NY drummer Mike Pride's modern jazz work inspired by the birth of his first child, reflecting the fullness Pride finds in his life as a parent, with Jon Irabagon (sax), Alexis Marcelo (piano), Peter Bienec (bass), Jonathan Moritz (sax) and Jason Stein (bass clarinet).
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Aum Fidelity
Catalog ID: AUM 077CD
Squidco Product Code: 17570
Recorded on August 17th, 2012 by Max Ross at Systems Two Studio, Brooklyn, NY.
Mike Pride-drums, percussion, glockenspiel
Jon Irabagon-alto saxophone, tenor saxophone
Alexis Marcelo-piano, synthesizer
Peter Bitenc-double bass
Jonathan Moritz-tenor saxophone
Jason Stein-bass clarinet
Highlight an artist name or instrument above
and click here to Search
1. 79 Beatdowns of Infinite Justice, the 7:29
2. Birthing Days 10:58
3. Marcel's Hat 2:48
4. Brestwerp 7:01
5. Lullaby For Charlie 6:42
6. CLAP 4:53
7. Fuller Place 5:34
8. Pass The Zone 3:47
9. Occupied Man 6:22
10. Motiaon 4:40
NY Downtown & Jazz/Improv
Staff Picks & Recommended Items
sample the album:
"The distinctly gifted drummer/composer Mike Pride is prolifically active as a leader/accompanist in a wide variety of groups and genres: metal, noise, avant-garde rock, free music, and modern jazz. On May 14, 2013, AUM Fidelity will release two of the most potent albums he has created to date. Birthing Days, his deeply inspired and utterly focused new modern jazz work, was recorded within the same month as the diametrically opposed (in concept, content and title), Drummer's Corpse, and no pair of records better represent his multifarious nature. Their simultaneous release is a major artistic statement from Mr. Pride.
Birthing Days is a magnificent display of both Pride's far-ranging compositional prowess and the rich talents of this remarkable group. The great and gifted pianist Alexis Marcelo and bassist Peter Bitenc remain dedicated members, whose deep thought & commitment to finding the core tone and emotional approach to each composition anchor the band, while allowing utmost flexibility for the music to follow new avenues with each performance. In early 2012, saxophone phenom Jon Irabagon joined, breathing new life into the group's sound with his virtuosic command and harmonic flexibility. The quartet's sonic template is further expanded on three tracks here with the addition of bass clarinetist Jason Stein and saxophonist Jonathan Moritz. All of these musicians are startling and beautiful voices in modern jazz.
This book of compositions was written by Pride in a fit of inspiration, immediately following the birth of his first child, two months after the release of this group's previous release (and Pride's AUM Fidelity debut), Betweenwhile. His brain swimming with melodies & lush harmonies, the music reflects the fullness found in his new life as a parent. The music is dense, but warmly harmonious. It demands a copy-editor's eye for detail & accuracy, which each member of the band has in full. Birthing Days was exquisitely recorded at Systems Two Studios in Brooklyn, and then mixed to perfection by Jamie Saft at Potterville International Sound."-Aum Fidelity
• Show Bio for Mike Pride
"Mike Pride: Percussionist • Composer • Vocalist • Visual Artist
Born and raised in Southern Maine, but based out of New York City since 2000, Mike Pride currently performs solo, leads modern-jazz quartet From Bacteria To Boys, the 7-drummer installation-band Drummer's Corpse, and the MDC piano trio I Hate Work. He also co-leads the ensembles Pulverize The Sound (w/ Peter Evans and Tim Dahl), and Period (w/ Charlie Looker and Chuck Bettis). Pride is renowned for his ability to excel in a wide range of genres and ensembles. He has worked with everyone from improvised music icon Anthony Braxton to punk legends Millions Of Dead Cops, toured extensively on four continents, appeared on more than 100 recordings, and is currently touring the world opening for comedian Amy Schumer with Jason Stein's Locksmith Isidore.
