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Liebman / Eskelin with Tony Marino & Jim Black: Non Sequiturs (Hatology)

Two Liebman originals, Albert Ayler's "Ghosts", and a suite that Ellery Eskelin wrote specifically for this quartet with bassist Tony Marino and drummer Jim Black, allowing the band's energy to be altered by the compositional progressions.
 

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Liner notes by David Liebman and Ellery Eskin.

UPC: 752156071020

Label: Hatology
Catalog ID: Hatology710
Squidco Product Code: 15653

Format: CD
Condition: New
Released: 2012
Country: Switzerland
Packaging: Cardstock Gatefold Sleeve 3 panels
Recorded by Sear Sound, NYC on February 18, 2011 by Jon Rosenberg. CD master by Peter Pfister.


Personnel:

David Liebman-tenor saxophone

Ellery Eskelin-tenor saxophone

Tony Marino-bass

Jim Black-drums

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track listing:


1. New Breed 6:21

2. In The Mean Time 11:20

3. Ghosts 8:17

4. No Opening 2:28

5. Low Visibility 4:17

6. Main North 1:22

7. Uncertain Speech 1:43

8. Vertical Prose 2:08

9. Intended Poem 4:08

10. Tin Baroque 4:42

11. ADJusted Scatter 7:35
Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Jazz/Improv
Hat Art
Quartet Recordings
Hat Hut Masters Sale

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descriptions, reviews, &c.

"Non Sequiturs is a suite written expressly for this group in which the band's musical energy is altered by various compositional progressions (and impediments) much like the flow of a river or stream over varied geographical terrain. The form is episodic, based on elemental balance rather than narrative logic. The composed portions provide ballast against which we as improvisors make our choices elaborating upon (or more often contrasting) the given material, resulting in a compositional and group oriented approach rather than soloistic one (even as there remain some overtly soloistic passages). Often I have provided rhythms upon which we spontaneously choose our own notes."-Ellery Eskelin, from the liner notes


Liner notes by David Liebman and Ellery Eskin.

Artist Biographies:

"For the past thirty years Ellery Eskelin has been at the forefront of the global creative improvised music scene. Based in New York City, he has traveled widely performing, recording and amassing a very personal and iconoclastic body of work. And yet Ellery Eskelin has always remained deeply committed to the traditions of jazz and American music. Eskelin embodies this seeming contradiction with ease. He does not see jazz as a style or idiom but as a process. Further, a process of creative development that has great relevancy to our time. In this pursuit Eskelin consistently delivers to the listening public unadulterated, passionate music with no excuses and no apologies.

Ellery Eskelin (born 1959) was raised in Baltimore and began playing the tenor saxophone at age ten, inspired by his mother "Bobbie Lee" who played Hammond B3 organ professionally in the early sixties. In 1983 Eskelin moved to New York City and in 1987 began recording with the cooperative group Joint Venture which also began his exposure on the European international touring circuit. Soon after, Eskelin formed the first of many projects as a leader beginning with a trio comprised of bassist Drew Gress and drummer Phil Haynes followed by a short lived group featuring Joe Daley on tuba and Arto Tuncboyaciyan on bakdav drums and percussion. In 1992 Eskelin joined drummer Joey Baron's group, "Baron Down" (instrumentation of drums, trombone and saxophone), an experience that proved to be an important catalyst in his own work fostering an increased interest in new and unusual instrumentation. In 1994 Eskelin formed the group most often associated with him including accordionist Andrea Parkins and drummer Jim Black. To date he has written over 50 compositions for this group, each of which has been documented on a series of CD releases on the Swiss hatHUT record label. The band has toured regularly and performed hundreds of concerts in the US, Canada and throughout Europe during the past twenty years. Eskelin's most recent project is "Trio New York" featuring organist Gary Versace and drummer Gerald Cleaver. "Trio New York" takes a free approach to the great American songbook, bringing Eskelin full circle to his musical beginnings while addressing his varied musical journeys since then.

Along the way Eskelin has done a number of side projects including a group featuring guitarist Marc Ribot and drummer Kenny Wollesen dedicated to the music of Gene Ammons, improvisatory duos with Dutch drummer Han Bennink, an improvising ensemble consisting of strings, vibraphone and saxophone and most recently a group featuring Susan Alcorn on pedal steel guitar and bassist Michael Formanek. Over the years Eskelin has developed a number of other important associations with musicians such as Gerry Hemingway, Mark Helias, Sylvie Courvoisier, and Bobby Previte. As a side-person Eskelin has worked with a broad cross section of jazz, avant-pop and new-music figures such as organist Brother Jack McDuff, composer Mikel Rouse, guitarist Eugene Chadbourne, oud player and composer Rabih Abou-Khalil, drummer Daniel Humair and the pseudo-group "The Grassy Knoll" among many others.

