Paul Giallorenzo's touring band with Jeb Bishop (trombone), Mars Williams (sax), Anton Hatwich (bass) and Marc Riordan (drums), exceptional bop-based modern music from an excellent Chicago composer and pianist.
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Catalog ID: LEO 641
Squidco Product Code: 17142
Country: Great Britain
Packaging: Jewel Case
Recorded on September 3rd, 2010, at Strobe Studio in Chicago, Illinois, by Nick Broste.
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1. On Your Marks 6:05
2. Want It 6:25
3. Slowed Roll 5:04
4. Spatialist (For Fred Anderson) 10:40
5. Obelaskism 8:25
6. Imprograf 8:30
7. The Swinger 3:21
8. Spring Chicken 4:43
Related Categories of Interest:
Chicago Jazz & Improvisation
Melodic and Lyrical Jazz
sample the album:
"Bounce. The opening cut, "On Your Marks", just bounces. Those early Cecil Taylor records, they just bounce. When you combine personal vision with a thorough understanding of tradition, this is the kind of thing you get: sideways stabs at recognizable intervals here, chin nods toward past piquant melodic leaps there. The eight tunes here are originals, yah. But jazz originals are different than other kinds of originals: they have legs. Legs that bend at the knee to stretch not strain the rhythmic backbone".-Andrew Choate
• Show Bio for Paul Giallorenzo
"Orginally from Long Island NY, Paul Giallorenzo is a Chicago-based improviser, composer, and producer using piano, synthesizer, keyboards, and electronics in a wide variety of groups and contexts, ranging from jazz and improvised music to electro-acoustic / noise to sound and video performance. Performing throughout the midwest, eastern US, Canada, Europe, Brazil. Has appeared at the Chicago Jazz Festival, WNUR Chicago Sounds Jazzfest, Glad Cloud Festival of Ambient Music at the Whistler, and a 2008 artist residency in Luzern, Switzerland.
Presenter, organizer, co-founder of the music venue/art gallery Elastic, producing hundreds of creative music concerts and events in Chicago since 2001."-Paul Giallorenzo Website (http://paulgiallorenzo.com/bio.html)
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• Show Bio for Jeb Bishop
"Jeb Bishop was born in Raleigh, North Carolina during the Cuban missile crisis. He began playing the trombone at the age of 10, under the tutelage of Cora Grasser. Other influential teachers during junior high and high school included Jeanne Nelson, Eric Carlson, Richard Fecteau, Greg Cox, and James Cozart.
He majored in classical trombone performance at Northwestern University from 1980-82, studying with Frank Crisafulli. Deciding he did not want to pursue a career as an orchestral musician, he returned to Raleigh in 1982 and took up engineering studies at NC State University. Raleigh's developing underground rock scene attracted him, and from 1982-84 he played bass guitar in rock bands in the Raleigh area.
At the same time, he developed an interest in philosophy, eventually majoring in the subject, and spent 1984-85 studying philosophy at the Higher Institute of Philosophy of the Catholic University of Louvain, Belgium.
Returing to Raleigh in 1985, he spent the next few years working at menial jobs and playing guitar, bass, cheap keyboards, drums, etc., in rock bands including and/or, the Angels of Epistemology, Egg, and Metal Pitcher.
In 1989 he left Raleigh to pursue graduate studies in philosophy, first at the University of Arizona, then at Loyola University of Chicago (where he was awarded the Crown Fellowship in the Humanities). During 1991-92 he returned to Europe, spending the summer of 1991 studying German at the Goethe-Institut Iserlohn (now closed), and then pursuing independent studies in philosophy at the French-language division of the University of Louvain.
Returning to Chicago in 1992, he completed his M.A. at Loyola in 1993. By this time he had already begun to make connections with improvising musicians in Chicago, having joined the Flying Luttenbachers as bassist (later adding trombone) in late 1992, and playing guitar occasionally in a quartet with Weasel Walter, Ken Vandermark, and Kevin Drumm. Other bands during this period included the Unheard Music Quartet (with Vandermark, Mike Hagedorn on trombone, and Otto Huber on drums) and the Rev Trio (with Walter and saxophonist Joe Vajarsky). Bishop played electric bass in both these bands.
In late 1995, Bishop joined the Vandermark 5 as one of its founding members, and remained with the band through the end of 2004. During this period he also became associated with many other groups, including the Peter Brötzmann Chicago Tentet, School Days, Ken Vandermark's Territory Band, and his own Jeb Bishop Trio, and became a very frequent participant in ad hoc and free-improvised concerts in Chicago. Bishop performed in the inaugural concerts of two of the longest-running free-music concert series in Chicago: the Myopic Books weekly concerts (originally at Czar Bar; with Rev Trio) and the Empty Bottle Wednesday night concert series (with a quartet of Terri Kapsalis, Kevin Drumm, and Jim O'Rourke). He curated the monthly Chicago Improvisers Group concerts at the Green Mill from 1999-2002, and co-curated the weekly Eight Million Heroes concert series at Sylvie's in 2005-6.
