffson, Axel Dörner, Josh Abrams, Jeff Parker, Jason Adasiewicz, Carrie Biolo, George Graewe, Franz Koglmann, Thomas Lehn, Heiner Reinhardt, Le Quan Ninh, Akikazu Nakamura, Ab Baars, Sebi Tramontana, Mary Oliver, Klaus Koch, Gene Coleman, Enrique Gerardi, Paulo Alvares, Vinko Globokar, Makrokosmos Quartet, François Houl, and Stephen Dembski, among others.
He participated in the Argentine experimental music scene throughout the 1960s, '70s, and early '80s. His involvement with New Music included both composing and playing clarinet, saxophone and miscellaneous instruments in the Movimiento Música Más (Fluxus Group), the Experimental Group of Buenos Aires, and the Group of Contemporary Music of La Plata, featuring Fluxus events, multi-media spectacles, environmental pieces, and experimental concerts. Some of his earlier work in Argentina is available in the CD Guillermo Gregorio: Otra Música. Tape Music, Fluxus and Free Improvisation in Buenos Aires 1963-70 (Atavistic UMS/ALP209CD). After leaving Buenos Aires Gregorio had the opportunity to experience the European creative music scene of the middle '80s, i.e. the fruitful convergence of Free Jazz and 20th-century music and its interconnections with visual art. The interaction with composers and artists of that milieu constituted an indelible mark in his further explorations.
Gregorio-a visual artist himself-has frequently explored the intersection of visual and musical experience. His involvement in visual arts and design is a central influence in his music. In his series entitled "Madi Pieces" and "Coplanars" (1999-2005) Gregorio used Constructivist and geometrically generated ideas in scores ranging from conventionally notated material to graphic systems and open structures. In these compositions, a reinterpretation of the fundamental and structural concepts of Constructivism converges with the historical experiences of Argentinean Conceptualism, Fluxus, intermedia synthesis, and graphic realization. In January 2001, he founded the Madi Ensemble of Chicago, which performed original and historical scores that draw from the conceptual foundation of diverse Argentinean avant-garde currents. His scores related to that period have been exhibited in numerous shows at galleries and institutions, among them the Block Museum of Art (Northwestern University, Evanston, IL), Chelsea Museum of Art (NY), Kettle's Yard Gallery (University of Cambridge, UK), and Elastic, Sound & Vision Gallery (Chicago). Some of Gregorio's works belong to the permanent collections of the MADI Museum and Gallery in Dallas, Texas, and the Centre d'Art Geometrique MADI in Paris. His works have been published in Leonardo, Journal of the International Society for the Arts, Sciences and Technology, Notations 21 (Mark Batty Publisher), Noon Literary Annual, and other specialized publications. His series of pieces entitled "Otra Música" (2005 to the present), composed using conventional notation, focus on history and critical issues as well as syntactic aspects of texts and music. Still maintaining the openness of the works from the former period, the name of the series-"Otra Música"-refers to the title of a monthly column on experimental and avant-garde sounds that Gregorio wrote for a specialized magazine in Buenos Aires during the early '70s. Currently, Gregorio's interests are related to improvisation and "composition in real time" playing clarinet, in addition to the aforementioned compositions.
Gregorio has a degree in Architecture, and has worked as a graphic designer. As an educator he taught history and theory of architecture at the University of Buenos Aires, Argentina, and history of industrial design and visual communication at the University of La Plata, Argentina. In the USA he has taught history of 20th-century art and art appreciation at Purdue University North Central, Indiana, sound improvisation at the School of the Art Institute, Chicago, and worked as advisor of Grad Projects in the Sound Department of that School. At the present time Gregorio teaches History of Communication Design at Columbia College, Chicago."-Guillermo Gregorio Website (https://ggregorio.com/biography/)
^ Hide Bio for Guillermo Gregorio
• Show Bio for Jim Baker
"Jim Baker was born in Chicago a number of years ago and has been playing in and around Chicago and elsewhere in the world for a few decades, mostly on piano and analog synthesizer; mostly in improvisational contexts; in situations involving, amongst others, Fred Anderson, Ken Vandermark, Michael Zerang, Mars Williams, Brian Sandstrom, Steve Hunt, Edward WIlkerson Jr, David Boykin, Rob Mazurek, Guillermo Gregorio, Nicole Mitchell, Vincent Davis, the Thing XXL, Tortoise, Dave Rempis, Fred Lonberg-Holm, Paul Hartsaw, Janet Bean, Damon Short, and numerous others.
For a number of years, Mr Baker was the house pianist at the weekly jam sessions at Fred Anderson's Velvet Lounge; and for most of the past decade, has played weekly with the improvising quartet Extraordinary Popular Delusions (the other three Delusions: Messrs. Williams, Sandstrom, & Hunt) , who currently play nearly every monday night at Beat Kitchen in Chicago."-Milk Factory Productions (http://www.milkfactoryproductions.com/Jim_Baker.html)
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• Show Bio for Michael Zerang
"Michael Zerang was born in Chicago, Illinois, and is a first-generation American of Assyrian decent. He has been a professional musician, composer, and producer since 1976, focusing extensively on improvised music, free jazz, contemporary composition, puppet theater, experimental theater, and international musical forms.
Michael has collaborated with contemporary theater, dance, and other multidisciplinary forms and has received three Joseph Jefferson Awards for Original Music Composition in Theater, in collaboration with Redmoon Theater, in 1996, 1998, and 2000.
As a percussionist and composer, Michael has over eighty titles in his discography and has toured nationally and internationally to 34 countries since 1981, and works with and ever-widening pool of collaborators.
Michael founded and was the artistic director of the Link's Hall Performance Series in Chicago from 1985-1989 where he produced over 300 concerts of jazz, traditional ethnic folk music, electronic music, and other forms of forward thinking music. Michael has been a Board Member of Links Hall Since 1989. He continued to produce concerts at Cafe Urbus Orbis from 1994-1996, and at his own space, The Candlestick Maker in Chicago's Albany Park neighborhood, from 2001 - 2005.
Michael has taught as a guest artist at The School of the Art Institute of Chicago in performance technique, sound design, and sound/music as it relates to puppetry; rhythmic analysis for dancers at The Dance Center of Columbia College, Northwestern University, and MoMing Dance and Arts Center; courses in Composer/Choreographer Collaborations at Northwestern University; music to children at The Jane Adams Hull House.
Michael currently tours and holds workshops in improvisational music, and teaches private lessons in rhythmic analysis, music composition, and percussion technique.-Michael Zerang Website (http://www.michaelzerang.com/)
^ Hide Bio for Michael Zerang
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