Chicago pianist Paul Giallorenzo's hard swinging band with Davis Rempis (sax), Josh Berman (cornet), Anton Hatwich (bass) and Frank Rosaly (drums) recalls 60's bop alongside modern free approaches and incredible enthusiasm for the leader's compositions.
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Label: 482 Music
Catalog ID: 482-1061
Squidco Product Code: 17767
Packaging: Jewel Tray
Recorded on July 10th and 11th, 2005 by Todd Carter at Sparrow Sound Design, Chicago, IL.
Dave Rempis-alto saxophone, tenor saxophone, baritone saxophone
Frank Rosaly-drum set
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1. Vacillation 6:40
2. Twisted Lopes 7:30
3. Porous (For Quintet) 9:39
4. Fifth FLow 7:50
5. Steamin In Cleveland 8:58
6. Crazy Ladies 9:45
7. Ajemian's Funk 5:52
8. Double Team 9:01
9. Eternal Circle 6:05
Related Categories of Interest:
Chicago Jazz & Improvisation
Staff Picks & Recommended Items
Melodic and Lyrical Jazz
sample the album:
"Pianist Paul Giallorenzo locates the jazz he makes with his quintet somewhere in the early 1960s, when post-bop was getting ready to explode into free jazz and its pioneers were rooted in swing, but thinking outward thoughts. Eric Dolphy's Out To Lunch (Blue Note, 1964), Ornette Coleman's Tomorrow Is The Question (Contemporary, 1959), and Andrew Hill's Point Of Departure(Blue Note, 1964) come to mind.
Even the sound on Get In To Get Out hints at a Blue Note session, with its large room echoey sounds and warm groove. New York native Giallorenzo practices his craft in Chicago, the cliché-free home of arguably the most creative jazz scene in the country. He's assembled a stellar cast of saxophonist Dave Rempis (Vandermark 5, The Engines, Rempis Percussion Quartet), cornetist Josh Berman (Chicago Luzern Exchange, Last Distractions, Lucky 7's), bassist Anton Hatwich and drummer Frank Rosaly, the latter two members of Keefe Jackson's and Rempis' bands.
Get In To Get Out opens with the halting sounds of "Vacillation," with Giallorenzo's piano stuttering not unlike Thelonious Monk's infamous prodding; Rempis, playing more tenor than alto here, follows suit with his stilted jabs of sound. The song then pauses-soon to return with the pianist rolling notes à la Cecil Taylor. "Twisted Lopes" finds Rempis back with alto in hand, conjuring the turbulence reminiscent of Dolphy.
Elsewhere, a meeting of Bill Evans' piano and Charles Mingus' band is summoned on "Steamin In Cleveland," a swinging piece of bebop in which Berman turns his solo into a slow sermon and the pianist's notes into a ballerina dance. Rempis and Rosaly trade energy on "Double Team," the saxophonist playing his signature sound of upper register navigation against the industrial-strength brawny drummer.
This music, while familiar, is not a parody of the dawning of The New Thing. Giallorenzo's compositions mix a complexity among the methodology of the music. He might start in 1961, but his Chicago sound surfaces within the circle of visionary bands that include Herculaneum, Harris Eisenstadt, Jason Roebke, and the Vandermark Five."-Mark Corroto, All About Jazz
Get additional information at All About Jazz
• Show Bio for Paul Giallorenzo
"Orginally from Long Island NY, Paul Giallorenzo is a Chicago-based improviser, composer, and producer using piano, synthesizer, keyboards, and electronics in a wide variety of groups and contexts, ranging from jazz and improvised music to electro-acoustic / noise to sound and video performance. Performing throughout the midwest, eastern US, Canada, Europe, Brazil. Has appeared at the Chicago Jazz Festival, WNUR Chicago Sounds Jazzfest, Glad Cloud Festival of Ambient Music at the Whistler, and a 2008 artist residency in Luzern, Switzerland.
Presenter, organizer, co-founder of the music venue/art gallery Elastic, producing hundreds of creative music concerts and events in Chicago since 2001."-Paul Giallorenzo Website (http://paulgiallorenzo.com/bio.html)
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• Show Bio for Dave Rempis
"Dave Rempis was born in Wellesley, Massachusetts on March 24th, 1975. He began his musical studies at the age of 8, inspired by a family friend who played clarinet in local Greek bands, and by Zoot, of the Muppets Band, to pick up saxophone. During high school he performed in his town, district, and all-state bands and wind ensembles, as well as in a jazz combo at a local music school.
In 1993, Rempis began a degree in classical saxophone at Northwestern University with Frederick Hemke. Finding this environment stifling, Rempis quickly ditched the music degree to pursue studies in anthropology and ethnomusicology. As part of these studies, he spent a year at the International Centre for African Music and Dance at the University of Ghana, Legon, studying African music and ethnomusicology. He also continued to perform with many different types of groups, ranging from highlife and reggae bands while in Ghana, to jazz, free jazz, funk, and contemporary music ensembles at home. He graduated from Northwestern in 1997.