A short list of his collaborators includes Mick Barr, Tim Berne, Boredoms, Eugene Chadbourne, Nels Cline, Andrew D'Angelo, Trevor Dunn, Dynamite Club, Peter Evans, Charles Gayle, Milford Graves, Drew Gress, Mary Halvorson, Curtis Hasselbring, Nona Hendryx, Jon Irabagon, Brad Jones, Haino Keiji, Kirk Knuffke, George Lewis, Frank Lowe, Bill McHenry, Tony Malaby, Sam Mickens, Butch Morris, Joe Morris, William Parker, Marc Ribot, Matana Roberts, Herb Robertson, Jamie Saft, Sonny Simmons, Craig Wedren, Nate Wooley, Otomo Yoshihide and John Zorn.
Pride's versatility doesn't end with his eclectic résumé as a popular sideman and leader/co-leader of many active ensembles spanning the worlds of modern-jazz, avant-rock, noise and doom metal improv. He is also a busy educator and clinician, a soundtrack composer for TV shows, video games, podcasts, independent films, and websites, and an experienced and exhibited visual artist.
Mike proudly uses Yamaha Drums & hardware, Vic Firth striking implements, and Humes & Berg Cases."-Mike Pride Website (http://mikepride.com/about/)
^ Hide Bio for Mike Pride
• Show Bio for Jon Irabagon
"The winner of the 2008 Thelonious Monk Saxophone Competition, Irabagon has since topped both the Rising Star Alto Saxophone and the Rising Star Tenor Saxophone categories in the DownBeat Magazine Critics' Poll and been named one of Time Out New York's 25 New York City Jazz Icons. Jon was also named 2012 Musician of the Year in The New York City Jazz Record and is an integral member of such high-profile ensembles as the Mary Halvorson Quintet, the Dave Douglas Quintet and Barry Altschul's 3Dom Factor, as well as an established bandleader in his own right.
For Perpetual Motion, a project of Moondog arrangements, Jon (along with French saxophonist/clarinetist/composer Sylvain Rifflet) has been awarded a French-American Cultural Exchange grant from the Mid-Atlantic Arts Foundation, with generous funding from the Cultural Services of the French Embassy, Doris Duke Charitable Foundation, Florence Gould Foundation, The Andrew W. Mellon Foundation, Institut Français, Ministère de la Culture et de la Communication, and Société des Auteurs et Compositeurs de Musique ("SACEM"). In addition, Jon has received a 2012 Mabuhay Award by the National Association of Filipino-Americans and a 2014 Philippine Presidential Award.
Jon's own record label, Irabbagast Records, has currently released five of his efforts, including I Don't Hear Nothin' but the Blues Volume 2: Appalachian Haze (with Mike Pride and Mick Barr), Outright! Unhinged (with Ralph Alessi, Jacob Sacks, John Hebert and Tom Rainey) and It Takes All Kinds (featuring Mark Helias and Barry Altschul), and most recently, the dual release of Behind the Sky (featuring Tom Harrell, Luis Perdomo, Yasushi Nakamura and Rudy Royston) as well as Jon's first solo saxophone recording, Inaction is an Action."-Jon Irabagon Website (http://www.jonirabagon.com/bio/)
^ Hide Bio for Jon Irabagon
• Show Bio for Jason Stein
"Jason Stein was born in 1976 and is originally from Long Island, New York. Stein is one of the few musicians working today to focus entirely on the bass clarinet as a jazz and improvisational instrument. He studied at Bennington College with Charles Gayle and Milford Graves, and at the University of Michigan with Donald Walden and Ed Sarath. In 2005, Stein relocated to Chicago and has since recorded for such labels as Leo, Delmark, Atavistic, 482 Music and Clean Feed. Stein has performed throughout the US and Europe, including performances in festivals in Lisbon, Cracow, Utrecht, Barcelona, Debreccen and Ljubljana. He has had the opportunity to perform with a number of exciting local and international musicians including: Michael Moore, Jeff Parker, Oscar Noriega, Rudi Mahall, Ken Vandermark, Rob Mazurek, Jeb Bishop, Ingebrigt Haker-Flaten, Urs Leimgruber, Pandelis Karayorgis, Fred Lonberg-Holm, Tony Buck, Eric Boren, Kent Kessler, Tobias Delius, Michael Zerang, Michael Vatcher, Peter Brotzman, and Wilbert DeJoode."-Jason Stein Website (http://jasonsteinmusic.com/biography)
^ Hide Bio for Jason Stein
Search for other titles on the Aum Fidelity label.