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Group, The (Abdullah / Brown / Bang / Sirone / Hopkins / Cyrille): Live (NoBusiness)

A previously unreleased concert recording from 1986 of a group of leading out jazz artists (Billy Bang, Fred Hopkins, Andrew Cyrille, &c.) playing original compositions as well as a cover of Mingus' "Goodbye Pork Pie Hat".
 

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product information:


UPC: 4779022074288

Label: NoBusiness
Catalog ID: NBCD 50
Squidco Product Code: 17184

Format: CD
Condition: New
Released: 2012
Country: Lithuania
Packaging: Jewel Tray
Recorded live on September 13th, 1986 at the Jazz Center of New York.


Personnel:

Ahmed Abdullah-trumpet, flugelhorn

Marion Brown-alto saxophone

Billy Bang-violin

Sirone-bass

Fred Hopkins-bass

Andrew Cyrille-drums

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Joann's Green Satin Dress 8:41

2. Goodbye Pork Pie Hat 18:21

3. La Placita 18:27

4. Shift Below 6:00

5. Amapondo 25:16
Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Jazz/Improv
Staff Picks & Recommended Items
Top 40 for 2013
Sextet Recordings
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descriptions, reviews, &c.

"Part of the magic of jazz in New York City is groups of musicians coming together for brief engagements and then moving off into other groups and configurations, leaving fond memories but little recorded evidence of their existence. The Group was a very talented amalgam of musicians, veterans of the free jazz and loft scenes: Ahmed Abdullah on trumpet and flugelhorn, Marion Brown on alto saxophone, Billy Bang on violin, Sirone and Fred Hopkins on bass and Andrew Cyrille on drums. This previously unissued concert was recorded at the Jazz Center of New York in September 1986. The musicians stretch out on long performances of originals and a fascinating cover of Charles Mingus's "Goodbye Pork Pie Hat." "Joann's Green Satin Dress" opens the concert will a well played medium-uptempo free-bop performance, the music is exciting and serious, but quite accessible. The Mingus composition is taken apart at length, and it takes a lot of stamina and patience to play at a slower pace for extended period of time, but the song works really well as each member of the band touches on the melody and makes it their own. "La Placita" has a jaunty Latin or Caribbean vibe to it, reinforced by Marion Brown's wonderful opening solo, seemingly adrift on currents of air, backed by hand percussion and drums. Over twenty-five minutes in length, "Amanpondo" takes the music even further out, playing free but with a great degree of lyrical content. The musicians are very comfortable with each other and this brings out the joy in the music."-Tim Niland, Music and More

Also available on Vinyl LP.

Artist Biographies:

"Ahmed Abdullah (born Leroy Bland; May 10, 1947) is a jazz trumpeter who was a prominent member of Sun Ra's band.

Leroy Bland began performing at age 13 in his native New York City. By the 1970s he was performing in New York's loft scene, and joined the Sun Ra Arkestra in 1976, working there on and off until 1993, when Sun Ra died. During that time Abdullah participated in more than 25 recordings and traveled extensively with Sun Ra. He has performed with Chico Freeman, Charles Brackeen, Steve Reid, John Hicks and Marion Brown, among others. He led his own "Solomonic Quintet" and recorded for Silkheart and Cadence Jazz."

-Wikipedia (https://en.wikipedia.org/wiki/Ahmed_Abdullah)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Marion Brown (September 8, 1931 - October 18, 2010) was an American jazz alto saxophonist and ethnomusicologist. He is most well known as a member of the 1960s avant-garde jazz scene in New York City, playing alongside musicians such as John Coltrane, Archie Shepp, and John Tchicai. He performed on Coltrane's landmark 1965 album Ascension.

Brown was born in Atlanta, in 1931. He joined the Army in 1953 and in 1956 went to Clark College to study music. In 1960 Brown left Atlanta and studied pre-law at Howard University for two years. He moved in 1962 to New York, where he befriended poet Amiri Baraka and musicians including Ornette Coleman, Archie Shepp, Sun Ra, Pharoah Sanders, Paul Bley, Clifford Thornton, and Rashied Ali. He appeared on several important albums from this period, such as Shepp's Fire Music and Attica Blues, but most notably John Coltrane's Ascension.

In 1967, Brown travelled to Paris, where he developed an interest in architecture, Impressionistic art, African music and the music of Erik Satie. In the late 1960s, he was an American Fellow in Music Composition and Performance at the Cité Internationale des Arts in Paris. Around 1970, he provided the soundtrack for Marcel Camus' film Le temps fou, a soundtrack featuring Steve McCall, Barre Phillips, Ambrose Jackson and Gunter Hampel.

Brown returned to the US in 1970, where he felt a newfound sense of creative drive. He moved to New Haven, Connecticut, to serve as a resource teacher in a child study center in the city's public school system until 1971. He composed and performed incidental music for a Georg Büchner play, Woyzeck. In 1971, Brown was an assistant professor of music at Bowdoin College in Brunswick, Maine, a position he held until he attained his Bachelor's degree in 1974. In addition to this role, he held faculty positions at Brandeis University (1971-74), Colby College (1973-74), and Amherst College (1974-75), as well as a graduate assistant position at Wesleyan University (1974-76). Brown earned a Master's degree in ethnomusicology from Wesleyan in 1976. His master's thesis was entitled "Faces and Places: The Music and Travels of a Contemporary Jazz Musician".

