Lean Left (The Ex guitars meet Nilssen-Love/Vandermark Duo)
Live at Cafe Oto
An explosive mix of rock, jazz, noise and free improv when the guitarists from The Ex (Terrie Ex, Andy Moor) come together with Ken Vandermark (saxophone, clarinet) and Paal Nilssen-Love (drums) for their 3rd inspired release.
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Catalog ID: 32u
Squidco Product Code: 16905
Recorded live in concert on September 11th and 12th, 2011 at Cafe Oto, London by John Chantler and Jonathan McHugh.
Terrie Ex-left guitar
Andy Moor-right guitar
Ken Vandermark-tenor saxophone, B clarinet
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1. Koevoet 30:41
2. Drevel 37:07
Related Categories of Interest:
European Improv, Free Jazz & Related
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sample the album:
"Lean Left throws together two explosive duos - the sax/drums collision course of Ken Vandermark and Paal Nilsson-Love with the piledriving guitarists from The Ex - to make up a positively apocalyptic quartet: an elemental musical force featuring Grade A international players zoning in and scrambling together rock, jazz, noise and blistering free improv into a highly-charged onstage assault, each member taking their sounds and bodies to the edge and often snapping out of the wilds and into glorious passages of regular rhythm.
The foursome crashes along sometimes creating a cacophonous racket but always musical and always ready to change direction or turn a new corner. The music of Lean Left is extrovert, energetic, powerful and inclu- sive but also confrontational and provocative: where rhythm, noise, melody and harmony melt together in perfect union. In two tracks 'Live at Cafe Oto' captures one moment of high powered, highly varied improvisation. Pretty much the dream ticket for those who like their live music raw, hard and violently soulful."-Unsounds
At The Squid's Ear!
• Show Bio for Terrie Ex
"Terrie Ex, born in Westzaan, 12 october 1954. Started playing guitar when he co-founded the Ex in 1979. Kind of coincidence; it was the instrument no-one wanted to play. Some 1900 concerts with The Ex eversince. (www.theex.nl). More than 2000 in total. Next to all Ex releases, he started free-improvising from the very start. From a little guitar solo on the Awara/Ex 7" in 1981, till recent tours with Han Bennink or impro-groups Offonoff or Lean Left (with Ken Vandermark, Andy Moor and Paal Nilssen-Love). Drives a year along 21 African countries with Emma Fischer in 1996. Starts in 2000 the TERP label, for his own impro-projects and African Music. Produced CD's with ao Tsehaytu Beraki, Getatchew Mekuria, Konono No.1 and Mohammed Jimmy Mohammed.
Played with:Sonic Youth, John Cale, Getatchew Mekuria, Herman Brood, Herr Seele, Kamagurka, Jan Mulder, Mekons, Chumbawamba, Tsehaytu Beraki, Peter Brozmann, Hamid Drake, Jan Akkerman, Djibril Diabate, Butch Morris, Mats Gustafsson, ICP, Wolter Wierbos, Wilbert de Joode, Zu, Guy Picciotto, Roy Paci, Cactus Truck, Christine Senaoui, Mary Oliver, Ig Henneman, Tim Hodgekinson, Michael Vatcher, Magpie Dancecompany, Alex d' Electrique, Ferrie Heyne, Saadet Turkoz, Peter Evans, Nate Wooley, Melaku Belay, Endris Hassen, Misale Legesse, Noel Akchote, Akira Sakata,
Played duo gigs/tours with:Andy Moor, Han Bennink, Ab Baars, John Butcher, Rozemarie Heggen, Jaap Blonk, Paul Lovens, Paal Nilssen-Love, Joost Buis, Xavier Charles, Thurston Moore, Steve Beresford, Moe! Staiano, Katherina 'Ex' Bornefeld, Tony Buck, Tom Cora, Lasse Marhaug, Ken Vandermark, Steve Albini, Wim Janzen (accordeon), Rene van Barneveld, Onno Govaert. George Hadow, Romeo Mayor, Peter Zegveld."-Experimental Sound Studio (http://www.experimentalsoundstudio.org/pages/event_detail/52.php?id=369)
^ Hide Bio for Terrie Ex
• Show Bio for Paal Nilssen-Love
"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.
The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.
Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.
Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.
All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
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• Show Bio for Ken Vandermark
"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
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