A large orchestra of improvisers brought together by composer and tuba player Carl Ludwig Hubsch for the 2008 Berlin Explorations festival, peforming works focusing on tone and color from the smallest to the largest sound.
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Label: Red Toucan
Catalog ID: RT 9344
Squidco Product Code: 16398
Packaging: Jewel Tray
Recorded on December 11th, 2008 at the Institut Francais, Berlin by Carl Ludwig Hubsch and Micha Rabuske.
Carl Ludwig Hubsch-tuba, ensemble initiator, catalyst
Dirk Marwedel-extended saxophone
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1. X113 17:04
2. X8 20:03
3. X112 16:03
4. X111 13:10
Related Categories of Interest:
NY Downtown & Jazz/Improv
European Improv, Free Jazz & Related
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sample the album:
"When I was asked to propose a large improvising group for the opening concert of the 2008 Little Bangs improvisation symposium in Basel, I suggested putting together an entirely new group. So far, my experiences with bigger groups had always left me somewhat dissatisfied; namely because the bigger the group was, the more similar the music was to that of any other big group, where the music is, more often than not, dominated by the louder instruments and by the initiatives to break away.
The will to shape, within a large group, tends to lead to a rather unclear music with medium density and pretty regular changes initiated by the most impatient musician. The longer a sound colour or duration lasts, the stronger the wish to contrast or modify it; as soon as one plays a counter colour or changes the duration, others tend to either join in or make a move of their own, frequently overriding previous decisions. The risk of aimlessly wandering music therefore grows with the size of a group.
So, I hoped to avoid these obstacles by selecting musicians I had played with before and with whose experience within larger groups I was familiar; I chose them for their interest in rather delicate, noise-oriented musicality, and their ability to listen to the smallest details (even in seemingly chaotic contexts), to both initiate and go along with any musical development.
The musicians of the Ensemble X are part of the Swiss, French and German scenes, even a bit of New York's. More importantly its musicians have gained their big ensemble experience in groups such as Ensemble 2INCQ, NRW Improvisors Pool, ensemble]h[iatus, Fineworks, Multiple Joy[ce] Orchestra, Bull's Eye Ensemble, Ensemble H, Markus Eichenberger`s Domino, etc.
As for the name of this group, its X stands for the Xth big ensemble, while symbolizing an ensemble of nameless musicians, of non-soloists who dissolve into a big group the personal voice they developed over the years.
After our first meeting as a group in December 2008, I was impressed by how well and how respectfully the musicians worked together. There seemed to be no need to put forth any personal claim, so we could immediately start working on our collective music. Response to the smallest sounds, orchestrated colours, symbiotic complement of the musicians' personal and instrumental characters, and music evolving from within: that´s how I would characterize the ideals we try to incorporate in Ensemble X. When each instrument is a key on the metainstrumental keyboard that is Ensemble X, each musician is a part of the metaimprovisor's brain.
I see each of these musicians as an "active centre in a network of inexhaustible relationships" (Umberto Eco) where it is totally satisfying to only be the trigger of a movement or, better still, a part of a movement, where the ability to exercise full freedom to develop the music is interweaved with full trust to give oneself up in the ensemble music. And this may be how Ensemble X distinguishes itself from a typical jazz orchestra: You don't need to play a solo in this group; the group being the soloist, you are an integral part of its solo.
I am thankful for all the input, the sharing and the work these musicians have given to Ensemble X."-Carl Ludwig Hubsch
• Show Bio for Carl Ludwig Hubsch
"Besides his own project like Hübsch's Longrun Development of the Universe, Drift and Hübsch's Primordial Soup he founded the ENSEMBLE X and co-leads the Multiple Joy[ce] Orchestra together with Matthias Schubert and Frank Gratkowski.
