John Zorn brings together two of his most admired groups, Bar Kokhba and The Dreamers, for an album of beautiful, melodic, exuberant and dynamic improvisation performed by a masterful set of players including Joey Baron, Trevor Dunn, John Medeski, &c.
Released in: USA
"Combining the sound of two of Zorn's most popular and beloved groups, Bar Kokhba and The Dreamers, The Concealed is a sonic journey filled with surprise, elation and mystery. The latest volume in Zorn's continuing series of 21st century mystical works features the dynamic quartet Nova Express augmented by the brilliant string masters Erik Friedlander and Mark Feldman creating a remarkable allstar sextet that combines and recombines into a variety of powerful small chamber ensembles. With arrangements ranging from solo pieces to trios, quartets and of course the lush exotic sound of the full sextet, the music is lyrical, enigmatic and stunningly beautiful. Referencing various esoteric traditions out of the East, this is a CD for relaxed listening and contemplation."-Tzadik
• Show Bio for Mark Feldman
"Mark Feldman (born 1955 in Chicago) is an American jazz violinist. Feldman worked in Chicago from 1973-1980, in Nashville, Tennessee from 1980-1986, in New York City and Western Europe from 1986. He has performed with John Zorn, John Abercrombie, The Masada String Trio, Dave Douglas, Uri Caine, and Billy Hart.
He was a member of the Civic Orchestra of Chicago and played in many bar bands in Chicago. He played on over 200 recordings in Nashville as a studio musician, was a member of the Nashville Symphony, and was a member of the touring groups of country western entertainers Loretta Lynn and Ray Price.
In 2003 he was soloist with Netherlands Radio Philharmonic Orchestra in Guus Janssen's Violin Concerto and with the WDR Jazz Orchestra in Concerto for Violin and Jazz Orchestra by Bill Dobbins. At New York's Lincoln Center he performed in duo with pianists Paul Bley and Muhal Richard Abrams.
He has recorded with Michael Brecker, Lee Konitz, Joe Lovano, and Chris Potter and has played on over 100 recordings in New York City as a soloist in contemporary music and modern jazz.
Feldman has released several albums, including Music for Violin Alone (Tzadik, 1995); Book of Tells (Enja, 2000); What Exit (ECM, 2006 with British pianist John Taylor; To Fly to Steal (Intakt, 2010) with bassist Thomas Morgan and drummer Gerry Hemingway; and Oblivia (Tzadik, 2010) with his wife, Swiss pianist Sylvie Courvoisier. In September 2012, he and violinist Jean-Luc Ponty produced the debut album of Scott Tixier. Feldman wrote the liner notes."-Mark Feldman Website (https://en.wikipedia.org/wiki/Mark_Feldman)
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• Show Bio for John Medeski
"Anthony John Medeski (born June 28, 1965) is an American jazz keyboards player and composer. Medeski is a veteran of New York's 1990s avant-garde jazz scene and is known popularly as a member of Medeski Martin & Wood. He plays the acoustic piano and an eclectic array of keyboards, including the Hammond B3 organ, melodica, mellotron, clavinet, ARP String Ensemble, Wurlitzer electric piano, Moog Voyager Synthesizer, Wurlitzer 7300 Combo Organ, Vox Continental Baroque organ, and Yamaha CS-1 Synthesizer (a "kids' toy"), among others. When playing acoustic piano, Medeski usually plays the Steinway piano and is listed as a Steinway Artist.
Medeski was born in Louisville, Kentucky, and grew up in Florida. After studying piano as a child (starting when he was five years old), he began as a teenager to perform with musicians such as Mark Murphy and Jaco Pastorius. He attended Pine Crest School. In 1983, after graduating from high school, he began studying piano at the New England Conservatory in Boston, where he performed as a sideman with Dewey Redman, Billy Higgins, Bob Mintzer, Alan Dawson and Mr. Jellybelly. Medeski attributes his early interest in playing improvised music and jazz to listening to Oscar Peterson."-Wikipedia (https://en.wikipedia.org/wiki/John_Medeski)
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• Show Bio for John Zorn
"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".
Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.
Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.
Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "-Wikipedia (https://en.wikipedia.org/wiki/John_Zorn)
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NY Downtown & Jazz/Improv
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