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A large orchestra of improvisers brought together by composer and tuba player Carl Ludwig Hubsch for the 2008 Berlin Explorations festival, peforming works focusing on tone and color from the smallest to the largest sound.
 

Hubsch, Carl Ludwig
Ensemble X

Hubsch, Carl Ludwig: Ensemble X (Red Toucan)
Label: Red Toucan    
Released in: Canada    


"When I was asked to propose a large improvising group for the opening concert of the 2008 Little Bangs improvisation symposium in Basel, I suggested putting together an entirely new group. So far, my experiences with bigger groups had always left me somewhat dissatisfied; namely because the bigger the group was, the more similar the music was to that of any other big group, where the music is, more often than not, dominated by the louder instruments and by the initiatives to break away.

The will to shape, within a large group, tends to lead to a rather unclear music with medium density and pretty regular changes initiated by the most impatient musician. The longer a sound colour or duration lasts, the stronger the wish to contrast or modify it; as soon as one plays a counter colour or changes the duration, others tend to either join in or make a move of their own, frequently overriding previous decisions. The risk of aimlessly wandering music therefore grows with the size of a group.

So, I hoped to avoid these obstacles by selecting musicians I had played with before and with whose experience within larger groups I was familiar; I chose them for their interest in rather delicate, noise-oriented musicality, and their ability to listen to the smallest details (even in seemingly chaotic contexts), to both initiate and go along with any musical development.

The musicians of the Ensemble X are part of the Swiss, French and German scenes, even a bit of New York's. More importantly its musicians have gained their big ensemble experience in groups such as Ensemble 2INCQ, NRW Improvisors Pool, ensemble]h[iatus, Fineworks, Multiple Joy[ce] Orchestra, Bull's Eye Ensemble, Ensemble H, Markus Eichenberger`s Domino, etc.

As for the name of this group, its X stands for the Xth big ensemble, while symbolizing an ensemble of nameless musicians, of non-soloists who dissolve into a big group the personal voice they developed over the years.

After our first meeting as a group in December 2008, I was impressed by how well and how respectfully the musicians worked together. There seemed to be no need to put forth any personal claim, so we could immediately start working on our collective music. Response to the smallest sounds, orchestrated colours, symbiotic complement of the musicians' personal and instrumental characters, and music evolving from within: that´s how I would characterize the ideals we try to incorporate in Ensemble X. When each instrument is a key on the metainstrumental keyboard that is Ensemble X, each musician is a part of the metaimprovisor's brain.

I see each of these musicians as an "active centre in a network of inexhaustible relationships" (Umberto Eco) where it is totally satisfying to only be the trigger of a movement or, better still, a part of a movement, where the ability to exercise full freedom to develop the music is interweaved with full trust to give oneself up in the ensemble music. And this may be how Ensemble X distinguishes itself from a typical jazz orchestra: You don't need to play a solo in this group; the group being the soloist, you are an integral part of its solo.

I am thankful for all the input, the sharing and the work these musicians have given to Ensemble X."-Carl Ludwig Hubsch



"Besides his own project like Hübsch's Longrun Development of the Universe, Drift and Hübsch's Primordial Soup he founded the ENSEMBLE X and co-leads the Multiple Joy[ce] Orchestra together with Matthias Schubert and Frank Gratkowski.

Hübsch is part of many collective projects and ensembles and works as side man in various projects. Carl Ludwig Hübsch performed with musicians like Arthur Blythe, Michiel Braam, Thomasz Stanko, Paul Lytton, Lester Bowie, Jasper vant Hof, Paul Lovens, Ernst Reijseger, Angelika Sheridan, Peter Keller, Thomas Lehn, Martin Theurer, Gunda Gottschalk, Axel Dörner, Ute Völker, Gino Robair, Philip Zoubek, Le Quan Ninh, Michel Doneda, Scott Fields, Michael Vorfeld, Uwe Oberg, Ulrich Phillipp, Franz Hautzinger, Sebastian Gramss, Nils Wogram, Frank Köllges, Udo Moll a.m.o. throughout the planet.

He participated in numerous projects like e.g.

