UK saxophone phenomenon John Butcher in 10 live solo recordings using the unique sonic environments of Richmond Hall, a Houston art gallery that has been compared to a bowling alley, and Issue Project Room's high-ceilinged marble room in Brooklyn, NY.
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Label: Northern Spy
Catalog ID: NS 032
Squidco Product Code: 16930
Recorded at Richmond Hall, Houston, TX on April 14th, 2010 by Ryan Edwards. Recorded at Issue Project Room, Brooklyn, NY on November 7th, 2011 by Philip White.
John Butcher-tenor saxophone, soprano saxophone
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• Show Bio for John Butcher
"John Butcher's work ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and extreme acoustics.Originally a physicist, he left academia in '82, and has since collaborated with hundreds of musicians - Derek Bailey, John Tilbury, John Stevens, The EX, Akio Suzuki, Gerry Hemingway, Polwechsel, Gino Robair, Rhodri Davies, Okkyung Lee, John Edwards, Toshi Nakamura, Paul Lovens, Eddie Prevost, Mark Sanders, Christian Marclay, Otomo Yoshihide, Phil Minton, and Andy Moor - to name a few.
He is well known as a solo performer who attempts to engage with the uniqueness of place. Resonant Spaces is a collection of site-specific performances collected during a tour of unusual locations in Scotland and the Orkney Islands.His first solo album, Thirteen Friendly Numbers, includes compositions for multitracked saxophones, whilst later solo CDs focus on live performance, composition, amplification and saxophone-controlled feedback.
HCMF has twice commissioned him to compose for his own large ensembles. Other commissions include for Elision (Australia), the Rova (USA) & Quasar (Canada) Saxophone Quartets, reconstructed Futurist Intonarumori (USA), "Tarab Cuts" (based on pre-WWII Arabic recordings, and shortlisted for the 2014 British Composer's Award) and "Good Liquor .." for the London Sinfonietta. In 2011 he received a Paul Hamlyn Foundation Award for Artists.
Recent groupings include The Apophonics with Robair and Edwards, Anemone with Peter Evans, Plume with Tony Buck & Magda Mayas and a trio with Okkyung Lee & Mark Sanders.Butcher values playing in occasional encounters - ranging from large groups such as Butch Morris' London Skyscraper and the EX Orkestra, to duo concerts with David Toop, Kevin Drumm, Claudia Binder, Paal Nilssen-Love, Thomas Lehn, Fred Frith, Keiji Haino, Ute Kangeisser, Matthew Shipp and Yuji Takahashi."-John Butcher Website (http://www.johnbutcher.org.uk/Biog.html)
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1. A Place To Start 6:36
2. Padded Shadows 3:01
3. Willow Shiver 3:04
4. Perfume Screech 11:23
5. Unspeakable Damage 2:05
6. First Dart 3:47
7. Second Dart 4:00
8. Third Dart 3:25
9. Fourth Dart 5:40
10. Egg 3:26
sample the album:
"To say that John Butcher has made a science of the saxophone is no idle chatter. By the time he earned a PhD in Theoretical Physics from Imperial College in 1977, Butcher had already turned his attention to the saxophone. Over the ensuing decades, he has developed a thoroughly unique language based on an intense understanding of the properties of air moving through a tube. Few have done as much to advance the language of the saxophone since John Coltrane, Albert Ayler, Pharoah Sanders and the fiery explosion of the 1960s than Butcher has.
In more recent years he has extended his sound chamber to include the whole of the space he's playing in - sometimes as large as an empty water cistern in Scotland, a 400-foot tall gas pipe in Germany or a lava-carved cavern in Japan. He has played in windstorms, allowing the elements to blow through the mouthpiece as he positioned and fingered the horn. And he has reduced the playing field to the horn's interior, using a microphone positioned inside the bell to create what is essentially a device for controlling and modifying feedback.
Northern Spy is proud to present two of Butcher's most recent experiments in moving soundwaves through space. On Bell Trove Spools we hear Butcher in two distinct situations: Richmond Hall, a Houston art gallery housing a permanent Dan Flavin collection that has been compared to a bowling alley; and the high-ceilinged marble room in Brooklyn which is the new home to Issue Project Room. Butcher is heard on his two saxes of choice, the soprano and the tenor, and suspended in space, fluid, challenging, at times melodic and always exciting.
In short, John Butcher knows how to work a room - and that's not about relating to the audience. In fact, there was no audience present for the Brooklyn session. Bell Trove Spools is just Butcher and a saxophone and spaces ready to receive. The results speak for themselves."-Northern Spy
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