Three versions of Pisano's composition based on Wallace Steen's poem: a reissue of the original version; an alternate version with different field recordings; and one with the percussion parts alone for the listener to add their own fields recordings.
Label: Gravity Wave
Catalog ID: GW 002
Squidco Product Code: 16202
Packaging: Cardstock Oversized Sleeve
Recorded by Michael Pisaro and Greg Stuart.
Michael Pisaro-field recordings
Greg Stuart-percussion, mixing
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1. California Version 21:06
2. Instrumental Version 19:06
3. Austin Version 21:00
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sample the album:
"July Mountain: three versions, contains a re-release of this 21-minute piece for field recordings and percussion (the original .point engraved edition is sold out), along with two additional versions (one with alternate field recordings by a range of artists, and one with the percussion parts alone, which can either be listened to on its own or combined with field recordings of the listener's choice). The work is a translation of Wallace Stevens' poem "July Mountain" into sound. There are 20 field recordings and nearly 100 separate percussion tracks.
Reviewing the initial release, Brian Olewnick wrote in Just Outside, "[It] sounds ... extraordinary, mysterious, life-abundant. Twenty phased field recordings done in mountain or valley areas mix with percussion extracts (performed superbly by Greg Stuart) sourced from specific instrumental orientations covering an enormous range of timbre and pitch, all sequenced in a temporally exact manner. A great, great work, one I can easily see listening to for many years to come."
Jesse Goin in Crow with no Mouth wrote, "July Mountain is a universe in 21 minutes, and from my vantage point, Pisaro is creating some of the most vital and extraordinary music available to us today." "-Gravity Wave
• Show Bio for Michael Pisaro
"Michael Pisaro was born in Buffalo in 1961. He is a composer and guitarist, a member of the Wandelweiser Composers Ensemble and founder and director of the Experimental Music Workshop, Calarts. His work is frequently performed in the U.S. and in Europe, in music festivals and in many smaller venues. It has been selected twice by the ISCM jury for performance at World Music Days festivals (Copenhagen,1996; Manchester, 1998) and has also been part of festivals in Hong Kong (ICMC, 1998), Vienna (Wien Modern,1997), Aspen (1991), London (Cutting Edge, 2007), Glasgow (INSTAL 2009), Huddersfield (2009), Chicago (New Music Chicago, 1990, 1991) and elsewhere.
He has had extended composer residencies in Germany (Künstlerhof Schreyahn, Dortmund University), Switzerland (Forumclaque/Baden), Israel (Miskenot Sha'ananmim), Greece (EarTalk) and in the U.S. (Birch Creek Music Festival, Wisconsin). Concert length portraits of his music have been given in Munich, Jerusalem, Los Angeles, Vienna, Merano (Italy), Brussels, New York, Curitiba (Brazil), Amsterdam, London, Tokyo, Austin, Berlin, Chicago, Düsseldorf, Zürich, Cologne, Aarau (Switzerland), and elsewhere.
He is a Foundation for Contemporary Arts, 2005 and 2006 Grant Recipient. Much of his music of the last several years is published by Edition Wandelweiser (Germany). Several CDs of his work have been released by such labels as Edition Wandelweiser Records, Compost and Height, confront, Another Timbre, Cathnor, Nine Winds and others, including most recently "transparent city, volumes 1-4", "an unrhymed chord", "hearing metal 1", "A Wave and Waves" and "harmony series (11-16)".
His translation of poetry by Oswald Egger ("Room of Rumor") was published in 2004 by Green Integer. He is Co-Chair of Music Composition at the California Institute of the Arts near Los Angeles. He has performed many of his own works and those of close associates Antoine Beuger, Kunsu Shim, Jürg Frey and Manfred Werder, and works from the experimental tradition, especially John Cage, Christian Wolff, James Tenney and George Brecht."-Wandelweiser (http://www.wandelweiser.de/michael-pisaro.html)
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