Throughout his tenure as an educator, Brown continued to compose, perform and record. Notable recordings during this period included Afternoon of a Georgia Faun for the ECM label in 1970 and three albums for the Impulse! label between 1973 and 1975. He played alto saxophone on the composition "Bismillahi 'Rrahman 'Rrahim" from Harold Budd's 1976 release The Pavilion of Dreams, a piece originally written by Budd for Brown's Vista LP, released the previous year.

In 1972 and 1976, Brown received grants from the National Endowment for the Arts, which he used to compose and publish several pieces for solo piano, one of which was based on the poetry of Jean Toomer in his book Cane. He also transcribed some piano and organ music by Erik Satie including his Messe des pauvres and Pages mysterieuses, and arranged the composer's Le Fils des étoiles for two guitars and violin.

In 1981, Brown began focusing on drawing and painting. His charcoal portrait of blues guitarist Blind Lemon Jefferson was included in a New York City Kenkeleba Gallery art show called Jus' Jass, which also included works by artists such as Romare Bearden, Charles Searles and Joe Overstreet.

By the 2000s, Brown had fallen ill; due to a series of surgeries and a partial leg amputation, Brown resided for a time in a nursing home in New York. By 2005 he had moved to an assisted living facility in Hollywood, Florida, where he died in 2010, aged 79."

-Wikipedia (https://en.wikipedia.org/wiki/Marion_Brown)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Billy Bang (September 20, 1947 April 11, 2011), born William Vincent Walker, was an American free jazz violinist and composer.

Bang's family moved to New York City's Bronx neighborhood while he was still an infant, and as a child he attended a special school for musicians in nearby Harlem. At that school, students were assigned instruments based on their physical size. Bang was fairly small, so he received a violin instead of either of his first choices, the saxophone or the drums. It was around this time that he acquired the nickname of "Billy Bang", derived from a popular cartoon character.

Bang studied the violin until he earned a hardship scholarship to the Stockbridge School in Stockbridge, Massachusetts, at which point he abandoned the instrument because the school did not have a music program. He had difficulty adjusting to life at the school, where he encountered racism and developed confusion about his identity, which he later blamed for his onset of schizophrenia. Bang felt that he had little in common with the largely privileged children at the school, who included Jackie Robinson, Jr. (son of baseball star Jackie Robinson) and Arlo Guthrie, and he struggled to reconcile the disparity between the wealth of the school and the poverty of his home in New York. He left the school after two years and attended a school in the Bronx. He did not graduate, decided not to return to school after receiving his draft papers, and at the age of 18, he was drafted into the United States Army.

Bang spent six months in basic training and another two weeks learning jungle warfare, arriving in Vietnam just in time for the Tet Offensive. Starting out as an infantryman, he did one tour of combat duty, rising to the rank of sergeant before he mustered out.

After Bang returned from the war, his life lacked direction. The job he had held before the army had been filled in his absence. He pursued and then abandoned a law degree, before becoming politically active and falling in with an underground group of revolutionaries. The group recognized Bang's knowledge of weapons from his time in the Army, and they used him to procure firearms for the group during trips to Maryland and Virginia, buying from pawnshops and other small operators who did not conduct extensive background checks. During one of these trips, Bang spotted three violins hanging at the back of a pawnshop, and he impulsively purchased one.

He later joined Sun Ra's band. In 1977, Bang co-founded the String Trio of New York (with guitarist James Emery and double bassist John Lindberg). Billy Bang explored his experience in Vietnam in two albums: Vietnam: The Aftermath (2001) and Vietnam: Reflections (2005), recorded with a band which included several other veterans of that war. The latter album also features two Vietnamese musicians based in the United States (voice and n tranh zither).

Bang died on April 11, 2011. According to an associate, Bang had suffered from lung cancer. He had been scheduled to perform on the opening day of the Xerox Rochester International Jazz Festival on June 10, 2011. He is buried at Woodlawn Cemetery, Bronx, New York."

-Wikipedia (https://en.wikipedia.org/wiki/Billy_Bang)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Andrew Charles Cyrille (born November 10, 1939) is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others.

Cyrille was born on November 10, 1939, in Brooklyn, New York into a Haitian family. He began studying science at St. John's University, but was already playing jazz in the evenings and switched his studies to the Juilliard School. His first drum teachers were fellow Brooklyn-based drummers Willie Jones and Lenny McBrowne; through them, Cyrille met Max Roach. Nonetheless, Cyrille became a disciple of Philly Joe Jones, who in some performances such as Time Waits used Cyrille's drum kit.

His first professional engagement was as an accompanist of singer Nellie Lutcher, and he had an early recording session with Coleman Hawkins. Trumpeter Ted Curson introduced him to pianist Cecil Taylor when Cyrille was 18.

He joined the Cecil Taylor unit in 1964, and stayed for about 10 years, eventually performing drum duos with Milford Graves. In addition to recording as a bandleader, he has recorded and/or performed with musicians such as David Murray, Irène Schweizer, Marilyn Crispell, Carla Bley, Butch Morris and Reggie Workman among others. Cyrille is currently a member of the group, Trio 3, with Oliver Lake and Reggie Workman."

-Wikipedia (https://en.wikipedia.org/wiki/Andrew_Cyrille)
9/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

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