Eskelin's recordings as a leader and co-leader (there are currently twenty) have been named in Best of the Year critics' polls in the New York Times, The Village Voice , and major jazz magazines in the US and abroad. He also appears on over fifty recordings as a side person. DownBeat Magazine named Eskelin as one of the 25 Rising Stars for the Future in its January 2000 issue ("...players who not only insure the music's survival but promise to take it to the next level") as well as including him in their Annual Critics Polls nearly every year since then. Eskelin was a nominee for the prestigious Danish Jazzpar award in 2003 and was the recipient of a Chamber Music America French-American Exchange grant in 2007 and in 2014 as well as a Chamber Music America New Jazz Works grant in 2009."

-Ellery Eskelin Website (http://home.earthlink.net/~eskelin/styled-5/)
8/15/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Jim Black is at the forefront of a new generation of musicians bringing jazz into the 21st century. In addition to being one of the most influential drummers of our time, he is also the leader of one of the world's most forward-thinking bands, AlasNoAxis, featuring his longtime collaborators Chris Speed, Hilmar Jensson and Skúli Sverrisson. Based on the foundation of his virtuosic but highly personal approach to jazz drumming, Black's aesthetic has expanded to include Balkan rhythms, rock songcraft and laptop soundscapes. Though he is revered worldwide for his limitless technique and futuristic concepts, what many listeners treasure in most Jim Black's work is the relentless feeling of joy and invention he brings to his performances. Jim Black's smiling, kinetic, unpredictable presence has enthralled and inspired audiences worldwide for over twenty-five years.

Since the mid-90's, Black has played a major role in the incorporation of new sounds and techniques into the jazz/creative music context. As a member of the collective group Pachora (with Speed, Sverrisson, and guitarist Brad Shepik) Black was one of the leaders in the study and adaptation of Balkan music into jazz-based music. His advanced techniques abstracted the odd time signatures of the Balkans into a new polyrhythmic language equally informed by modern jazz, drum&bass and the dumbeks of the Balkans. Black has also been an innovator in the use of electronics in improvisation, bridging the gap between electro-acoustic improv and more jazz-based traditions. Today, Black's performances are just as likely to feature his laptop-based electronic textures as his drumming.

Born in 1967, Jim Black grew up in Seattle alongside future colleagues Chris Speed, Andrew D'Angelo and Cuong Vu. After cementing their personal and artistic relationships in Seattle's various youth jazz ensembles, in 1985 they moved to Boston, where Black entered the Berklee School of Music. In Boston, Black, Speed and D'Angelo formed Human Feel with guitarist Kurt Rosenwinkel, which rapidly attracted the attention of the jazz cognoscenti in Boston, New York and beyond.

By 1991, Black and the other members of Human Feel had moved to New York City, where they electrified the Downtown music scene then centered around the Knitting Factory and rapidly became among the city's busiest sidemen. Black's early years in New York saw him take featured roles in some of the most critically acclaimed bands of the time, like Tim Berne's Bloodcount, Ellery Eskelin's trio, and Dave Douglas's Tiny Bell Trio. Thus began fifteen years of near-constant touring and recording, with the above bands as well as artists like Uri Caine, Dave Liebman, Nels Cline, Steve Coleman, Tomasz Stanko, and Laurie Anderson.

