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Swirm

(Henkel / Grollman / Amat)

Swirm: (Henkel / Grollman / Amat) (Prom Night Records)

The New York duo Swirm of Brad Henkel (trumpet) and David Grollman (percussion) in a unique blend of virtuosic free improvisation, subtle sound exploration, and performance art, here adding free vocalist Laurie Amat for 6 compositions named by color.
 

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product information:


CD-R stamped with original artwork and a paper insert inside a chipboard 2-panel sleeve stamped with original art. Design by Brian Henkel, Brad Henkel, David Grollman.

Label: Prom Night Records
Catalog ID: promSW
Squidco Product Code: 16675

Format: CDR
Condition: New
Released: 2010
Country: USA
Packaging: Cardstock Sleeve with insert
Recorded by Brad Henkel at Buckminster Palace, Brooklyn, NY.


Personnel:

Brad Henkel-trumpet

David Grollman-percussion

Laurie Amat-voice

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Purple 13:10

2. Pink 5:34

3. Brown 4:58

4. Green 5:00

5. Red 5:42

6. Orange 10:56
Related Categories of Interest:


Improvised Music
NY Downtown & Jazz/Improv
Jazz
Unusual Vocal Forms
Trio Recordings

sample the album:








descriptions, reviews, &c.

New York duo Swirm of Brad Henkel (trumpet) and David Grollman (percussion) in a unique blend of virtuosic free improvisation, subtle sound exploration, and performance art, here adding free vocalist Laurie Amat for 6 compositions named by color.


CD-R stamped with original artwork and a paper insert inside a chipboard 2-panel sleeve stamped with original art. Design by Brian Henkel, Brad Henkel, David Grollman.

Artist Biographies:

"Brad Henkel is an experimental trumpeter/composer/improviser living in Berlin."

-Brad Henkel Website (http://bradhenkel.blogspot.com/p/about.html)
7/25/2017

"David Grollman is a percussionist from NYC who performs freely improvised music. He performs in art galleries, tiki bars, and venues of curious ambience made more curious by his mongrel sounds. David bows, scrapes, blows, slaps, rubs, caresses, abuses, and generally tests the limits of his instrument. Anything is game. Anything may be a participant if the musical conversation calls for it. Artist, instrument, audience, and environment become ambiguous terms, conspiring in a theatrical exploration of chance dynamics and serendipitous exchanges."

-David Grollman 7/25/2017

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