Recorded during three nights of incredible live performances in Coimbra at Jazz Ao Centro at Salao Brazil, from the trans-Atlantic quartet of Joe McPhee (sax/pocket trumpet), Martin Kuchen (sax), Per Zanussi (bass) and Raymond Strid (drums).
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Clean Feed
Catalog ID: CF 269
Squidco Product Code: 17674
Packaging: Cardstock gatefold foldover
Recorded at Jazz Ao Centro at Salao Brazil on May 31st, June 1st and June 2nd, 2012 by Joao Miranda.
Joe McPhee-tenor saxophone, pocket trumpet
Martin Kuchen-alto saxophone, baritone saxophone
Per Zanussi-double bass
Highlight an artist name or instrument above
and click here to Search
1. A desert on fire, a forest 5:47
2. Bruder Beda ist nicht mehr 13:39
3. Xe 6:49
4. Coimbra, mon amour 6:59
5. A different Koko 10:41
6. In our midst 9:03
7. Human Encore 7:36
8. A desert on fire, a forest (first day take) 9:54
NY Downtown & Jazz/Improv
European Improv, Free Jazz & Related
Top 40 for 2013
Squidco's Clean Feed $12.00 Sale
sample the album:
"A dog barks during a trumpet solo and a car alarm ends a piece: this is reality music, music coming from everyday life. It couldn't be any other way, considering that the people involved are the most political and social motivated musicians of our times, namely Martin Kuchen, the Trespass Trio mentor and soul, and Joe McPhee, a veteran of the Black Consciousness struggles through sound since the years of "Freedom and Unity", with Clifford Thornton, and "Nation Time". "Human Encore", the result of a live collaboration between the Swedish band and the American legendary saxophonist and trumpeter which took place during three days in the Portuguese city of Coimbra, configures all the existing motivations: the music is indeed "transgressive". There's emotions here, pain, fury and joy in mixed terms. In a time when some try to empty musical expression from feelings and states of mind, this is really an infringement, going against the stream. This is jazz like it used to be 40 years ago, full of heat and purpose, but with the concepts, vocabulary and techniques of today. It tells us about the "fires" going on ("more and more of them", says Kuchen), in Palestine, in Europe and all the places where mankind shows that we never learn..."-Clean Feed Records
• Show Bio for Joe McPhee
"Joe McPhee, born November 3,1939 in Miami, Florida, USA, is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He began playing the trumpet at age eight, taught by his father, himself a trumpet player. He continued on that instrument through his formative school years and later in a U.S. Army band stationed in Germany, at which time he was introduced to performing traditional jazz. Clifford Thornton's Freedom and Unity, released in 1969 on the Third World label, is the first recording on which he appears as a side man. In 1968, inspired by the music of Albert Ayler, he took up the saxophone and began an active involvement in both acoustic and electronic music.
His first recordings as leader appeared on the CJ Records label, founded in 1969 by painter Craig Johnson. These include Underground Railroad by the Joe McPhee Quartet (1969), Nation Time (1970), Trinity (1971) and Pieces of Light (1974). In 1975, Swiss entrepreneur Werner X. Uehlinger release Black Magic Man by McPhee, on what was to become Hat Hut Records.
In 1981, he met composer, accordionist, performer, and educator Pauline Oliveros, whose theories of "deep listening" strengthened his interests in extended instrumental and electronic techniques. he also discovered Edward de Bono's book Lateral Thinking: A Textbook of Creativity, which presents concepts for solving problems by "disrupting an apparent sequence and arriving at the solution from another angle." de Bono's theories inspired McPhee to apply this "sideways thinking" to his own work in creative improvisation, resulting in the concept of "Po Music." McPhee describes "Po Music" as a "process of provocation" (Po is a language indicator to show that provocation is being used) to "move from one fixed set of ideas in an attempt to discover new ones." He concludes, "It is a Positive, Possible, Poetic Hypothesis." The results of this application of Po principles to creative improvisation can be heard on several Hat Art recordings, including Topology, Linear B, and Oleo & a Future Retrospective.