-Jim Black Website (http://www.jimblack.com/Jim_Black_dotcom/BIO.html)
8/15/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Other Releases With These Artists:
Bica, Carlos & Azul (feat. Frank Mobus / Jim Black)
Azul In Ljubljana
(Clean Feed)
Fujii, Satoko Orchestra New York
Fukushima
(Libra)
Mori, Ikue (w/ Jim Black / Okkyung Lee / Sylvie Courvoisier)
Obelisk
(Tzadik)
Black, Jim
Malamute
(Intakt)
Eskelin / Weber / Griener
Sensations of Tone
(Intakt)
Bica, Carlos & Azul (w/ Frank Mobus / Jim Black)
More Than This
(Clean Feed)
Dresser, Mark Seven (Mitchell / Ehrlich / Boroff / Dessen / White / Black)
Sedimental You
(Clean Feed)
Davis, Kris Infrasound (w/ Goldberg / Noriega / Badenhorst / Bishop / Radley / Versace / Black)
Save Your Breath
(Clean Feed)
Eskelin, Ellery
Solo Live At Snugs
(Hatology)
Nagai, Shoko (w/ Reynolds / Goldberger / Takeishi / Black)
Taken Shadow
(Animul)
Fujii, Satoko New York Orchestra
Shiki
(Libra)
Trumpets and Drums (Wooley / Evans / Black / Lytton)
Live in Ljubljana
(Clean Feed)
Eisenstadt, Harris September Trio
The Destructive Element
(Clean Feed)
Eskelin, Ellery with Susan Alcorn and Michael Formanek
Mirage
(Clean Feed)
Bica, Carlos & Azul
Things About
(Clean Feed)
Broken Record Chamber
Free Improv For Robots
(Spool)
Eisenstadt, Harris
September Trio
(Clean Feed)
Fujii, Satoko Orchestra New York
ETO
(Libra)
Eskelin, Ellery / Andrea Parkins / Jim Black
One Great Day
(hatOLOGY)
Douglas, Dave Tiny Bell Trio
Constellations
(Hatology)
Jensson, Hilmar's TYFT
Smell the Difference
(Skirl)
Eskelin, Ellery / Parkins, Andrea / Black, Jim
One Great Night...Live
(Hatology)
Fujii, Satoko Orchestra New York
Summer Suite
(Libra)
Fujii Trio, Satoko
Trace A River
(Libra)
Gonzalez NY Quartet, Dennis
Dance of the Soothsayer's Tongue (At Tonic)
(Clean Feed)
Hemingway Quartet, Gerry
The Whimbler
(Clean Feed)
Recommended & Related Releases:
Fujii, Satoko Orchestra New York
Fukushima
(Libra)
Mori, Ikue (w/ Jim Black / Okkyung Lee / Sylvie Courvoisier)
Obelisk
(Tzadik)
Dresser, Mark Seven (Mitchell / Ehrlich / Boroff / Dessen / White / Black)
Sedimental You
(Clean Feed)
Davis, Kris Infrasound (w/ Goldberg / Noriega / Badenhorst / Bishop / Radley / Versace / Black)
Save Your Breath
(Clean Feed)
Nagai, Shoko (w/ Reynolds / Goldberger / Takeishi / Black)
Taken Shadow
(Animul)
Fujii, Satoko New York Orchestra
Shiki
(Libra)
Trumpets and Drums (Wooley / Evans / Black / Lytton)
Live in Ljubljana
(Clean Feed)
Eisenstadt, Harris September Trio
The Destructive Element
(Clean Feed)
Bica, Carlos & Azul
Things About
(Clean Feed)
Broken Record Chamber
Free Improv For Robots
(Spool)
Eisenstadt, Harris
September Trio
(Clean Feed)
Fujii, Satoko Orchestra New York
ETO
(Libra)
Douglas, Dave Tiny Bell Trio
Constellations
(Hatology)
Jensson, Hilmar's TYFT
Smell the Difference
(Skirl)
Fujii, Satoko Orchestra New York
Summer Suite
(Libra)
Fujii Trio, Satoko
Trace A River
(Libra)
Gonzalez NY Quartet, Dennis
Dance of the Soothsayer's Tongue (At Tonic)
(Clean Feed)
Hemingway Quartet, Gerry
The Whimbler
(Clean Feed)
Other Recommended Releases:
Bica, Carlos & Azul (feat. Frank Mobus / Jim Black)
Azul In Ljubljana
(Clean Feed)
Adkins, Michael Quartet (w/ Russ Lossing / Larry Grenadier / Paul Motion)
Flaneur
(Hatology)
Black, Jim
Malamute
(Intakt)
Eskelin / Weber / Griener
Sensations of Tone
(Intakt)
Bica, Carlos & Azul (w/ Frank Mobus / Jim Black)
More Than This
(Clean Feed)
Evans, Charles / Liebman / Marino / Stabinsky
On Beauty
(More Is More)
Eskelin, Ellery
Solo Live At Snugs
(Hatology)
Von Wyl, Luzia Ensemble
Frost
(Hatology)

Search for other titles on the Hatology label.