Dan Warburton created a composition by timestretching Al Margolis's If Bwana work, to which Margolis added a timestretched Warburton piano recording, plus traffic and kitchen noises he recorded in Phill Niblock's kitchen.
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Catalog ID: mono042
Squidco Product Code: 15764
Packaging: Cardstock gatefold foldover
Composed in preparation for a concert at De Witte Zaal in Ghent, Belgium which took place on April 4th, 2008.
Dan Warburton-subbass piano
Al Margolis-passing traffic, kitchen noises
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• Show Bio for Dan Warburton
"Dan Warburton was born in 1963 in Rochdale, England. He began studying violin at the age of 7, and piano four years later. With a North West Arts scholarship, he studied violin, piano, and composition (classes of Petr Eben and Dorothy Pilling) at the Royal Northern College of Music Junior School, Manchester. He also worked with composer Derek Bourgeois and percussionist Ian Wright at the National Youth Orchestra of Great Britain, whose musicians created "Music for Ten Percussionists" in 1980.
In 1981 he received a scholarship (Entrance Scholarship) to study music at Gonville and Caius College Cambridge, where he worked with Robin Holloway. His composition "I Will Not Lose Control", written for Peter Wiegold and Gemini, won the North West Young Composers Competition in 1982 and was performed throughout the North of England. In 1984, his music for "The Merry Wives of Windsor" (Shakespeare) won the Best Music Award at the National Student Drama Festival, at the end of a tour in five European countries with the Cambridge European Theater group.
He graduated with First Class Honors in 1984, earning him a Senior Scholarship in Caius to prepare his Master of Philosophy (Musical Composition), which he obtained in 1985. The same year he was awarded the prestigious Harkness Fellowship of the Commonwealth Fund of New York, which allows him to prepare his Doctor of Philosophy (Musical Composition) at the Eastman School of Music, Rochester, New York, from 1986 to 1987, where he works with Robert Morris, Warren Benson and Allan Schindler. In 1986, in New York City, he worked with Steve Reich on an analysis of his "Sextet" for his doctoral thesis.
In 1987, "Modern Dreams / Ancient Nightmares", his poetry / music / video collaboration with Fred Goodwin, went to Riverside Studios, Hammersmith. Warburton obtained his doctorate in 1987 and moved to Paris in 1988, where he worked as a radio presenter, translator (IRCAM, Radio France) and professor at the IACP (Institute Art Culture Perception). In 1992 he won the Lili Boulanger International Prize for Composition (University of Boston), for his compositions "Small Animals", "Littoral" and "New Mexico Disco Project". In 1996, his ballet "Crime Caramel" with The Mireille Barlet Company shot in several cities in the south of France. He is a reporter for The Wire (London), Signal To Noise (USA) and for the internet magazine www.paristransatlantic.com and has written songs for the Newt Hinton Ensemble in The Netherlands, as well as The Composers Ensemble ("Splinters for Misha", created in Dartington, where Warburton works as Affiliate Lecturer in Music since 2005), and soprano Ann Liebeck ("Four Beckett Songs", premiered at Wigmore Hall, London, 1997). Dan Warburton also plays keyboards with the Sons Traques and Return of the New Thing groups (albums on Leo, Ayler and Not Two). He also plays with Bruno Meillier (album "Cho", SMI NM 212) in duo "Rats" with Edward Perraud (Textile, Vynile Series 08, LP), in trio with Jac Berrocal and Aki Onda, in the group Po-Go with Pascal Battus, Frederic Blondy, Bertrand Gauguet."-Dan Warburton Website (Translated by Google) (http://www.paristransatlantic.com/warburton/danbio.html)
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1. I am Sitting in Phill Niblock's Kitchen 44:54
sample the album:
"To prepare for our concert at De Witte Zaal in Ghent, Belgium, on April 4th 2008 - a triple bill with Mecha Orga and Illusion of Safety organised by Esther Venrooy and Han van den Hoof - I took all the Al Margolis / If, Bwana CDs in my record collection, loaded them into the computer and timestretched each piece to last precisely 45 minutes (that being the projected duration of our set), ending up with about 100 tracks of dense sludge which I systematically decanted and edited into a single span of music. Al Margolis then made the final mix the day before the gig by playing it back in the kitchen at Phill Niblock's apartment in Ghent - hence the title of the work, which refers not only to Alvin Lucier's I Am Sitting In A Room, of course, but also to my own remix collaboration with Alan Courtis and Roberto Conlazo, I am not sitting in a room with Reynols (Absurd 43, 2004) - recording the ambient sounds of the space and passing traffic along with it. In concert he added live electronics and clarinet while I played violin. For this version, he repaid the compliment by adding a timestretched and pitchshifted piano piece of mine, Speed Study I (from Guy Livingston's Don't Panic: 60 Seconds for Piano, Wergo WER 6649-2, 2001). Anyone familiar with that work is highly unlikely to recognise it played 45 times slower, but you certainly feel it at times."-Dan Warburton
Dan Warburton. After studies at Cambridge University and a Harkness Fellowship to pursue a doctorate in Composition at the Eastman School of Music (Rochester NY), Dan Warburton settled in Paris in 1988. In 1992 he was awarded the Lili Boulanger Prize for Composition, and subsequently was commissioned to write for the Composers Ensemble (UK) and the Newt Hinton Ensemble (NL). Since 1997 he has been Editor in Chief of the Paris Transatlantic web magazine (www.paristransatlantic.com), and also writes regularly for The Wire (UK) and Signal To Noise (US). As a performer on violin and piano, he has recorded with Alexandre Bellenger, Jac Berrocal, Frédéric Blondy, François Fuchs, Jean-Luc Guionnet, Eric La Casa, Jean-Sébastien Mariage, Bruno Meillier, Aaron Moore, Aki Onda, Edward Perraud, Nikos Veliotis and Reynols, for labels including Tzadik, Wergo, Leo, Ayler, Chloe, Absurd, Durtro, SMI, Crouton, Meniscus, Creative Sources and Not Two.
Since the Eighties, Al Margolis has earned himself an international reputation as a vanguard for experimental music, running the indie cassette label Sound of Pig Music. Among the label's diverse and thrilling offerings, you will find numerous releases by Margolis (under the identity: If, Bwana), wherein he explores a plethora of sonic experiments, transforming conventional sounds into uncanny otherness, and even finding ways to distort unconventional distortions. His music has succeeded in fusing ambience with industrial and musique concrete, producing strange soundscapes that are both soothing and unnerving, often at the same time. In the Nineties, Margolis evolved the Sound of Pig label into Pogus Productions, replacing the cassette medium with compact disk technology. His own sonic pursuits have matured too, growing ever stranger and more daring."-Monotype
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