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© 2002-2017, Squidco LLC


Cassiber: The Way It Was (Recommended Records)

A teaser for the upcoming box set, this collects previously unreleased Cassiber live and studio recordings, fusing energetic experimental rock, punk, pop, fringe jazz, improvisation and more into a radical blend of cutting-edge music.
 

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product information:


UPC: 752725031226

Label: Recommended Records
Catalog ID: ReR CCD5
Squidco Product Code: 17232

Format: CD
Condition: New
Released: 2012
Country: USA
Packaging: Jewel Tray
Recorded on various dates between 1985 and 1992 at different locations.


Personnel:

Christoph Anders-voice, guitar, sampling keyboard, tenor saxophone

Chris Cutler-drums, objects, live electronic processing

Heiner Goebbels-polyphonic keyboard, sampling keyboard, Chinese violin, guitar, voice

Dietmar Diesner-saxophone, electronic

Rene Lussier-guitar

Highlight an artist name or instrument above
and click here to Search
track listing:


1. This Was The Way It Was 3:03

2. Archways 2:26

3. A Screaming 5:01

4. Thay Have Begun To Move 2:00

5. 2:00 In The Morning 0:57

6. Todo Dia 2:55

7. It's Never Quiet 3:11

8. Six Rays 2:22

9. Prisoner Chorus 1 2:28

10. Prisoner Chorus 2 5:15

11. Oh No 2:35

12. I Was Old When I Was Young 2:08

13. Disk Not Responding 2:03

14. Gut 3:00

15. Crusoe's Landing 4:04

16. Miracolo 4:51

17. Our Colourful Culture 2:28

18. In A Room 4:41

19. Not Me 2:19




Related Categories of Interest:


Rock and Related
RIO (Rock in Opposition)
Progressive Rock
Improvised Rock
Recommended Records
Staff Picks & Recommended Items
Objects and Home-made Instruments

sample the album:








descriptions, reviews, &c.

"Cassiber (phonetically: 'a message smuggled out of prison') crashed like a locomotive into the Deutsche Neue Welle. Founded by Heiner Goebbels, Alfred Harth, Christoph Anders and Chris Cutler (his first major project after News From Babel), Cassiber managed to fuse materials and attitudes drawn from experimental rock, fringe jazz, punk, pop, plunderphonics, improvisation, close structure and musique concrete into an energetic and complex form of studio (and then concert) composition unique in its fusion of highly diverse experimental approaches to form with risky, emotional and expressive execution. This CD collects unreleased live recordings and studio sketches, sequences like a typical concert and, as luck would have it, these turn out to be great recordings that paint the best – and most devil-take-the-hindmost – picture of this extraordinary, groundbreaking band. The sound is exemplary and the music constantly thinks itself around corners. Plus you have all the complexity and serendipity of live interaction and spontaneous rearrangement - you can hear the band is having a good time, even when some of the sounds seem to come out of nowhere. The programme is radical, mixing music, dramaturgy and cultural debris with organised noise, rhythmical intensity, lyricism and semantic complexity."-Recommended Records



Read more about this item
The Squid
At The Squid's Ear!

Artist Biographies:

"Chris Cutler started messing about with banjo, guitar and trumpet at school, settling for drums and playing shadows and other instrumental covers in his first band in 1963. Subsequently he played in R'n'B and Soul Bands, winding up in 1967 playing in London's psychedelic clubs. At the start of the seventies, with Dave Stewart, he co-founded The Ottawa Music Co, a 22 piece Rock composer's orchestra, eventually joining British experimental group Henry Cow with whom he toured, recorded and worked in dance and theatre projects until it's demise in 1978. In 1977 Henry Cow, The Mike Westbrook Orchestra and Frankie Armstrong formed a big-band and toured around Europe. After Henry Cow, Cutler went on to co-found a series of mixed national groups Art Bears, News from Babel, Cassiber, The (ec) Nudes, P53 and The Science Group. He was a permanent member of American bands Pere Ubu, Hail and The Wooden Birds and now works sporadically with John Rose, Fred Frith, Zeena Parkins, Iancu Dumitrescu, Peter Blegvad and Stevan Tickmayer.