Upon graduating, Rempis decided to focus on performing, and in March of 1998 at the age of 22 was asked to replace veteran saxophonist Mars Williams in the well-known Chicago jazz outfit The Vandermark Five. This opportunity catapulted him to notoriety as he began to tour regularly throughout the US and Europe playing clubs, concert halls, and festivals on both continents.
During his tenure with The Vandermark Five, Rempis also began to develop the many Chicago-based groups and international collaborations for which he's currently known, including The Rempis Percussion Quartet, The Engines, Ballister, Rempis/Abrams/Ra, Wheelhouse, The Rempis/Rosaly Duo, and The Rempis/Daisy Duo. Many of these groups have been documented on the Okkadisk, 482 Music, Not Two, Clean Feed, Solitaire, and Utech record labels. Past collaborations have included performances with Paul Lytton, Axel Dörner, Peter Brötzmann, Hamid Drake, Steve Swell, John Tchicai, Roscoe Mitchell, Fred Anderson, Kevin Drumm, Paal Nilssen-Love, Nels Cline, Tony Buck, and Joe McPhee. Rempis has been named regularly since 2006 in the annual Downbeat Critics's Poll as a "rising star" on alto saxophone, and as a "rising star" and "established talent" on baritone saxophone.
Aside from performing, Rempis is also active as a presenter. Since 2002, he's curated a weekly Thursday-night concert series for the Elastic Arts Foundation. The series has featured over 500 concerts by some of the best improvisers from around the world, while maintaining a focus on up-and-coming local musicians. In late 2005, Rempis helped form the presenters' collective Umbrella Music, working with a small group of musicians and presenters in Chicago to provide better playing opportunities for creative and improvising musicians. As part of this group, he organized the annual Umbrella Music Festival from 2006-2014.
Rempis is also one of the main organizers of the indie-rock Pitchfork Music Festival, a 60,000-person event which takes place in Chicago's Union Park every July."-Dave Rempis Website (http://daverempis.com/bio/)
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• Show Bio for Anton Hatwich
"Bassist, composer, and improviser Anton Hatwich has lived in Chicago since 2003. He was born and raised in Rockford, IL, growing up in a musical family. Anton moved to Iowa City, IA in 1995 and lived there until 2002, earning a Bachelor of Music degree from the University of Iowa. After graduation Hatwich taught for two years as Visiting Artist in Music at Cornell College in Mt. Vernon, IA. At the UI he studied bass with Dr. Diana Gannett, jazz and improvisation with John Rapson, and also gained valuable experience playing with the school's renown Center for New Music, under the direction of David Gompper. Outside of class, Anton was active in the local music scene. Of particular lasting importance was his work with clarinettist, saxophonist, and composer Robert Paredes, with whom Anton took first steps in the world of free improvisation.
In late 2002 Hatwich started spending large amounts of time amongst Chicago's improvised music community, hanging out all night with his new friends at concerts and bars, and crashing on his brother's couch. One thing led to another, and by spring of 2003 he was playing so much in Chicago that it made sense to move there. Since that time he has played in endlessly varied groups of (mostly) improvising musicians, with some combinations sticking around longer than others. A partial list of his collaborators includes Frank Rosaly, Keefe Jackson, Aram Shelton, Nick Mazzarella, Russ Johnson, Tim Daisy, Jason Stein, Fred Lonberg-Holm, Josh Berman, and Paul Giallorenzo. With the bands that lasted, Anton has recorded a number of critically acclaimed albums and toured nationally and internationally. He has appeared at a handful of the major jazz festivals, including the Chicago Jazz Festival, the Monterey Jazz Festival, the Ring Ring Festival in Belgrade, the Umbrella Festival, and the Ulrichsberger Kaleidophon Festival in Austria."-Anton Hatwich Website (http://www.antonhatwich.com/about-1/)
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• Show Bio for Frank Rosaly
"Frank Rosaly (Francisco Javier Rosaly Amoros Rosello - b. 5/30/74 Phoenix, AZ) is a drummer and composer living in Chicago. He has been involved in the improvised and experimental music community since 2001 where he has become an integral part of Chicago's musical fabric, navigating a fine line between the vibrant improvised music, experimental, rock and jazz communities. He contributes much of his time to performing, composing, teaching, as well as organizing musical events, while also touring regularly domestically and internationally.
Frank is currently active in many projects throughout Chicago as well as New York and in Europe. Some groups include Bobby Bradford/Frode Gjerstad Quartet, Matana Robert's Chicago Project, Rob Mazurek's Mandarin Movie, The Rempis Percussion Quartet, Ingebrigt Haker-Flaten Quintet, Scorch Trio, Nicole Mitchell Ice Crystal Quartet, Jason Stein Quartet, Jeff Parker/Nels Cline Quartet, Josh Abrams' Natural Information Society, Fred Lonberg-Holm's Valentine Trio, Keefe Jackson's Project Project, The Fast Citizens, The Jeb Bishop Trio, Jason Adasievicz's Rolldown, Jorrit Dijkstra's Flatlands Collective, Chicago Lucern Exchange, Hearts and Minds, Slow Cycle, Outskirts, Darren Johnston's Chicago Quintet, Anchor and others."-Frank Rosaly Website (http://fjrosalbio.blogspot.com/)
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