Bishop has made dozens of recordings with many different groups, has toured North America and Europe many times, and maintains a busy performing schedule."-Jeb Bishop Website (http://www.jebbishop.com/jebbio.html)
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• Show Bio for Mars Williams
"Mars Williams is an open-minded musician, composer and educator who commutes easily between free jazz, funk, hip-hop and rock, Mars has played and recorded with The Psychedelic Furs, Billy Idol, Massacre, Fred Frith, Bill Laswell, Ministry, Power Station, Die Warzau, The Waitresses, Kiki Dee, Pete Cosey, Billy Squier, DJ Logic, Wayne Kramer, John Scoffield, Charlie Hunter, Kurt Elling, Swollen Monkeys, Mike Clark, Jerry Garcia, Naked Raygun, Friendly Fires, The Untouchables, Blow Monkeys and virtually every leading figure of Chicago's and New York City's "downtown" scene.
John Zorn credits Mars as "one of the true saxophone players--someone who takes pleasure in the sheer act of blowing the horn. This tremendous enthusiasm is an essential part of his sound, and it comes through each note every time he plays. Whatever the situation, Mars plays exciting music. In many ways he has succeeded in redefining what versatility means to the modern saxophone player."
In 2001 Mars received a Grammy Nomination for Best Contemporary Jazz Record with his group Liquid Soul.
Despite his busy touring schedule with Liquid Soul and The Psychedelic Furs, Mars manages to stay active on the Chicago underground improvising scene. In recent years he has toured and recorded with the Peter Brötzmann Tentet, Switchback, Full Blast, Scorch Trio, the Vandermark 5, Boneshaker, Chicago Reed Quartet and Cinghiale, teaming him with such musicians as Ken Vandermark, Hamid Drake, Michael Zerang, William Parker, Ikue Mori, Kent Kessler, Fredric Lonberg Holm, Peter Brotzmann, Joe McPhee, Paal Nilssen-Love, Ab Baars, Mike Reed, Jeb Bishop, Harrison Bankhead, Dave Rempis, Kidd Jordan and Matts Gustafson.
He performs weekly in Chicago along with Jim Baker, Steve Hunt, and Brian Sandstrom in the improvising quartet "Extraordinary Popular Delusions". As a bandleader, he continues to perform and record CDs with his own free-jazz groups, the NRG Ensemble, Witches & Devils, Slam, XmarsX, Mars Trio, Boneshaker and The Soul Sonic Sirkus which features improvising musicians and aerial circus performers. Along with Die Warsau's Van Christie, Mars has started Ratking Music, a production company focusing on music for film and television.
In addition to performing and creating music, Mars has been an educator in the field of woodwinds and jazz improvisation for over thirty years. Mars held the position of Woodwind Instructor at Bard College for two years. In the last few years Mars has presented Master classes and clinics to a number of private and public institutions including, the University of Massachusetts, Amherst, the University of Chicago, Roosevelt University (Chicago, IL), and June Collins Smith Museum of Fine Art (Auburn, AL)."-Mars Williams Website (http://www.marswilliams.com/about/)
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• Show Bio for Anton Hatwich
"Bassist, composer, and improviser Anton Hatwich has lived in Chicago since 2003. He was born and raised in Rockford, IL, growing up in a musical family. Anton moved to Iowa City, IA in 1995 and lived there until 2002, earning a Bachelor of Music degree from the University of Iowa. After graduation Hatwich taught for two years as Visiting Artist in Music at Cornell College in Mt. Vernon, IA. At the UI he studied bass with Dr. Diana Gannett, jazz and improvisation with John Rapson, and also gained valuable experience playing with the school's renown Center for New Music, under the direction of David Gompper. Outside of class, Anton was active in the local music scene. Of particular lasting importance was his work with clarinettist, saxophonist, and composer Robert Paredes, with whom Anton took first steps in the world of free improvisation.
In late 2002 Hatwich started spending large amounts of time amongst Chicago's improvised music community, hanging out all night with his new friends at concerts and bars, and crashing on his brother's couch. One thing led to another, and by spring of 2003 he was playing so much in Chicago that it made sense to move there. Since that time he has played in endlessly varied groups of (mostly) improvising musicians, with some combinations sticking around longer than others. A partial list of his collaborators includes Frank Rosaly, Keefe Jackson, Aram Shelton, Nick Mazzarella, Russ Johnson, Tim Daisy, Jason Stein, Fred Lonberg-Holm, Josh Berman, and Paul Giallorenzo. With the bands that lasted, Anton has recorded a number of critically acclaimed albums and toured nationally and internationally. He has appeared at a handful of the major jazz festivals, including the Chicago Jazz Festival, the Monterey Jazz Festival, the Ring Ring Festival in Belgrade, the Umbrella Festival, and the Ulrichsberger Kaleidophon Festival in Austria."-Anton Hatwich Website (http://www.antonhatwich.com/about-1/)
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