An apt title for the driven and exhilarating free jazz from the transatlatic trio of Mars Williams (reeds, toy instruments), Paal Nilssen-Love (drums & percussion) and Kent Kessler (bass).
Label: Trost Records
Catalog ID: TROST 113LP
Squidco Product Code: 16963
Packaging: Vinyl 12" LP
Recorded at Strobe Recording, Chicago, IL on January 8th, 2012.
Mars Williams-reeds, toy instruments
Paal Nilssen-Love-drums, percussion
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A1. What Doesn't Kill You...
A2. Beauty of Sadness
B1. Sticky Wicket
B2. Hostilities in Progress
Related Categories of Interest:
European Improv, Free Jazz & Related
Chicago Jazz & Improvisation
sample the album:
"Boneshaker are Mars Williams (reeds, toy instruments), Paal Nilssen-Love (drums & percussion) and Kent Kessler (bass), three prolific powerhouse musicians, carrying among them a Grammy nomination and decades of experience with the top ensembles in the world.
Norwegian phenomenon Paal Nilssen-Love has established himself over the last decade as one of the most important voices in improvised music from his generation. A powerful drummer of unbounded energy, he shows an ongoing ability to break physical and musical boundaries on his continuing hunt for new collaborations and experiences. Currently, Nilssen-Love is working with musicians such as Mats Gustafsson, Peter BrÃ¶tzmann, Ken Vandermark, Evan Parker, Sten Sandell, Otomo Yoshihide and Frode Gjerstad.
Kent Kessler studied musique concrete at Chicago Musical College in the period from 1977-1983, playing in various punk rock and free-improv groups in Chicago and taking time off to wander in Brazil. Kessler started concentrating on the double bass, after having played trombone, guitar, electric bass, short-wave radio and various other instruments and non-instruments.
Mars Williams is an open-minded musician, composer and educator who commutes easily between free jazz, funk, hip-hop and rock. Mars has played and/or recorded with The Psychedelic Furs, Billy Idol, Massacre, Fred Frith, Bill Laswell, Ministry, Power Station, Die Warzau, The Waitresses, Kiki Dee, Pete Cosey, Billy Squier, DJ Logic, Wayne Kramer, John Scoffield, Charlie Hunter, Kurt Elling, The Mission UK, Swollen Monkeys, Naked Raygun, Friendly Fires, MC5, and virtually every leading figure of Chicago's and New York City's "downtown" scene. John Zorn credits Mars as "one of the true saxophone players -- someone who takes pleasure in the sheer act of blowing the horn. This tremendous enthusiasm is an essential part of his sound, and it comes through each note every time he plays. Whatever the situation, Mars plays exciting music. In many ways he has succeeded in redefining what versatility means to the modern saxophone player." "-Trost
• Show Bio for Paal Nilssen-Love
"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.
The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.
Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.
Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.
All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
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