Hübsch is part of many collective projects and ensembles and works as side man in various projects. Carl Ludwig Hübsch performed with musicians like Arthur Blythe, Michiel Braam, Thomasz Stanko, Paul Lytton, Lester Bowie, Jasper vant Hof, Paul Lovens, Ernst Reijseger, Angelika Sheridan, Peter Keller, Thomas Lehn, Martin Theurer, Gunda Gottschalk, Axel Dörner, Ute Völker, Gino Robair, Philip Zoubek, Le Quan Ninh, Michel Doneda, Scott Fields, Michael Vorfeld, Uwe Oberg, Ulrich Phillipp, Franz Hautzinger, Sebastian Gramss, Nils Wogram, Frank Köllges, Udo Moll a.m.o. throughout the planet.
He participated in numerous projects like e.g.
• The F-Orkestra
fellowships or study travels lead Hübsch troughout the continents, e.g.to India in 1997 for studies with Ramamani (Karnataka College of Percussion)or to Namibia in the year 2000, to the USA ( OMI-Arts Stipendium 2002) • but also to closer places like Essen (Jazzpott Award 2003 ) or to Basel (2008 / 2009 Residency of the Stiftung Bartels Fondation) Huebsch's work is documented in numerous radio and CD productions."-Carl Ludwig Hubsch Website (http://www.clhuebsch.de/index.php/en/projects-en)
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• Show Bio for Xavier Charles
"The work of clarinetist Xavier Charles ranges from noise to electro-acoustic via sound poetry. He has played in numerous new music festivals in France and abroad. In his work with groups and collectives, he has also collaborated with Martin Tetrault, The Ex, Ingar Zach, Pierre Berthet, Axel Dörner, Ivar Grideland, John Butcher, Jacques Di Donato, Frédéric Le Junter, Otomo Yoshihide, Getachew Mekuria, Christian Wallumrod, Emmanuelle Pellegrini, Lionel Marchetti, Jean-Philippe Gross, Michel Doneda and Frédéric Blondy. Different collectifs (Dans Les Arbres, Ouie-Dire, ONCEIM, No Spaguettitti Edition, Chris Burn Ensemble, Atmosphérique). Currently his musical research ranges from performance on the clarinet to the installation of vibrating speakers, at the edge of improvised music, noisy rock and electro-acoustic sound. He's deeply involved in the music world as an organizer of the festival "Densités". "-Xavier Charles Website (http://www.xaviercharles.com/index.php/presentation/)
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• Show Bio for Harald Kimmig
"Harald Kimmig (born October 9, 1956 in Offenburg ) is a German violinist of free improvisational music and composer.
Kimmig had violin lessons from 1966 to 1974, and from 1975 to 1982 he studied philosophy, sociology and art history. He took classes at Leszek Zadlo, Muneer Abdul Fataah, John Tchicai and Cecil Taylor. From 1984 he was active as a professional musician, initially with soloists and as a member of the First Improvising String Orchestra. He played in the trio with Georg Wolf and Lukas Lindenmaier (CD rif-rif 1990) and is co-leader of F-Orkestra, who worked with musicians such as Buddy Collette or Peter Kowald. He also played with the ensemble of Cecil Taylor (CDs "Legba Crossing", "Corona"), John Tchicai, Vladimir Chekassin, Doug Hammond, Lee Konitz, Tony Oxley, Gabriele Hasler, Sirone and Jrgen Wuchner. He works in the trio with Carl Ludwig Hbsch and L Quan Ninh. He is also a member of the ensembles of Angelika Sheridan, Graldine Keller and Hideto Heshiki. Together with Norbert Rodenkirchen he composed the Aura Christinae in 2004, which repeatedly performed in Stommeln (u. A. With Maria Jonas and Albrecht Maurer ). Kimmig also writes string quartets and major orchestral works ('The Course of Light and Darkness', Oratorio, 1999) as well as film music."-Wikipedia (Translated by Google) (https://de.wikipedia.org/wiki/Harald_Kimmig)
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• Show Bio for Dirk Marwedel
"Dirk Marwedel Born 1959. Since 1985 Dirk Marwedel has been working in the area of improvised music and related musical concepts as well as in interdisciplinary projects with performance, sound installation, film, dance, theater, sculpture and painting. In continuous interplay with different groups as well as soloist he has developed sounding techniques and preparations with which he easily exceeds the limits of familiar concepts of the sound spectrum of the saxophone and irritates listening habits. The permanent process of material and sound enhancement can also lead to play on hoses, balloons, with water or other sound bodies, even beyond the original instrument. With his work on slate slabs ("TonSchiefer") and the sculptures by the sculptor couple Livia Kubach and Michael Kropp, Dirk Marwedel, who also trained as a sculptor, explores and develops the sound qualities of stone.
