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© 2002-2017, Squidco LLC

Four sessions of music mostly against the Vietnam War - all featuring Steve Lacy and Irene Aebi, in sextet, trio, and quintet with associates including Enrico Rava, Karl Berger, Kent Carter, Richard Tietelbaum, &c.
 

Lacy, Steve
The Sun

Lacy, Steve: The Sun (Emanem)
Label: Emanem    
Released in: Great Britain    


"Four sessions of music mostly against the Vietnam War - all featuring Steve Lacy and Irene Aebi. A previously unissued 1968 presentation of a complex text by Buckminster Fuller intoned by Aebi - a veritable 5-minute tour de force that presages rap. Plus a 7-minute instrumental head arrangement or graphic score by the quintet with Enrico Rava, Karl Berger, Kent Carter & Aldo Romano. Also from 1968, a trio session with Richard Teitelbaum containing two versions of Lacy's first song, 'The Way', and two duo improvisations, which feature some very adventurous playing on saxophone and synthesizer. This was previously only issued in 2000 on the very limited edition Roaratorio LP 01. (3) The same trio performing the previously unissued 'Chinese Food' in 1967, with Aebi reading 2500-year old anti-war texts by Lao Tsu. Finally the powerful 1973 four-part anti-war suite, 'The Woe', with Steve Potts, Kent Carter & Oliver Johnson."-Emanem

Excerpts from sleeve notes:

"It is a disturbing fact that most of the major disputes throughout history have been settled by physical fighting involving killing. Have we really risen much above the rest of the animal world? On the contrary, many animals do not kill members of their own species even though they may fight. It used to be that battles were fought in a remote location between two armies that comprised a small percentage of the population. But let us not forget that military fighters, whether voluntary, conscripted or press-ganged, are human beings too. This mode of warfare culminated in the First World War, when millions of soldiers were killed in a puerile macho attempt to solve the differences between branches of the family that supplied most of the so-called royalty for European countries.

That cataclysm also saw the introduction of one of the most horrendous inventions of the 20th century, namely aerial bombing. This continued in 'peace-time' with the 1924 bombing of Iraqi villages and other rebellious parts of the British Empire. This barbaric practice reached its first nadir in the Nazi destruction of Guernica in the Spanish Civil War. Everyone, not just the military, became a potential casualty in the Second World War with its long list of cities devastated from the air - Coventry, London, Berlin, Dresden, Tokyo, etc, etc - culminating in the atomic bombing of Hiroshima and Nagasaki, which had to be hastened when it was realised that the Japanese were already making approaches to surrender.

Perhaps the greatest density of aerial bombing occurred during the Vietnam War. People who subsequently flew over the remains of that country have reported that there are unbelievable numbers of bomb craters everywhere. That abortive invasion also involved the greatest use of chemical warfare, mainly Agent Orange and napalm which indiscriminately deformed people, animals and plants. It is therefore not surprising that millions of people throughout the world protested against this wholesale sub-bestial butchery.

Steve Lacy and Irene Aebi were amongst the protesters, their first musical protest being CHINESE FOOD using words by a Chinese writer who saw the futility of war some 2500 years previously.

"We were doing protest music about the Vietnam War at that time. Everybody was saying, 'Johnson. Baby killer' and all that. So we were in WBAI and Irene was hurling these Lao Tsu texts about politics and weapons and things like that. It was like political music. The name of the piece we were doing was CHINESE FOOD. Texts from Lao Tzu, which illustrated the absurdity of war and weapons and things like that, were chosen.Steve Lacy (1997 - interview with Lee & Maria Friedlander)" [...]-Martin Davidson



"Kent Carter (born June 14, 1939 in Hanover, New Hampshire, USA. Carter studied several instruments before settling on bass. In the late 50s-early 60s, he studied at Berklee College Of Music, played with Lowell Davidson, and in New York with Jazz Composers Orchestra. From the mid-60s he was in Europe with artists including as Barry Altschul, Derek Bailey, Han Bennink, Carla Bley, Paul Bley, Bobby Bradford, Don Cherry, Steve Lacy, Michael Mantler, Enrico Rava, Max Roach, Roswell Rudd and Mal Waldron. During the 70s he continued his association with Lacy, was with John Stevens' Spontaneous Music Ensemble, TOK, a trio with Takashi Kako and Oliver Johnson, and formed his own trio with Carlos Zingaro and François Dreno.

By the 80s, Carter had relocated to France, teaching at the Beaux Art School, Angouleme, and with his wife forming MAD, a music, arts and dance studio. He worked in Detail, with Frode Gjerstad and Stevens, Project, with Karl Berger, Claude Bernard, Klaus Kugel, Charlie Mariano and Albrecht Maurer, and Voyage, with Beñat Achiary and David Holmes. Carter has also played with Billy Bang, Petras Vysniauskas, Theo Jorgensmann, Andreas Willers and Eckard Koltermann. Carter composes for theatre and film, and performs internationally."

