A mercurial and beautiful record from the trio led by tenor saxophonist Ellery Eskelin, with pedal steel guitarist Susan Alcorn and bassist Michael Formaneck with a unique, introspective and lovely group sound.
Label: Clean Feed
Catalog ID: CF 271
Squidco Product Code: 17675
Packaging: Cardstock gatefold foldover
Recorded on November 9th, 2011 at the Towson University Fine Arts Center in Baltimore, Maryland by Ed Tetreault.
Ellery Eskelin-tenor saxophone
Susan Alcorn-pedal steel guitar
Michael Formanek-double bass
Highlight an artist name or instrument above
and click here to Search
1. Rain Shadow 5:50
2. Meridian 6:22
3. Divergence 4:28
4. Saturation 4:49
5. Absolute Zero 3:43
6. Refraction 3:28
7. Occlusion 5:17
8. Downburst 27:21
9. Mirage 5:33
Related Categories of Interest:
Staff Picks & Recommended Items
sample the album:
"Listeners have come to expect the unexpected from tenor saxophonist Ellery Eskelin, especially with respect to the musical settings in which he places himself. His long-running group with accordionist Andrea Parkins and beat-oriented drummer Jim Black may have seemed strange in it's beginnings but over time their logic became clear and the strange began to seem normal, even necessary. With his new working group "Trio New York" Eskelin delivers the unexpected even in this more traditional lineup with Hammond B-3 recycler Gary Versace and another innovator of the drum-kit, Gerald Cleaver.
With Mirage Eskelin presents us with another "unique" formula, this time combining his modern (yet impressively well informed) tenor sound with Susan Alcorn's ethereal pedal steel guitar and Michael Formanek's grounded acoustic double bass. This top-flight veteran tenor saxophonist continues to take risks and open new frontiers in jazz-based improvisation, even beyond the issue of instrumentation - for instance, his tone, phrasing and melodic conception is completely his own, even as he is keenly aware of the history and tradition associated with his instrument. The concept behind Mirage rests squarely with Eskelin as well, yet as with each of his past projects, the group sound is equally defined by the personalities of each musician. Alcorn's contribution in this new proposal is key. No country & western / jazz fusion here, but instead a clever, fresh, luminous reinvention of an instrument and its vocabulary. Bassist Formanek's contribution is equally essential, giving the music much of it's warmth and expansive reach."-Clean Feed Records
• Show Bio for Susan Alcorn
"Susan Alcorn (born 1953) is an American composer, improvisor, and pedal steel guitarist. Having started out playing guitar at the age of twelve, she quickly immersed herself in folk music, blues, and the pop music of the 1960s. A chance encounter with blues musician Muddy Waters steered her towards playing slide guitar. By the time she was twenty-one, she had immersed herself in the pedal steel guitar, playing in country and western swing bands in Texas.
Soon, she began to combine the techniques of country-western pedal steel with her own extended techniques to form a personal style influenced by free jazz, avant-garde classical music, Indian ragas, Indigenous traditions, and various folk musics of the world. By the early 1990s her music began to show an influence of the holistic and feminist "deep listening" philosophies of Pauline Oliveros.
Though mostly a solo performer, Alcorn has collaborated with numerous artists including Pauline Oliveros, Eugene Chadbourne, Peter Kowald, Chris Cutler, Joe Giardullo, Caroline Kraabel, Earl Howard, Le Quan Ninh, Sean Meehan, Joe McPhee, LaDonna Smith, Mike Cooper, Walter Daniels, Ellen Fullman, Jandek, George Burt, Janel Leppin, Michael Formanek, Ellery Eskelin, Fred Frith, Maggie Nicols, Evan Parker, Johanna Varner, Zane Campbell and Mary Halvorson."-Wikipedia (https://en.wikipedia.org/wiki/Susan_Alcorn)
^ Hide Bio for Susan Alcorn