An album of electro-acoustic compositions written for and recorded by New York City music ensembles and performers: MIVOS Quartet; Wet Ink Ensemble; Timetable Percussion; Jessie Marino.
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Label: Carrier Records
Catalog ID: 016
Squidco Product Code: 17104
Recorded on various dates between 2006 and 2012.
Sam Pluta-electronics, composer
Ian Antonio-percussion soloist
Matthew Gold-percussion, balloon, paper, snare drum, electronics
Eileen Mack-bass clarinet
Alex Mincek-bass clarinet
Matt Wart-conductor, electric fans, woodblocks
Olivia De Prato-violin
Meighan Stoops-bass clarinet
Matt Hough-electric guitar
Alex Lipowski-flexatone, woodblocks
Jessie Marino-amplified cello, distorted cello
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1. Machine Language 11:35
2. Lyra 16:44
3. Standing Waves 11:24
4. Matrices 9:43
5. 7:6 9:59
Related Categories of Interest:
NY Downtown & Jazz/Improv
Percussion & Drums
NY Downtown & Jazz/Improv
sample the album:
"Known internationally for his improvised laptop performances with groups like The Peter Evans Quintet and Rocket Science (with Evan Parker, Craig Taborn, and Peter Evans), composer/improviser Sam Pluta continues his virtuosic combination of instruments and electronics on Machine Language, an album of electro-acoustic compositions written for and recorded by some of the finest new music ensembles and performers in New York City. From the driving rhythms of the opening title track to meditative resonances of Lyra to the microtonal screams of 7:6, this unrelenting and sonically saturated solo debut reveals the unique compositional language of one of the most compelling electronics performers of his generation. Machine Language follows up Pluta's March 2011 release, sum and difference, a collaborative improvised album with instrumentalists Jim Altieri and Peter Evans."-Carrier
At The Squid's Ear!
• Show Bio for Sam Pluta
"Sam Pluta is a New York City-based composer, laptop improviser, electronics performer, and sound artist. Though his work has a wide breadth, his central focus is on the laptop as a performance instrument capable of sharing the stage with groups ranging from new music ensembles to world-class instrumental improvisers. By creating unique interactions of electronics, instruments, and sonic spaces, Pluta's vibrant musical universe fuses the traditionally separate sound worlds of acoustic instruments and electronics, creating sonic spaces which envelop the audience and resulting in a music focused on visceral interaction of instrumental performers with reactive computerized sound worlds. As a composer of instrumental music, Sam has written works for Wet Ink Ensemble, International Contemporary Ensemble, Yarn/Wire, Timetable Percussion, Mivos Quartet, RIOT Trio, Ensemble Dal Niente, Jessie Marino, Mantra Percussion, TAK, Dave Eggar, and Prism Saxophone Quartet. His compositions range from solo instrumental works to pieces for ensemble with electronics to compositions for large ensemble and orchestra. In addition to acoustic and electro-acoustic works, Pluta has written extensive solo electronic repertoire ranging from multi-channel acousmatic compositions to solo laptop works with video to laptop ensemble compositions for up to 15 players.
As an improviser, Sam has collaborated with some of the finest creative musicians in the world, including Peter Evans, Evan Parker, Ikue Mori, Craig Taborn, Jim Black, Anne La Berge, and George Lewis. Sam is a member of multiple improvisation-based ensembles, the jazz influenced Peter Evans Quintet, the free improvisation-based Rocket Science (with Evan Parker, Craig Taborn and Peter Evans), the analog synth and laptop duo exclusiveOr (with Jeff Snyder), his longstanding duo with Peter Evans, and the New York City-based power group Sonic Overload (with Jim Altieri, Dan Peck, Tom Blancarte, Peter Evans, and Jeff Snyder). Sam has also performed with the Evan Parker Electro-Acoustic Ensemble. With these various groups he has toured Europe and America and performed at major festivals and venues, such as the Lucerne Festival in Switzerland, the Moers and Donaueshingen Festivals in Germany, Bimhuis in Amsterdam, and The Vortex in London. Sam is the Technical Director for the Wet Ink Ensemble, a group for whom he is a member composer as well as principal electronics performer. As a performer of chamber music with Wet Ink and other groups, in addition to his own works, Sam has performed and premiered works by Peter Ablinger, Karlheinz Stockhausen, Katharina Rosenberger, George Lewis, Ben Hackbarth, Alvin Lucier, Chiyoko Szlavnics, Alex Mincek, Kate Soper, and Eric Wubbels among others.
Dr Pluta studied composition and electronic music at Columbia University, where he received his DMA in 2012. He received Masters degrees from the University of Birmingham in the UK and the University of Texas at Austin, and completed his undergraduate work at Santa Clara University. His principal teachers include George Lewis, Brad Garton, Tristan Murail, Fabien Levy, Scott Wilson, Jonty Harrison, Russell Pinkston, Lynn Shurtleff, and Bruce Pennycook. A dedicated pedagogue, Sam teaches Composing with Sound and Technology and Improvisation at Bennington College. From 2011-15 he directed the Electronic Music Studio at Manhattan School of Music, and has taught Music Humanities and The History of Sound Art at Columbia University. For the past 15 years he has taught composition, musicianship, electronic music, and an assortment of specialty courses at the Walden School, where he also serves as Director of Electronic Music and Academic Dean."-Sam Pluta Website (http://www.sampluta.com/)
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