-All Music (http://www.allmusic.com/artist/kent-carter-mn0000086603/biography)
2/22/2017

"Composer/performer Richard Teitelbaum is well known for his pioneering work in live electronic music, and his early explorations of intercultural improvisation and composition. He received his masters degree in theory and composition from Yale in 1964. After continuing his composition studies with Luigi Nono on a Fulbright in Italy, he co-founded the pioneering live electronic music group Musica Elettronica Viva (MEV) with Frederic Rzewski and Alvin Curran in Rome in 1966, bringing the first Moog synthesizer to Europe the following year.

He returned to the United States in 1970 to create the World Band, one of the first intercultural improvisation groups which was made up of master musicians from India, Japan, Korea, the Middle East and North America. His works since then have frequently combined live electronics with the music of other cultures. In 1977 he spent a year in Tokyo, studying shakuhachi (bamboo flute) with the great master Katsuya Yokoyama. His recent CD, Blends (New Albion), for shakuhachi, electronics and percussion, featuring Yokoyama was named one of the ten best contemporary classical CDs of 2002 by The Wire Magazine of London.

He has performed his works at Berlin's Philharmonic Hall, the Concertgebouw in Amsterdam, Almeida Theater and South Bank in London, the Pompidou Center in Paris, the Kennedy Center in Washington, and in concerts and festivals throughout Europe, North America, East Asia and Latin America. He has been commissioned by leading performers, including pianists Aki Takahashi and Ursula Oppens. In 2002 he received a Guggenheim fellowship to create Z'vi, the second opera in a projected trilogy dealing with Jewish mystical expressions of redemptive hopes. Extended sections of Z'vi were premiered at the opening of the Frank Gehry designed Performing Arts Center at Bard College and at the 2003 Venice Biennale. It will be presented again at the Center for Jewish History in New York in April 2005. The first opera of this series, Golem: An Interactive Opera, was premiered at the Jewish Museum in New York in 1989, and subsequently performed in Amsterdam, Berlin, Linz, Victoriaville, Quebec and Seoul, South Korea.

Teitelbaum has received numerous awards, included a Guggenheim in 2002 to create his opera Z'vi, as well as two Fulbrights, and grants from the National Endowment for the Arts, New York State Council on the Arts, New York Foundation for the Arts, The Rockefeller Foundation, the Asian Cultural Council, and commissions from several German radio stations, the Venice Biennale, Meet the Composer/Readers Digest, and the Mary Flagler Cary Trust. In 2004 he received a commission from the Fromm Music Foundation to compose an interactive instrumental and computer work for the Da Capo Chamber Players to be premiered in fall, 2005.

In addition to Blends (New Albion), his many recordings include: Golem: an Interactive Opera, on Tzadik; The Sea Between with Carlos Zingaro, on Victo; Live at Merkin Hall with Anthony Braxton on Music and Arts; Concerto Grosso, for Human Concertino and Robotic Ripieno, on Hat Art; and Spacecraft with Musica Elettronica Viva, on Alga Marghen.

Teitelbaum maintains an active schedule. In March, 2005 he will be in residence at the College of Santa Fe in New Mexico, and featured composer at their International Festival of Electroacoustic Music. Following performances of his opera-in progress Z'vi and with Musica Eletttronica Viva in April, he will travel to Japan on a Freeman Foundation Research Grant in May.

Teitelbaum is also a Professor of Music at Bard College, in upstate New York, where he teaches electronic and experimental music, and co-chairs the music department of the Master of Fine Arts program."

-Inside Bard (http://inside.bard.edu/teitelbaum/biography/)
2/22/2017





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Product Information:

UPC: 5030243502226

Label: Emanem
Catalog ID: 5022
Squidco Product Code: 15768

Format: CD
Condition: New
Released: 2011
Country: Great Britain
Packaging: Cardstock Gatefold Sleeve 3 panels with Booklet
Recorded in Hamburg on February 12th-18th, 1968. Recorded in July 1968 in Roma. Recorded on August 31st, 1967 in New York City. Recorded on January 26th, 1973 in Zurich.

Personnel:

Steve Lacy-soprano saxophone

Irene Aebi-voice

Kent Carter-double bass

Enrico Rava-trumpet

Karl Berger-vibraphone

Aldo Romano-drum set

Richard Teitelbaum-synthesizer

Steve Potts-alto saxophone

Oliver Johnson-drum set

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Track Listing:

1. The Sun 4:52

2. The Gap 7:30

3. The Way (Introduction) 0:39

4. The Way (Take 5?) 2:51

5. Improvisation (Numero Uno) 4:42

6. The Way (Take 6) 6:33

7. Improvisation (Numero Due) 4:29

8. Chinese Food 12:15

9. The Woe - The Wax 1:23

10. The Woe - The Wage 16:52

11. The Woe - The Wane 9:49

12. The Woe - The Wake 2:24