• The F-Orkestra
• Oktoberorchestra Amsterdam 1994
• Humannoise Congress
• Hannes Zerbe / Willem Breuker Blech Band 1995
• Matthias Schubert Sextett 1997
• Kammeroper "Idyllen" von Thomas Beimel 1999
• Matthias Schubert Quartett 2002
• European Tuba Quartett from 2000
• Markus Eichenbergers Domino Orchestra 2003
• Toyteens `lil Rosies (Klare, Buhrs, de Jode, Hübsch)
• Post No Bills ab 1995
• Adam Noidlts Missiles
• Carl Ludwig Hübsch/Harald Kimmig Duo
• Adam Noidlts Missiles
• Thomas Heberers LipL from 2007
• Achim Krämer Georg Wissel Carl Ludwig Hübsch
• Franz Hautzingers Trompetenorchester 2008
• Bik Bent Braam / Braam Hybrid Tentett
• Ensemble [H]iatus from 2008

fellowships or study travels lead Hübsch troughout the continents, e.g.to India in 1997 for studies with Ramamani (Karnataka College of Percussion)or to Namibia in the year 2000, to the USA ( OMI-Arts Stipendium 2002) • but also to closer places like Essen (Jazzpott Award 2003 ) or to Basel (2008 / 2009 Residency of the Stiftung Bartels Fondation) Huebsch's work is documented in numerous radio and CD productions."

-Carl Ludwig Hubsch Website (http://www.clhuebsch.de/index.php/en/projects-en)
2/22/2017

"Christoph Schiller was born in 1963 in Stuttgart. He studied fine arts at the Kunstakademie Stuttgart and HfBK Hamburg. He later studied piano with Daniel Cholette and music theory in Basel. He has been playing concerts of improvised music on piano since 1987. In recent years the piano has been abandoned in favour of the lighter spinet, for which he has developed specific playing techniques which are influenced by inside piano techniques. Besides keyboard instruments his work with the voice has become increasingly important. He lives in Weil am Rhein and Basel."

-Christoph Schiller Website (http://www.christophschiller.net/)
2/22/2017

"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

-Nate Wooley Website (http://natewooley.com/about)
2/22/2017

"Philip Zoubek (* 1978 in Tulln an der Donau ) is an Austrian pianist of the New Improvisation Music. A striking feature is his highly energetic play, the limits of the pianos, which also include preparation techniques and actions inside the instrument.

Zoubek studied piano at the Conservatory of the City of Vienna from 1996 onwards. He founded the Ubik quartet and took lessons with Uli Scherer before he enrolled at the Musikhochschule Vienna. In 2002 he moved to Cologne, where he studied with Hans Lüdemann, Frank Gratkowski and Marc Ducret. He founded the multimedia project Cauldron, with whom he won the composition competition of the bunker Ulmenwall Bielefeld and the cultural promotion award of the city of Herford; a DVD Q-Spektrum was created in 2003. With the group Snaut with Richard Koch (tp), Eric Schaefer (dr) and Christian Rainer (voice), he toured through Germany and Switzerland and became a prizewinner of the avant-garde competition for Young culture at the Düsseldorfer Altstadtherbst. Since 2004 he belongs to Achim Tang's Trio Torn, which performed successfully in 2011 in a quartet version at the Moers Festival. He was a member of the James Choice Orchestra ( Live at Moers, 2005), Ensemble Creativ, Org, Camera Obscura and the trio Muche / Zoubek / Tang. As a composer Philip Zoubek appeared with his own formation Philz. He also worked with Paul Lytton, Carl Ludwig Hübsch, Ernst Glerum, Herb Robertson, Wilbert de Joode and Christian Thomé.

In 2008 he received the Horst and Gretl Will scholarship for Jazz / Improvised Music of the City of Cologne. Also in 2008 he founded the Trio Z3 with Benjamin Weidekamp and Christian Weber. The formation Z3 was born out of the idea of ​​the music of the Jimmy Giuffre -Trios of the 1960s."

-Wikipedia translated by Google (https://translate.google.com/translate?hl=en&sl=de&u=https://de.wikipedia.org/wiki/Philip_Zoubek&prev=search)
2/22/2017





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Improvised Music
Jazz
Electro-Acoustic Improv
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Product Information:

UPC: 777078919199

Label: Red Toucan
Catalog ID: RT 9344
Squidco Product Code: 16398

Format: CD
Condition: New
Released: 2012
Country: Canada
Packaging: Jewel Tray
Recorded on December 11th, 2008 at the Institut Francais, Berlin by Carl Ludwig Hubsch and Micha Rabuske.

Personnel:

Carl Ludwig Hubsch-tuba, ensemble initiator, catalyst

Martine Alterburger-violoncello

Tiziana Bertoncini-violin

Uli Bottcher-electronic

Xavier Charles-clarinet

Markus Eichenberger-clarinets

Nicholas Desmarchelier-guitar

Harald Kimmig-violin

Dirk Marwedel-extended saxophone

Matthias Muche-trombone

Nils Ostendorf-trumpet

Ulrich Phillipp-double bass

Christoph Schiller-spinet

Angelika Sheridan-flutes

Olivier Toulemonde-objects

Michael Vorfeld-percussion

Nate Wooley-trumpet

Eiko Yamada-recorders

Philip Zoubek-piano

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Track Listing:

1. X113 17:04

2. X8 20:03

3. X112 16:03

4. X111 13:10