The duo of London pianist Alexander Hawkins (Decoy, Convergence Quartet) and drummer Louis Moholo-Moholo (Blue Notes, Circulasione Totale, &c.) alternating standards and original compositions with impressive empathy and masterful ability.
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Catalog ID: OGCD 039
Squidco Product Code: 17073
Country: Great Britain
Packaging: Cardstock 3 page foldover
Recorded on October 24th, 2011 at Fish Factory, London.
Louis Moholo-Moholo-drums, percussion
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1. Heavy Manners 14:22
2. Amaxesha Osizi (Times of Sorrow) 7:37
3. Hear Our Hearts 8:17
4. If I Should Lose You 5:29
5. Pure Vision 5:47
6. Lakutshon' Ilanga 6:08
7. Catch You On The Rebound 5:51
8. Prelude To A Kiss 4:44
9. Keep Your Heart Straight 7:41
Related Categories of Interest:
London & UK Free Improvisation Scene
sample the album:
"I first heard Alexander Hawkins play - at the Vortex Jazz Club, with the Anthony Braxton's cornet-playing protégé Taylor Ho Bynum, bassist Dominic Lash and drummer Harris Eisenstadt in the Convergence Quartet. The music was an idiomatic white-knuckle ride, and all the players were variously fascinating - but the then 28 year-old Hawkins was a revelation, for the audacity of his ideas, the depth of his understanding of both the- matic and free-form musics, and for his Cecil Taylor-like stamina and power. At the end of that year, I made Hawkins my choice as the rising young player to watch in every media outlet I could get the news into. But his achievements since, including through-composed music, the jazz of Thelonious Monk or Steve Lacy, Hammond organ funk and a lot more, have exceeded all expectations. With this album, Hawkins explores vamp under floods of long-lined melody on Catch You On The Rebound, it's sometimes hard to believe such orchestral depth and drum-choir variety is the work of just two musicians. one of his most productive musical relationships, with the great South African percussionist Louis Moholo- Moholo. If you detect a glimpse or two of classic South African jazz
But this set is about delicacy as well as drama, audible in Moholo- Moholo's feathery cymbal textures, or Hawkins' fluid, spacious, treble- note overtures to slow-building improvisations. The standard songs (If I Should Lose You, Lakutshon' Ilanga and Prelude To A Kiss) show how imaginatively this duo joins past and present, whether breaking up a familiar melody into rugged chunks of Monkish chords, hiding it between trilling low-end notes and dissonant harmonies, or threading it through Moholo-Moholo's percus- sion monsoons. In the rich jazz history of an old lion making inspired new music with a young one, Keep Your Heart Straight deserves a very prominent place on the podium. in the solemn, hymn-like chords in Amaxesha Osizi or Hawkins' rocking, early-Abdullah drive on Hear Our Hearts, they represent the young Oxford pianist's enthusiasm for that culture's fusion of soulful- ness and townships jive, and the percussion giant's profound experiences of it, that drew these two together in the first place.
But, typically for both players, this session spans far wider horizons, and the pair traverse them with astonishing empathy and alert impulsiveness. From the opening's thoughtful piano speculations over softly pattering percussion to its storming power chords, through the harmonic subtlety glowing within the free-piano tour de force of Pure."-Ogun
At The Squid's Ear!
• Show Bio for Alexander Hawkins
"Alexander Hawkins is a composer, pianist, organist, and bandleader who is 'unlike anything else in modern creative music' (Ni Kantu) and whose recent work has reached a 'dazzling new apex' (Downbeat). A largely self-taught improviser, he works in a vast array of creative contexts. His own highly distinctive soundworld is forged through the search to reconcile both his love of free improvisation and profound fascination with composition and structure. In 2012, he was chosen as a member of the first edition of the London Symphony Orchestra's 'Soundhub' scheme for young composers. He also received a major BBC commission in late 2012 for a fifty minute composition: One Tree Found was first performed and broadcast in March 2013, and was subsequently performed and broadcast for the WDR in Cologne (2014). He has also twice been commissioned by the London Jazz Festival (once as composer, once as an arranger), and by the Cheltenham Jazz Festival (2016).
An in-demand sideman, Hawkins continues to be heard live and on record with vast array of contemporary leaders of all generations, including the likes of Evan Parker, John Surman, Joe McPhee, Mulatu Astatke, Wadada Leo Smith, Anthony Braxton, Marshall Allen, Rob Mazurek, Taylor Ho Bynum, and Harris Eisenstadt, amongst many others. He has also been noted in recent years for his performances in the bands of legendary South African drummer, Louis Moholo-Moholo. Concert appearances have taken him to club, concert and festival stages worldwide."-Alexander Hawkins Website (http://www.alexanderhawkinsmusic.com/biographyimages.html)
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• Show Bio for Louis Moholo-Moholo
"Louis Tebogo Moholo (born 10 March 1940), is a South African jazz drummer.
Born in Cape Town, Moholo formed The Blue Notes with Chris McGregor, Johnny Dyani, Nikele Moyake, Mongezi Feza and Dudu Pukwana, and emigrated to Europe with them in 1964, eventually settling in London, where he formed part of a South African exile community that made an important contribution to British jazz. He was a member of the Brotherhood of Breath, a big band comprising several South African exiles and leading musicians of the British free jazz scene in the 1970s and is the founder of Viva la Black and The Dedication Orchestra. His first album under his own name, Spirits Rejoice on Ogun Records, is considered a classic example of the combination of British and South African players. In the early 1970s, Moholo was also a member of the afro-rock band Assagai.
He has played with many musicians, including Derek Bailey, Steve Lacy, Evan Parker, Enrico Rava, Roswell Rudd, Irène Schweizer, Cecil Taylor, John Tchicai, Archie Shepp, Peter Brötzmann, Mike Osborne, Keith Tippett, Elton Dean and Harry Miller.
Moholo returned to South Africa in September 2005, performing with George Lewis at the UNYAZI Festival of Electronic Music in Johannesburg. He now goes under the name Louis Moholo-Moholo because the name is more ethnically authentic. South African promoter Slow Life in March 2017 at the Olympia Bakery in Kalk Bay, Cape Town produced a show where Louis performed along with Mark Fransman, Reza Khota, Keenan Ahrends and Brydon Bolton."-Wikipedia (https://en.wikipedia.org/wiki/Louis_Moholo)
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