The Squid's Ear Magazine

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© 2002-2017, Squidco LLC

A collection of 11 great songs by NY avant-garde jazz pianist Matthew Shipp, chosen from 10 different albums recorded between 2000 and 2012, outstanding tracks culled from more than a decade of innovative work.
 

Shipp, Matthew
Greatest Hits

Shipp, Matthew: Greatest Hits (Thirsty Ear)
Label: Thirsty Ear    
Released in: USA    


"In a perfect world this collection of 11 songs from 10 albums would be pop music classics from terrestrial radio or even Internet radio. But jazz's days as a populace art form are long gone. So leave it to jazz's A-1 provocateur Matthew Shipp to come up with a "Greatest Hits" concept in 2013. What the hell? One of the most consistently brilliant pianists of his genera- tion, Matthew Shipp's career didn't begin in 2000 with the Blue Series, but this album certainly is the summation of a journey he took by leaving New England Conservatory of Music and moving to New York City in 1984.

The songs picked were standouts in their time, singled out in reviews, played on jazz or college radio, or even based on the response Shipp got when he played them live. The singular energy Shipp brings to the piano easily matches that of a sweaty punk band, but it's more than just visceral: from reflective and melodic Pastoral Composure to beats and programming on Equilibrium, the music of Matthew Shipp is broad and open and approachable. It's all proof positive that whenever Matt Shipp touches a piano, he leaves his fingerprints on the keys."-Thirsty Ear



"Matthew Shipp was born December 7, 1960 in Wilmington, Delaware. He started piano at 5 years old with the regular piano lessons most kids have experienced. He fell in love with jazz at 12 years old. After moving to New York in 1984 he quickly became one of the leading lights in the New York jazz scene. He was a sideman in the David S. Ware quartet and also for Roscoe Mitchell's Note Factory before making the decision to concentrate on his own music.

Mr Shipp has reached the holy grail of jazz in that he possesses a unique style on his instrument that is all of his own- and he's one of the few in jazz that can say so. Mr. Shipp has recorded a lot of albums with many labels but his 2 most enduring relationships have been with two labels. In the 1990s he recorded a number of chamber jazz cds with Hatology, a group of cds that charted a new course for jazz that, to this day, the jazz world has not realized. In the 2000s Mr Shipp has been curator and director of the label Thirsty Ear's "Blue Series" and has also recorded for them. In this collection of recordings he has generated a whole body of work that is visionary, far reaching and many faceted."

-Matthew Shipp Website (http://www.matthewshipp.com/bio.html)
2/22/2017

"Roy Sinclair Campbell Jr. (September 29, 1952 - January 9, 2014) was an American trumpeter frequently linked to free jazz, although he also performed rhythm and blues and funk during his career.

Born in Los Angeles, California, in 1952, Campbell was raised in New York City. At the age of fifteen he began learning to play trumpet and soon studied at the Jazz Mobile program along with Kenny Dorham, Lee Morgan and Joe Newman. Throughout the 1960s, still unacquainted with the avant-garde movement, Campbell performed in the big bands of the Manhattan Community College. From the 1970s onwards he performed primarily within the context of free jazz, spending some of this period studying with Yusef Lateef.

In the early 1990s Campbell moved to the Netherlands and performed regularly with Klaas Hekman and Don Cherry. In addition to leading his own groups, he performed with Yo La Tengo, William Parker, Peter Brotzmann, Matthew Shipp, and other improvisors. Upon returning to the United States he began leading his group Other Dimensions In Music and also formed the Pyramid Trio, a pianoless trio formed with William Parker. He performed regularly as part of the Festival of New Trumpet Music, which is held annually in New York City.

He died in January 2014 of hypertensive atherosclerotic cardiovascular disease at the age of 61."

-Wikipedia (https://en.wikipedia.org/wiki/Roy_Campbell_Jr.)
2/22/2017

"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."

In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.

Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."

-William Parker Website (http://www.williamparker.net/)
2/22/2017

"Joe Morris was born in New Haven, Connecticut on September 13, 1955. At the age of 12 he took lessons on the trumpet for one year. He started on guitar in 1969 at the age of 14. He played his first professional gig later that year. With the exception of a few lessons he is self-taught. The influence of Jimi Hendrix and other guitarists of that period led him to concentrate on learning to play the blues. Soon thereafter his sister gave him a copy of John Coltrane's OM, which inspired him to learn about Jazz and New Music. From age 15 to 17 he attended The Unschool, a student-run alternative high school near the campus of Yale University in downtown New Haven. Taking advantage of the open learning style of the school he spent most of his time day and night playing music with other students, listening to ethnic folk, blues, jazz, and classical music on record at the public library and attending the various concerts and recitals on the Yale campus. He worked to establish his own voice on guitar in a free jazz context from the age of 17. Drawing on the influence of Coltrane, Miles Davis, Cecil Taylor,Thelonius Monk, Ornette Coleman as well as the AACM, BAG, and the many European improvisers of the '70s. Later he would draw influence from traditional West African string music, Messian, Ives, Eric Dolphy, Jimmy Lyons, Steve McCall and Fred Hopkins. After high school he performed in rock bands, rehearsed in jazz bands and played totally improvised music with friends until 1975 when he moved to Boston.