Solistically, Dirk Marwedel draws particular attention to dynamic and structural movement. Dense monolithic sound currents can contrast with fine tissues, which are reduced to only a few senses, sequences of classical toning complement each other with grotesque or fragile, silent, brittle or bursting overflowing forms beyond the chromatically tempered tonal space. The limits and meanings of sound, sound and sound are moving, touching, mixing and differentiating. Silence is perceived as a fundamental element of musical experience.
Central themes in the area of performance (for example in the case of sound video performance> no change changing <) are the inevitability and irreversibility of movement and development. With concentrated acoustic and visual material, processes that are fragmented in the phenomena of repetition and change, memory and present are perceived in the light of their incessant passing over one another. Even more direct than in purely concertante performances is the irritation and questioning of fixed, automated boundaries and interpretations and the opening of unexpected perceptions. Recent works such as the "fields of intercourse", the "court paintings" and the project "Living Sculpture" also deal with the center of perception, the perceiving and perceptive human beings themselves, with their modes, the Familiar, the stranger, to meet oneself.
Dirk Marwedel has appeared in Europe and Canada. He lives in Wiesbaden and is co-founder and organizer of the HumaNoise congress - day improvised music."-Nurnichtnur.Com (Translated by Google) (http://nurnichtnur.com/artists/marwedel.htm)
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• Show Bio for Matthias Muche
"Matthias Muche (D) trombone, born in 1972 lives in Cologne and works as musician and media artist. He studied trombone at the Amsterdam School of the Arts, in Rotterdam and at the "Hochschule für Musik" in Cologne with Bart van Lier, Henning Berg and Paulo Alvares and also audiovisual media with Anthony Moore at the academy of media arts cologne. Muche works in several formations, e.g. with the James Choice Orchestra, Das Mollsche Gesetz, Nils Klein Tentett, Schäl Sick Brass Band and with Mischa Mengelberg, Larry Ochs and Robyn Schulkowsky, having concert tours through Europe, Asia and the Middle East.~~
As media artist, Muche combines contemporary music with new media in his audiovisual works. his latest works were presented in bern, paris and during the Art Cologne. Together with Sven Hahne he has been Artistic Director of the FRISCHZELLE festival for Intermedial Performance since 2004. Furthermore he is founder member of ZEITKUNST, which is an association for the advancement and conveyance of audiovisual art."-Timeart Ensemble Website (http://www.zeitkunst.eu/ta/)
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• Show Bio for Ulrich Phillipp
"Ulrich Phillipp (* 1956 ) is a German contrabassist of free jazz and new improvisational music.
Phillipp founded the Wiesbaden improvisation ensemble with Dirk Marwedel and Wolfgang Schliemann. He is one of the founders of the Wiesbaden musician co-operative New Jazz (1979), from which the ARTist collective hervorging in 1983. In addition to the concert activity, the inclusion of other genres, such as Tanzimprovisation, where Phillipp performed with Fine Kwiatkowski, Günter Christmann , Erhard Hirt and others. He also worked with Birgit Ulher and Roger Turner . In 2013 he was involved in the Grand Orchestra of the ensemble."-Wikipedia (translated by Google) (https://de.wikipedia.org/wiki/Ulrich_Phillipp)
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• Show Bio for Christoph Schiller
"Christoph Schiller was born in 1963 in Stuttgart. He studied fine arts at the Kunstakademie Stuttgart and HfBK Hamburg. He later studied piano with Daniel Cholette and music theory in Basel. He has been playing concerts of improvised music on piano since 1987. In recent years the piano has been abandoned in favour of the lighter spinet, for which he has developed specific playing techniques which are influenced by inside piano techniques. Besides keyboard instruments his work with the voice has become increasingly important. He lives in Weil am Rhein and Basel."-Christoph Schiller Website (http://www.christophschiller.net/)
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• Show Bio for Angelika Sheridan
"Angelika Sheridan (* 1965 as Angelika Flacke) is a German improvisational musician (flute, bass player) and music teacher.
