Cosa Brava is an experimental rock and improvisation quartet formed in March 2008 by multi-instrumentalist and composer Fred Frith, with members Carla Kihlstedt, Zeena Parkins, Shahzad Ismaily, William Winant, &c.
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Catalog ID: INT204
Squidco Product Code: 16192
Packaging: Jewel Tray
Recorded by The Norman Conquest at Chateau de Faverolles, France between June 1st-4th, 2010 and at New Improved Recording, Oakland, between August 9th-11th, 2011.
Fred Frith-guitar, voice
Carla Kihlstedt-violin, bass harmonica, voice
Zeena Parkins-accordion, keyboards, Foley objects, voice
Shahzad Ismaily-bass, voice
Matthias Bossi-drums, percussion, mayhem, voice, whistling
The Norman Conquest-sound manipulation
William Winant-concert bass drum, crotales
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1. Soul Of The Machine 2:12
2. The Eyjafjallajökull Tango 6:48
3. Drowning 4:04
4. The Wedding 6:07
5. The Letter 3:40
6. Slings And Arrows 7:23
7. Jitters 5:13
8. For Lars Hollmer 8:03
9. Emigrants 4:06
10. Nobody Told Me 4:10
11. Common Sense 7:15
12. Soul Of The Machine (Reprise) 2:05
Related Categories of Interest:
Rock and Related
RIO (Rock in Opposition)
Song Based Music
Staff Picks & Recommended Items
Top 25 for 2012
Objects and Home-made Instruments
sample the album:
"Cosa Brava is about storytelling. I don't think about it too much. It just turned out that way. Some of the stories have words and some don't, but they share a sense of scenes glimpsed in passing. Torn photos, fragments of movies, distant shouts. One of my earliest memories is of a long drive north, as our family moved away from London to start a new life in the Yorkshire dales. I remember the smell of the car, and passing our broken down removals lorry in the middle of night. I was four years old, and sometimes it feels like I've been on the road ever since. I need to travel, and now my life depends on it, so there's never a shortage of stories. The musicians of Cosa Brava are fellow nomads and experienced collaborators, and some of the best storytellers around, so my stories also become their stories. It's been an exhilarating journey, and I still have no idea where we're going. In the end it doesn't seem very important."-Fred Frith, from the liner notes
• Show Bio for Fred Frith
"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.
In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.
The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.
He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.
His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.
Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."-Fred Frith Website (http://www.fredfrith.com/biography.html)
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• Show Bio for William Winant
"In 2016, Winant was awarded a large unrestricted grant from the Foundation of Contemporary Arts in recognition for his groundbreaking work as a contemporary percussionist. In 2014 he received a Grammy nomination for his recording of John Cage's historic solo work, 27' 10.554" for a percussionist, on Micro Fest Records.
He has collaborated with some of the most innovative and creative musicians of our time, including John Cage, Iannis Xenakis, Pierre Boulez, Frank Zappa, Keith Jarrett, Roscoe Mitchell, Anthony Braxton, Fred Frith, James Tenney, Terry Riley, Cecil Taylor, Gerry Hemingway, Mark Dresser, Barry Guy, Marilyn Crispell, George Lewis, Steve Reich and Musicians, Nexus, Charles Wuorinen, Jean-Philippe Collard, Frederic Rzewski, Ursula Oppens, Joan LaBarbara, Annea Lockwood, Danny Elfman/Oingo Boingo, Sonic Youth, Marc Ribot, Keith Rowe, Joey Barron, Bill Frisell, Yo-Yo Ma, Rova Saxophone Quartet, Lawrence "Butch" Morris, and the Kronos String Quartet.
He has recorded and toured worldwide with his own groups including ROOM, w/Chris Brown and Larry Ochs, CHALLENGE, w/Anthony Braxton and David Rosenboom, WAKE, w/Frank Gratkowski and Chris Brown, the ABEL/STEINBERG/WINANT TRIO, and the WILLIAM WINANT PERCUSSION GROUP.
