A much-needed reissue of Derek Bailey's 1978 2-CD Japanese release on the Morgue label, the first disc a series of studio improvisations and the second presenting two live performances in Nagoya and Kalavinka.
Catalog ID: CD48/49
Squidco Product Code: 16606
Country: Great Britain
Packaging: Cardstock gatefold foldover
Disc 1 was recorded on May 5th, 1978 at Betty Studio in Tokyo, Japan by Tsutomu Suto. On disc 2, tracks 1 and 2 were recorded on April 21st, 1978 at Meien-Kaikan in Nagoya, Japan by Tsutomu Suto; track 3 was recorded on May 3rd, 1978 at Kalavinka, Machida in Japan by Tsutomu Suto.
Derek Bailey-acoustic guitar, electric guitar
Highlight an artist name or instrument above
and click here to Search
CD 1: New Sights, Old Sounds
1. New Sights, Old Sounds 19:00
2. Thou Shalt Not Bear False Witness 9:22
3. This Is The Age Of Oddities Let Loose 3:14
4. Nothing So Difficult As A Beggining 4:54
5. Here Was No Lack Of Innocent Diversion 3:00
6. A Wanderer From The British World Of Fashion 3:12
CD 2: Solo Live
1. Live In Nagoya, part 1 17:01
2. Live In Nagoya, part 2 12:51
3. Live In Kalavinka 20:35
sample the album:
"Recorded and originally issued in Japan in 1978, the contents of this two-disc set quickly became something of a collector's item as the album quickly went out of print. Happily, the master tapes were reacquired for release on Incus in 2002, providing further documentation of a rich portion of Derek Bailey's long career. The solo sessions here date from right around the same time as his collaborations with the cream of the Japanese jazz avant-garde that were released on the DIW disc Duo + Trio Improvisations, and the music is within the same general sphere. But solo Bailey is often revelatory and, arguably, the clearest path toward understanding his conception.
Here, listeners find him about midway between the spikier, more "insectile" music of the late '60s and early '70s as heard on his first solo album and in contexts like the Music Improvisation Company and the somewhat mellower (though no less intense) tack he would follow beginning in the late '80s. Perhaps it was due to an influence from the country where these recording took place, but several of the selections find Bailey taking the utmost care about exactly where he was "placing" the notes into sonic space, not unlike rocks in a Japanese garden. Indeed, in cuts like "Nothing So Difficult as a Beginning" (titles courtesy of Lord Byron), one can hear anticipations of the future work of guitarists like Taku Sugimoto.
Disc one is a series of studio improvisations and disc two a pair of live performances. The expansiveness and intuitive sense of the overall arc of the piece displayed on the latter disc are very impressive; no matter what the length of a given improv, he never seems to play too long or cut things off too short. He even takes advantage of a bit of (inadvertent?) feedback hum to indulge in some quasi-flamenco playing on "Live in Kalavinka"! Both sets are primo Bailey, making New Sights, Old Sounds a necessary purchase for aficionados."-Brian Olewnick, All Music
Get additional information at All Music