In 1997, McPhee discovered two like-minded improvisers in bassist Dominic Duval and drummer Jay Rosen. The trio premiered at the Vision Jazz Festival in 1998 but the concert went unnoticed by the press. McPhee, Duval, and Rosen therefore decided that an apt title for the group would be Trio X. In 2004 he created Survival Unit III with Fred Lonberg-Holm and Michael Zerang to expand his musical horizons and with a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections while reaching for music's outer limits."-Joe McPhee Website (http://joemcphee.com/bio.html)
^ Hide Bio for Joe McPhee
• Show Bio for Martin Kuchen
"Born 1966; saxophones. Martin Küchen has been active on the Swedish free improvised/free jazz scene since the mid-1990s. He has composed for larger groups, participated in dance projects, performed with different poets and created the music for experimental films. He now collaborates with improvisors all over Europe and USA/Canada. His current collaborations include:
Angles - a new trio with Ingebrigt Håker- Flaten, doublebass, Kjell Nordeson, drums and Martin Küchen, saxophones. Exploding Customer - a free jazz quartet with Tomas Hallonsten trumpet, Benjamin Quigley double bass and Kjell Nordeson drums, which plays mainly original compositions. Sound of Mucus - a trio with the stringchordist Herman Müntzing and Andreas Axelsson, percussion. Unsolicited Music Ensemble - a trio with Tony Wren, double bass and Raymond Strid, percussion. a duo with guitarist David Stackenås. UNSK: Birgit Ulher, Martin Küchen, lise-Lott Norelius and Raymond Strid. Looper - a trio with Greek cello player Nikos Veliotis and Norwegian percussionist Ingar Zach."-European Free Improv Site (http://www.efi.group.shef.ac.uk/musician/mkuchen.html)
^ Hide Bio for Martin Kuchen
• Show Bio for Per Zanussi
"Born in 1977, Per Zanussi grew up in Stavanger with an Italian father and Norwegian mother. He started playing various instruments at five but picked up the bass at 13 playing in rock bands. After discovering jazz he quickly switched to double bass.
Zanussi has a Masters degree in music from the Conservatory in Trondheim and the Norwegian Academy of Music, Oslo, concentrating on double bass and composition. His compositional work has so far resulted in music for prize winning theatre and dance performances and short films as well as comissions for Bit 20, Trondheim Jazz Orchestra and and Stavanger's Kitchen Orchestra.
He is currently a research fellow at the University of Stavanger through the Norwegian Artistic Research Programme.
In 1996, while still a student in Trondheim he founded the electronic project Wibutee together with Håkon Kornstad and Wetle Holte.This outfit recorded 3 albums with Zanussi and toured most of the world in the following years.In 2001 he founded his longest lasting project to date, Zanussi 5, playing Zanussi's compositions in an acoustic format. This group has recorded 4 quintet albums and a fifth as a version of Trondheim Jazz Orchestra, a twelve piece group including Zanussi 5. In 2012 the album "Live" by Zanussi 13 was released : A 13 piece version of Zanussi 5 consisting of the core group, plus all the musicians that have played with the band over the years, among them Jonas Kullhammar and Stian Westerhus.Zanussi also leads his new eleven piece group, Per Zanussi Ensemble. This is a vehicle for Zanussi's compositions for free improvisors, and includes musicians such as Sofia Jernberg, Eivind Lønning and David Stackenäs. This group is also a part of an ongoing research project by Zanussi through the Norwegian Programme for Artistic Research and the University of Stavanger.Zanussi is a member of Trespass Trio (with Martin Kuchen and Raymond Strid) and several other projects and has recorded or played on occasion with John Butcher, Alexander von Schlippenbach, Hamid Drake, Lotte Anker, Paal Nilssen-Love, Bobby Bradford, Eivind Lønning, Frode Gjerstad, Sabir Mateen, Franklin Kiermyer, Stephen O'Malley, Axel Dörner, Fred Lonberg-Holm, Sten Sandell, Mats Gustafsson, Morten J. Olsen, Seijiro Muriyama, Magda Mayas, Sten Åke Holmlander, Louis Moholo, Kjetil Møster, Gabriel Ferrandini, David Stackenäs, Kjell Nordeson, Sofia Jernberg, Kevin Norton, Ivar Grydeland, Ernesto Rodrigues, Tetuzi Akiyama, Christian Wallumrød, Ståle L. Solberg and others."-Per Zanussi Website (http://www.perzanussi.com/?page_id=2)
^ Hide Bio for Per Zanussi
• Show Bio for Raymond Strid
"Raymond Strid (born 1956 in Stockholm, Sweden) is a Swedish drummer in the genre of free jazz and the new European improvised music.When Strid picked up drumming, he was inspired by musicians like Han Bennink, Paul Lytton, and Tony Oxley. He started his musical career relatively late. His debut concert was in September 1977, after first playing with a variety of local bands in Stockholm. In 1988 he founded the 'GUSH' trio together with saxophonist Mats Gustafsson and the pianist Sten Sandell. Since that time Strid has played in a series of bands and projects, such as in the trio Guy/Gustafsson/Strid, Marilyn Crispell/Anders Jormin/Raymond Strid and the Free Jazz trio LSB with Fredrik Ljungkvist and Johan Berthling. In 2000 he initiated 'The Electrics' with Axel Dörner, Sture Ericson and Ingebrigt Flaten. The same year Strid joined the Barry Guy New Orchestra. Strid played at numerous festivals of free improvisation in Europe and North America. He also teaches in musical improvisation."-Wikipedia (https://en.wikipedia.org/wiki/Raymond_Strid)
^ Hide Bio for Raymond Strid
Search for other titles on the Clean Feed label.