Phantom Orchard, the duo of Zeena Parkins and Ikue Mori, is expanded with 5 performers representing some of the most exciting women in modern creative experimental music, releasing a surprising, riveting, and amazing album.
Catalog ID: TZA-CD-7728
Squidco Product Code: 17147
Packaging: Jewel Tray
Recorded live by Wolfgang Bachner/New Jazz Meeting 2008 at Tollhaus, Karlsruhe on November 28th (Tracks 2 and 3); Track 6 was recorded in Gare Du Nord, Basel on November 29th; Tracks 1, 4, 5, 7, and 8 were recorded in Frankfurter Hof, Mainz on November 30th.
Zeena Parkins-electric harp, acoustic harp
Maja Solveig Kjelstrup Ratkje-voice, electronics
Hild Sofie Tafjord-french horn, electronics
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1. Over The Gap 9:28
2. Red Blue And Green 10:22
3. Sun Metal 6:43
4. Face 11:19
5. Inner Reflection 4:14
6. House For 7 4:05
7. Laughter In The Dark 6:42
8. Trap 5:49
Related Categories of Interest:
NY Downtown & Jazz/Improv
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sample the album:
"Members of bands as diverse as DNA, Skeleton Crew, Electric Masada, Hemophiliac and Björk, Zeena and Ikue have been leading figures of the downtown scene since the early 1980s. Their fabulous duo project Phantom Orchard is expanded here with five of the most exciting and creative women working in experimental music today. Created in 2008 for a project organized by the SWR radio in Baden Baden, the music has plenty of mystery, an exotic beauty and an orchestral sweep. This is experimental music at its very best."-Tzadik
• Show Bio for Ikue Mori
"Ikue Mori moved from her native city of Tokyo to New York in 1977. She started playing drums and soon formed the seminal NO WAVE band DNA, with fellow noise pioneers Arto Lindsay and Tim Wright. DNA enjoyed legendary cult status, while creating a new brand of radical rhythms and dissonant sounds; forever altering the face of rock music.
In the mid 80's Ikue started in employ drum machines in the unlikely context of improvised music. While limited to the standard technology provided by the drum machine, she has never the less forged her own highly sensitive signature style. Through out in 90's She has subsequently collaborated with numerous improvisors throughout the US, Europe, and Asia, while continuing to produce and record her own music. 1998, She was invited to perform with Ensemble Modern as the soloist along with Zeena Parkins, and composer Fred Frith, also "One hundred Aspects of the Moon" commissioned by Roulette/Mary Flagler Cary Charitable Trust. Ikue won the Distinctive Award for Prix Ars Electronics Digital Music category in 99.
In 2000 Ikue started using the laptop computer to expand on her already signature sound, thus broadening her scope of musical expression. 2000 commissioned by the KITCHEN ensemble, wrote and premired the piece "Aphorism" also awarded Civitella Ranieri Foundation Fellowship. 2003 commissioned by RELACHE Ensemble to write a piece for film In the Street and premired in Philadelphia. Started working with visual played by the music since 2004. In 2005 Awarded Alphert/Ucross Residency.
Ikue received a grant from the Foundation for Contemporary Arts in 2006. In 2007 the Tate Modern commissioned Ikue to create a live sound track for screenings of Maya Deren's silent films. In 2008 Ikue celebrated her 30th year in NY and performed at the Japan Society. Recent commissioners include the Montalvo Arts Center and SWR German radio program and Shajah Art foundation in UAE. Current working groups include MEPHISTA with Sylvie Courvoisier and Susie Ibarra, PHANTOM ORCHARD with Zeena Parkins, project with Koichi Makigami and various ensembles of John Zorn. New duo Twindrums project with YoshimiO workshop/lecture in various schools include University of Gothenburg, Dartmouth Collage, New England Conservatory, Mills Collage, Stanford University, The School of the Art Institute of Chicago"-Ikue Mori Website (http://www.ikuemori.com/bio.html)
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