He is principal percussionist with the San Francisco Contemporary Music Players, he has been closely associated with NYC composer John Zorn, and has made numerous recordings, and performed in many projects throughout the world with the composer. Starting in 1995 he has been the percussionist with the avant-rock band Mr. Bungle, has made two recordings ("Disco Volante" and "California" on Warner Brothers), and has toured throughout the world with this group. For many years he had worked with composer Lou Harrison, recording and premiering many of his works, and in March of 1997 he participated in the world premiere of Lou Harrison's quintet "Rhymes with Silver" featuring cellist Yo-Yo Ma and the Mark Morris Dance Group, and has toured the piece throughout the United States and Great Britain.
In the fall of 2011, he joined Mike Patton's Italian pop music project "Mondo Cane" which features a 12 piece band + string orchestra, and have recently completed tours of South America and Australia.
In the fall of 2003, celebrating the 50th anniversary of the Merce Cunningham Dance Company, Mr. Winant, along with composers Takehisa Kosugi and Christian Wolff, created music for a series of eight special "Events" staged by Merce Cunningham and Dancers at London's Turbine Hall at the Tate Modern. Winant continued to tour throughout Europe and the United States with the dance company until 2009
He has made over 200 recordings, covering a wide variety of genres, including music by Earle Brown, John Cage, Morton Feldman, Christian Wolff, John Zorn, Butch Morris, James Newton, Frank Gratkowski, Pauline Oliveros, Luc Ferrari, Karlheinz Stockhausen, Danny Elfman ("Batman Returns"), Siouxse and the Banshees, Secret Chiefs 3, ICP, Han Bennik, The Ex, White Out with Jim O'Rourke, Lou Reed, Thurston Moore, and Mike Patton.
Mr. Winant has premiered many new works written specifically for him, by such noted composers as John Cage, Christian Wolff, Lou Harrison, John Zorn, Zeena Parkins, Bun-Ching Lam, Barbara Monk Feldman, Hi-Kyung Kim, Roscoe Mitchell, Wendy Reid, Ralph Shapey, Peter Garland, Michael Byron, Paul Dresher, Alvin Curran, Frederic Rzewski, Chris Brown, David Rosenboom, Larry Polansky, Gordon Mumma, Alvin Lucier, Terry Riley, Fred Frith, Somei Satoh, and Wadada Leo Smith.
Mr. Winant has been featured as a guest artist with the Los Angeles Philharmonic (under the direction of Pierre Boulez), the San Francisco Symphony, and the Berkeley Symphony (Kent Nagano, director), as well as at Cabrillo Festival, Monterey Jazz Festival, SF Jazz Festival, Central Park Summerstage, Ravinia Festival, Salzburg Festival, Donaueschingen Festival, Victoriaville, Holland Festival, Edinburgh Festival, Ojai Festival, Sonar Festival, All Tomorrow's Parties, Taklos, Other Minds Festival, Lincoln Center, Melt Down Festival, Royal Festival Hall, Library of Congress, The Barbican, The Kennedy Center, Paris Opera, Disney Hall, Miller Theater Composer Portraits Series, Merkin Hall, Guggenheim Museum, and Brooklyn Academy of Music.
For ten years he was principal percussionist with the Cabrillo Festival Orchestra (Dennis Russell Davies, director), and timpanist with the Philharmonia Baroque Orchestra 1985-1988 (Nicholas McGegan, director).
He is a Visiting Lecturer at the University of California at Santa Cruz, and teaches at Mills College and the University of California at Berkeley. For eight years Mr. Winant was Artist-in-Residence at Mills College with the critically acclaimed Abel-Steinberg-Winant Trio. Formed in 1984, the ASW Trio has premiered over 25 new works for violin, piano, and percussion at major festivals and recitals throughout the world. Their recordings can be heard on the New Albion, Tzadik, and CRI/New World labels."-William Winant Website (http://williamwinant.com/#section1)
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