Massacre with Fred Frith, Bill Laswell and Charles Hayward in an album collecting live recordings from Frith's private archives, documenting their 1999 European tour and 2008 performances, spectacular improvised rock.
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Catalog ID: TZA-CD-7642
Squidco Product Code: 17662
Packaging: Jewel Tray
Recorded at Moers Festival, Moers, Germany on May 23rd, 1999. Recorded at Rote Fabrik, Zurich, Switzerland on May 25th, 1999. Recorded at Castello Estense, Ferrara, Italy on June 22nd, 2008.
Fred Frith-electric guitar
Bill Laswell-electric bass
Charles Hayward-drums, melodica, voice
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1. Bright Blue 7:42
2. Dot In The Prison 4:07
3. Rosey Good Shook 4:22
4. Shadow Then Omitted 5:54
5. In Search Of The Nervous System 6:12
6. History Fictions 2:34
7. Between Roof And Bird 2:01
8. Shoe Often Repeated 3:56
9. The North Reaches To The Ankle 4:52
10. Madness Is Medicine 8:05
11. Chapter Amber 4:03
Related Categories of Interest:
NY Downtown & Jazz/Improv
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sample the album:
"One of the first, longest running and most acclaimed improvisational rock ensembles in the world presents a special collection of live recordings culled from the private archives of guitarist extraordinaire Fred Frith. Hand picked for this release, the music comes from their exciting 1999 European tour, and from their most recent onslaughts in 2008. An essential document of one of the most incendiary rock trios in music history."-Tzadik
• Show Bio for Fred Frith
"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.
In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.
The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.
He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.
His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.
Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."-Fred Frith Website (http://www.fredfrith.com/biography.html)
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