Between 1975 and 1978 he was active on the Boston creative music scene as a soloist as well as in various groups from duos to large ensembles. He composed music for his first trio in 1977. In 1980 he traveled to Europe where he performed in Belgium and Holland. When he returned to Boston he helped to organize the Boston Improvisers Group (BIG) with other musicians. Over the next few years through various configurations BIG produced two festivals and many concerts. In 1981 he formed his own record company, Riti, and recorded his first LpWraparound with a trio featuring Sebastian Steinberg on bass and Laurence Cook on drums. Riti records released four more LPs and CDs before 1991. Also in 1981 he began what would be a six year collaboration with the multi-instrumentalist Lowell Davidson, performing with him in a trio and a duo. During the next few years in Boston he performed in groups which featured among others; Billy Bang, Andrew Cyrille, Peter Kowald, Joe McPhee, Malcolm Goldstein, Samm Bennett, Lawrence "Butch" Morris and Thurman Barker. Between 1987 and 1989 he lived in New York City where he performed at the Shuttle Theater, Club Chandelier, Visiones, Inroads, Greenwich House, etc. as well as performing with his trio at the first festival Tea and Comprovisation held at the Knitting Factory.

In 1989 he returned to Boston. Between 1989 and 1993 he performed and recorded with his electric trio Sweatshop and electric quartet Racket Club. In 1994 he became the first guitarist to lead his own session in the twenty year history of Black Saint/Soulnote Records with the trio recording Symbolic Gesture. Since 1994 he has recorded for the labels ECM, Hat Hut, Leo, Incus, Okka Disc, Homestead, About Time, Knitting Factory Works, No More Records, AUM Fidelity and OmniTone and Avant. He has toured throughout the U.S., Canada and Europe as a solo and as a leader of a trio and a quartet. Since 1993 he has recorded and/or performed with among others; Matthew Shipp, William Parker, Joe and Mat Maneri, Rob Brown, Raphe Malik, Ivo Pearlman, Borah Bergman, Andrea Parkins, Whit Dickey, Ken Vandermark, DKV Trio, Karen Borca, Eugene Chadborne, Susie Ibarra, Hession/Wilkinson/Fell, Roy Campbell Jr., John Butcher, Aaly Trio, Hamid Drake, Fully Celebrated Orchestra and others.

He began playing acoustic bass in 2000 and has since performed with cellist Daniel Levin, Whit Dickey and recorded with pianist Steve Lantner.

He has lectured and conducted workshops trroughout the US and Europe. He is a former member of the faculty of Tufts University Extension College and is currently on the faculty at New England Conservatory in the jazz and improvisation department. He was nominated as Best Guitarist of the year 1998 and 2002 at the New York Jazz Awards."

-Joe Morris Website (http://www.joe-morris.com/biography.html)
2/22/2017



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Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Jazz/Improv



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Price: $11.55
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Shipping Weight: 5.00 units

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Product Information:

UPC: 700435720527

Label: Thirsty Ear
Catalog ID: THI 57205.2
Squidco Product Code: 17350

Format: CD
Condition: New
Released: 2013
Country: USA
Packaging: Jewel Tray
Recorded at different locations and on various dates between 2000 and 2012.

Personnel:

Matthew Shipp-piano, synthesizer

Roy Campbell-trumpet, pocket trumpet, flugelhorn

William Parker-bass

Gerarld Cleaver-drums

Wadada Leo Smith-trumpet

Khan Jamal-vibes

Flam-synthesizer, programming

Joe Morris-bass

Whit Dickey-drums

Michael Bisio-bass

Daniel Carter-saxophone, flute

Guillermo E. Brown-drums

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Track Listing:

1. Gesture 6:48

2. New Orbit 2:56

3. Cohesion 6:36

4. Module 4:14

5. GNG 4:34

6. New ID 6:21

7. 4D 4:17

8. Stage 10 3:14

9. Nu-Bop 6:06

10. Key Swing 3:22

11. Elastic Aspects 4:31

12. Circular Temple #1 16:01