Doc Chadbourne arranges and performs a vital section of the Albert Ayler songbook in a 2-CD release featuring solo settings to a quintet with musicians including Charles Tyler, Massimo Pupillo, Ted Reichman, Joe Williamson, &c.
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Catalog ID: chadAyler
Squidco Product Code: 16980
Format: 2 CDRs
Packaging: 2 CDRs in a cardboard sleeve with Dr. Chad's unique packaging
Eugene Chadbourne-arrangements, guitars, banjo
Eena Ballard-electric viola
Joee Conroy-electric guitar, violin, cello, mandolin
Steve Good-clarinets, alto saxophone
Norman Minogue-theramin, drums
Brian Ritchie-bass, bugle, home made clarinet
Frank Lowe-tenor saxophone
Charles Tyler-baritone saxophone
Evan Gallagher-keyboards, percussion
Ted Reichman-accordion, keyboards
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1. Omega S The Alpha 9:46
2. Ghosts 10:44
3. Prophecy 7:03
4. La Marseillese 7:16
5. Prophecy 9:42
6. Ghosts 4:20
7. Infinite Spirit 8:00
8. Light in the Darkness 9:15
9. Change Has Come 8:55
1. Witches and Devils 8:36
2. Spirits 5:19
3. Ghosts 8:59
4. Ghosts 5:27
5. Witches and Devils 7:22
6. The Father The Son The Holy Ghost 8:26
7. Truth Comes Marching In 8:26
Related Categories of Interest:
European Improv, Free Jazz & Related
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Objects and Home-made Instruments
sample the album:
Doc Chad arranges and performs a vital section of the Albert Ayler songbook in a 2-CD release featuring solo settings to a quintet with musicians including Charles Tyler, Massimo Pupillo, Ted Reichman, Joe Williamson, &c. Ayler tunes covered include 4 versions of "Ghosts", 2 of "Prophecy", 2 of "Witches and Devils", plus "Change Has Come", "Truth Comes Marching In", &c. Eugene Chadbourne is an extremely informed jazz historian, and his arrangements of these classic U.S. free jazz compositions represent a unique take on an important artist whose voice still resonates with modern improvised music. Recommended for all Ayler fans!
• Show Bio for Eugene Chadbourne
"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.
Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.
Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."-All Music (http://www.allmusic.com/artist/eugene-chadbourne-mn0000172925/biography)
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• Show Bio for Massimo Pupillo
"Massimo Pupillo (Ostia - Roma) is a bass and double bass player and composer. Best known for being the bassist of Zu, which produced bio 15 albums with labels like Atavistic / Touch n 'Go (USA), Southern (EU), Heads (JAPAN), Ipecac Records (USA) and numerous singles and split with other labels.
He collaborate in many different (musical and not only) projects, from jazz, to improvisation, avant-garde, noise, taking an interest in movies soundtracks and theater.He has join the stage and the sounds with a very long list of musicians including ... Thurston Moore, Jim O' Rourke (sonic youth), Mats Gustafsson, Paal Nilssen Love, Terrie (Ex), Katia Labeque, Giovanni Sollima, Nicola Tescari, David Chalmin, Chris Corsano, Eraldo Bernocchi and FM Einheit (Einsturzende Neubauten), Uchihashi Kazuhisa, Yoshigaki Yasuhiro, Geoff Farina, Ken Vandermark, Hamid Drake, DJ Olive, Otomo Yoshihide, Amy Denio, Gianni Gebbia, Lukas Ligeti, Fred Lonberg- Holm, Joe Lally e Guy Picciotto (fugazi), Peter Brötzmann, Caspar Brötzmann, Damo Suzuki (Can), Eugene S. Robinson (Oxbow), Steve MacKay (The Stooges), Mieko Suzuki, Oren Ambarchi, Stephen O' Malley and... yes we could go on for a long time..."-Massimo Pupillo Website (http://m.zuism.net/#bio)
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• Show Bio for Charles Tyler
"Charles Lacy Tyler (July 20, 1941 - June 27, 1992) was an American jazz baritone saxophonist. He also played alto saxophone and clarinet.
Tyler was born in Cadiz, Kentucky, and spent his childhood years in Indianapolis. He played piano as a child and clarinet at 7, before switching to alto in his early teens, and finally baritone saxophone. During the summers, he visited Chicago, New York City and Cleveland, Ohio, where he met the young tenor saxophonist Albert Ayler at age 14. After sering in the army from 1957-1959, Tyler relocated to Cleveland in 1960 and began playing with Ayler, conmuting between New York and Cleveland. During that period played with Ornette Coleman and Sunny Murray.
In 1965 Tyler recorded Bells and Spirits Rejoice with Alyer's group. He recorded his first album as leader the following year for ESP-Disk. He returned to Indianapolis to study with David Baker at Indiana University between 1967 and 1968, recording a second album for ESP, Eastern Man Alone. In 1968, he transferred to the University of California, Berkeley to study and teach. In Los Angeles, he worked with Arthur Blythe, Bobby Bradford, and David Murray.
He moved back to New York in 1974, leading his own groups with Blythe, trumpeter Earl Cross, drummer Steve Reid and others, recording the album Voyage from Jericho on Tyler's own Akba label. In 1975, Tyler enrolled at Columbia University and made an extensive tour of Scandinavia, releasing his second Akba album Live in Europe. In 1976, he performed the piece "Saga of the Outlaws" at Sam Rivers's Studio Rivbea, released two years later on Nessa Records. During that period he played as a sideman or co-leader with Steve Reid, Cecil Taylor and Billy Bang.
In 1982, during a European tour with Sun Ra's Orchestra, he relocated to Denmark, and in 1985 he moved to France, recording with other expatriates like Khan Jamal in Copenhagen and Steve Lacy in Paris.
Tyler died in Toulon, France of heart failure in June 1992."-Wikipedia (https://en.wikipedia.org/wiki/Charles_Tyler_(musician))
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