Other lasting collaborations have included Aqsak Maboul (Belgium), Lussier/Derome and Les Quatre Guitaristes (Canada), The Kalahari Surfers (Africa), Perfect Trouble (Germany), Between (Sweden), N.O.R.M.A., (Italy), Telectu (Portugal), Mieku Shimuzu (Japan),The Hyperion Ensemble (Romania), The Film Music Orchestra, 'Oh Moscow', Gong, The Work and Towering Inferno (UK), The Residents (USA), and stateless Tense Serenity and Mirror Man. There have also been countless improvisational groupings and solo performances. Recent projects include Radio pieces with Lutz Glandien and Shelly Hirsch, Live Soundtrack for Carl Dreher's Vampyr (with Italians Musci and Venosta), his Timescales project and work with David Thomas and Linda Thompson.

He also founded and runs the independent label and distribution service ReR/Recommended and, until 1991, the East European specialist label Points East. He is editor of the New Music magazine Unfiled and author of the theoretical book File Under Popular as well as of numerous articles and papers published in 14 languages. He lectures intermittently on theoretical and music related topics. He has appeared on more than 100 recordings."

-Chris Cutler Website (http://www.ccutler.com/)
6/13/2017

"René Lussier (born April 15, 1957) is a musician based in Quebec, Canada. He is a composer, guitarist, bass guitarist, percussionist, bass clarinetist, and singer. Lussier has collaborated with such figures as Fred Frith, Chris Cutler, Jean Derome and Robert M. Lepage. His work, which combines elements from all major genres, is often referred to within the discourse of New Music, or Musiques Actuelles, in French.

Born in Montreal, Lussier began his musical career in 1973 in Chambly as part of the progressive rock group Arpège. From 1976 to 1980, he was a member of the Montreal folk-progressive group Conventum, led by André Duchesne. Lussier was also a member of the groups Quatour de l'Emmieux and les Reins, Nébu and La G.U.M in the late 1970s and early 1980s. In 1986 he joined Duchesne's Les 4 Guitaristes de l'Apocalypso-Bar.

He began doing soundtrack work in 1979, via a collaboration with Duchesne on the music for a short film called Tanobe. Lussier has written or co-written the scores to more than 35 films, including Chronique d'un génocide annoncé, a documentary by Danièle Lacourse and Yvan Patry about the Rwandan genocide.

Lussier played guitar for the popular singer Pauline Julien between 1982 and 1984, though he also worked on esoteric music that blurred distinctions between progressive rock, jazz, improvisation, modern composition, and circus music. His first solo album, Fin du travail (version I), was released in 1983 and consolidated his reputation as a quirky, humorous and talented guitarist-composer. He has collaborated extensively with Derome and Lepage and has recorded as a member of the Fred Frith Guitar Quartet. Lussier is featured prominently in Step Across the Border (1990), a documentary feature film by Nicolas Humbert and Werner Penzel about the work and travels of Frith. Lussier was also a member of Frith's band Keep the Dog (1989-1991).

In 1983, Lussier co-founded the Ambiances Magnétiques record label and recording collective with Derome, Lepage and Duchesne, and produced an extensive body of work in this environment. His best known work, Le trésor de la langue (1989), was created during this period. The album interspersed music with taped recordings of Quebec residents discussing the importance of the French language. It won the Grand Prix Paul-Gilson award in 1989.

In the late 1990s, Lussier recorded two albums for solo guitar and a pair of collaborations with Martin Tétreault which reflected an interest in the history of musique concrète and electroacoustic music composition and theory."

-Wikipedia (https://en.wikipedia.org/wiki/Ren%C3%A9_Lussier)
6/13/2017

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The Cassiber Box [6 CDs, 1 DVD and Book]
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Other Recommended Releases:
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The Cassiber Box [6 CDs, 1 DVD and Book]
(Recommended Records)
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MacLean, Steve & Chris Cutler
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