Since meeting in Beirut at the 2006 Irtijal Festival, the duo of trumpeter Axel Dorner and electronic artist Jassem Hindi have regularly performed their electroacoustic music using their equipment and instruments in unusual ways.
Shipping Weight: 16.00 units
Quantity in Basket: None
Log In to use our Wish List
Clear vinyl in 3-page gatefold cover.
Catalog ID: core 004
Squidco Product Code: 17075
Condition: Sale (New)
Packaging: Vinyl LP
Track A recorded on October 6th, 2011 at EMS Stockholm. Track B recorded on June 11th, 2011 at -able Gallery, Berlin.
Jassem Hindi-diverted machines, amplified broken objects, contact mics, no-fi field recordings, no input mixing board, feedback, tape
Axel Dorner-trumpet, electronics
Highlight an artist name or instrument above
and click here to Search
A. Caol 19:17
B. Able 19:20
European Improv, Free Jazz & Related
lowercase, micro-improv, sound improv
Objects and Home-made Instruments
sample the album:
"After meeting for the first time in Beirut during the Irtijal Festival 2006, Axel Dörner and Jassem Hindi had their first musical collaborationin Switzerland two years later in 2008. From that time on they have regularly performed as a duo on different occasions.The music of the duo is electroacoustic music with trumpet and electronics, both musicians using their musical equipment and systems in an unusual way, developing their own techniques of sound creation.They are interested in exploring different possibilities of combinations of all musical parameters in a new way, so that the shape of their music can, for example, lead into unstable electric fields, frozen soundcolumns, and unexpected cuts in a surprising order. Both musicians try to push a sound texture or a series of sounds to their threshold and to drive those sound materials to where they show they're constraints, saturation, inner necessity and physical laws. These are shown to matter as much as parts of a musical gesture.
The recordings for their album waterkil were made during a three week residency at EMS in Stockholm and during a live show at -able gallery in Berlin. Audible snapshots of a river course, maybe a kind of freaked out Smetana "The Moldau River" transform itself into liquid oil paint on a defibrated canvas of a landscape painting, the surface scratched by a rusty palette knife. From reductionistic hisses and crackles the range goes to distorted family-life field recordings and confronts these elements with a noisy and voluminous climax of electronic drone layers. The miniatures are frequently interrupted by parts of silence, giving the whole piece a very dynamic structure.
Axel Dörner plays a so-called "firebird" trumpet which is extended with a mixingboard, microphones and an interface constructed by Sukandar Katardinata. With this equipment he is generating electro-acoustic music defined through his own extended-technique trumpet sounds, feedback and a special self-developed kind of live-sampling of his trumpet.
The lavish three page gatefold cover is based on drawings by Matthias Reinhold. The outer side shows a panoramic pencil drawing of something that could be a river looming through an entanglement of spiny rank growth. Inside is a agglomerate of small particels, each one a kind of a representative of the miniatures audible on the crystal clear Vinyl. Like undecipherable magic characters or unknown species of insects dispersed on the cardboard and specifically invented by Matthias Reinhold for the record."-Corvo Records
"Dörner and Hindi often treat the boundary between sound and silence as some sort of treacherous tightrope. Waterkil is sometimes no more than a wispy exhalation of air hissing lightly into one corner of the soundscape; sometimes no more than a speck of static scuttling around an empty room, or a shrill line of feedback shooting upwards in a solitary jet. The listener is beckoned into the quiet - encouraged to creep into the absence and perceive the sound close up, intimately observing the audio teeter and waver off balance, flickering out of existence and back in again. The tension is agonising and delightful. The duo push against each other and against themselves, straining to make a sound, and straining to make as little sound as possible. But this is only one aspect of Waterkil.
The record can be openly loud and abrasive too: wails of trumpet, brisk zips of tape player, reverb howls and boisterous overheard conversations jostle for space in a soundscape that relished its own emptiness mere seconds before, marking the points at which Dörner and Hindi relax into more fluid and open periods of collaboration. The duo explore their full velocity spectrum on the second side, in which molecules of interference ricocheting off of silence gather themselves into stormy balls of harsh noise and distortion, tumbling towards peaks of volume and intensity. This is then of course juxtaposed swiftly by a return to excruciating quiet - soft scrapes of metal, the gasps of trumpet breath - proving that both players are capable of tightening the reins as quickly as they slacken."-Jack Chuter, ATTN:Magazine
Clear vinyl in 3-page gatefold cover.
• Show Bio for Axel Dorner
"Axel Dörner (born 26 April 1964 in Cologne, Germany) is a German jazz musician (trumpet and piano) and composer.
Dörner studied piano in the Dutch town Arnhem (1988-89) and at the Music Academy in Cologne (1989-1996). From 1991 he studied trumpet with Malte Burba, and during his studies he collaborated with trumpeter Bruno Light in the "The Street Fighters Duo". At this time he also joined the ensembles "The Street Fighters Quartet" and "The Street Fighters Double Quartet" together with Matthias Schubert, Bruno Leicht, and Claudio Puntin. In addition the "Axel Dörner Quartet" was initiated (with Frank Gratkowski, Hans Schneider and Martin Blume). With saxophonist Matthias Petzold. he participated on the albums Lifelines and Psalmen Und Lobgesänge.
Dörner has resided in Berlin since 1994, and occurs in the most diverse settings like "The London Jazz Composers Orchestra" and with "Hedros" (together with Mats Gustafsson, Günter Christmann, Barry Guy and others). Since then he has contributed on more than 50 album recordings.
Dörner is distinguished mainly by his versatility. He bouth play the more traditional Bebop, just like he fits in to classic Free Jazz or electronic music. He playd with Otomo Yoshihide at the Donaueschinger Musiktage in 2005. Dörner play both solo concerts and collaborates with his trio "TOOT" (together with Phil Minton and Thomas Lehn) and "Die Anreicherung" with Christian Lillinger, Håvard Wiik and Jan Roder, and in Ken Vandermarks "Territory-Band". Dörner is an integral part of the Berlin scene of experimental new improvisational music. Dörner was given special attention for his interpretation of all compositions by Thelonious Monk, with the pianist Alexander von Schlippenbach and his own band "Die Enttäuschung" released on a three CD album (Monks Casino, Complete 2005)."-Wikipedia-Wikipedia (https://en.wikipedia.org/wiki/Axel_D%C3%B6rner)
^ Hide Bio for Axel Dorner