Sheridan completed a classical flute study at the Folkwang Hochschule Essen ; As a departure she received the Folkwang Prize in 1990. She has been working as a concert flutist since 1990, and has been working in the field of free improvisation and interdisciplinary projects with fine arts and dance, among others, with Peter Kowald, Michel Doneda, Carl Ludwig Hübsch, Hans Schneider, Gunda Gottschalk, Sebastian Gramss, Matthias Schubert, Dirk Marwedel, Wolfgang Schliemann, Alexander Frangenheim, Thomas Lehn, Lê Quan Ninh, Geraldine Keller, John Butcher and Paul Lytton. With Peter Kowald and Eckard Koltermann, she wrote the film music for My Heart - Nobody! By Helma Sanders-Brahms. She also participated in Butch Morris 's performance of the 1995 Wuppertal Testament. She is currently playing with the duo with Frank Niehusmann (current), since 2004 in the duo with Ute Völker, since 2006 in the Ensemble Hiatus, furthermore with the Ensemble X, Blind Date Quartet. (With Ulrike Stortz, Scott Roller and John Hollenbeck) and the Multiple Joyce Orchestra and the Insub Meta Orchestra.
Sheridan has a lecture for flute, improvisation and didactics at the Cologne University of Music and Dance ; also teaches at the music school in Monheim am Rhein."-Wikipedia (translated by Google) (https://de.wikipedia.org/wiki/Angelika_Sheridan)
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• Show Bio for Nate Wooley
"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.
Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.
Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".
In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.
Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."-Nate Wooley Website (http://natewooley.com/about)
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• Show Bio for Philip Zoubek
"Philip Zoubek (* 1978 in Tulln an der Donau ) is an Austrian pianist of the New Improvisation Music. A striking feature is his highly energetic play, the limits of the pianos, which also include preparation techniques and actions inside the instrument.
Zoubek studied piano at the Conservatory of the City of Vienna from 1996 onwards. He founded the Ubik quartet and took lessons with Uli Scherer before he enrolled at the Musikhochschule Vienna. In 2002 he moved to Cologne, where he studied with Hans Lüdemann, Frank Gratkowski and Marc Ducret. He founded the multimedia project Cauldron, with whom he won the composition competition of the bunker Ulmenwall Bielefeld and the cultural promotion award of the city of Herford; a DVD Q-Spektrum was created in 2003. With the group Snaut with Richard Koch (tp), Eric Schaefer (dr) and Christian Rainer (voice), he toured through Germany and Switzerland and became a prizewinner of the avant-garde competition for Young culture at the Düsseldorfer Altstadtherbst. Since 2004 he belongs to Achim Tang's Trio Torn, which performed successfully in 2011 in a quartet version at the Moers Festival. He was a member of the James Choice Orchestra ( Live at Moers, 2005), Ensemble Creativ, Org, Camera Obscura and the trio Muche / Zoubek / Tang. As a composer Philip Zoubek appeared with his own formation Philz. He also worked with Paul Lytton, Carl Ludwig Hübsch, Ernst Glerum, Herb Robertson, Wilbert de Joode and Christian Thomé.
In 2008 he received the Horst and Gretl Will scholarship for Jazz / Improvised Music of the City of Cologne. Also in 2008 he founded the Trio Z3 with Benjamin Weidekamp and Christian Weber. The formation Z3 was born out of the idea of the music of the Jimmy Giuffre -Trios of the 1960s."-Wikipedia translated by Google (https://translate.google.com/translate?hl=en&sl=de&u=https://de.wikipedia.org/wiki/Philip_Zoubek&prev=search)
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