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Bergmann, Hubert: Reminiszenzen <i>[Used Item]</i> (Mudoks Records)


"Hubert Bergmann is still too little known in regard to his improvisational lucidity and conscientious tackling of past issues of jazz pianism. Reminiszenzen, released in 2010, lasts 75 minutes; usually I consider this duration excessiv...
 

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product information:


UPC: 4038085101295

Label: Mudoks Records
Catalog ID: 13136
Squidco Product Code: 16511

Format: CD
Condition: VG+
Released: 2010
Country: Germany
Packaging: Digipack - 3 panel
Recorded in Ravensburg, Germany, on October 3rd, 1999, by K. Schroder

This is a USED (previously owned) item

Personnel:

Hubert Bergmann-piano

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track listing:


1. Vor - Zeit

2. Scarlattis Dream

3. Hippolitis

4. Erics Drunken Dog

5. Where Is I.S.

6. Sackenhack

7. Blue In Green

8. Irregular Regularity

9. Bley

10. Codex

11. Ode An

12. Giant Sweps

13. For Paul




Related Categories of Interest:

Used CDs

Improvised Music
Jazz
European Improv, Free Jazz & Related
Free Improvisation
Solo Artist Recordings
Piano & Keyboards

sample the album:








descriptions, reviews, &c.

"Hubert Bergmann is still too little known in regard to his improvisational lucidity and conscientious tackling of past issues of jazz pianism. Reminiszenzen, released in 2010, lasts 75 minutes; usually I consider this duration excessive (with the exclusion of minimalism and trance), yet the fruits of Bergmann's imagination are equally juicy and delicate. His handling of the keyboard gives the idea of a gratifying multiplicity of meanings, fortunately lacking the insufferable sense of excitement-deflating sanctity typical of myths who extract a hundred of Euros from a viewer's pocket in order for them to watch their presumed eroticism on the instrument (do I need to name mames? Yes, he's the one I'm referring to). Even a pessimistic analyst like yours truly can't help but rejoice when the ears are filled with music whose picturesque aspects are discarded in favour of a series of veritable soul-opening sessions. The dedications and influences are diverse - Satie to Scarlatti, Monkto Davis - and there's space for each of them in the articulated propositions that the German presents to the listener. These itineraries are also informed by from-the-inside delicacies and well-mannered explanations interspersed with abrupt increases in the number of notes played and unpredictable dynamic variations: as a problem materializes, a solution is instantly found. This is how an erudite musician manages to throw intellectual cloaks away, appearing as a human aerial through which sounds from different eras resonate and propagate."-Massimo Ricci, touching extremes


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